{"id":202408,"date":"2026-08-21T21:17:38","date_gmt":"2026-08-21T19:17:38","guid":{"rendered":"https:\/\/svetslik.si\/?post_type=product&p=202408"},"modified":"2026-08-21T21:17:56","modified_gmt":"2026-08-21T19:17:56","slug":"view-of-the-fortifications-to-the-left-of-the-gate-of-vanves","status":"publish","type":"product","link":"https:\/\/svetslik.si\/en\/henri-rousseau\/view-of-the-fortifications-to-the-left-of-the-gate-of-vanves\/","title":{"rendered":"Henri Rousseau \u2013 View of the Fortifications to the Left of the Gate of Vanves"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n<\/colgroup>\n<\/table>\n

View of the Fortifications to the Left of the Gate of Vanves \u2013 a hand-painted reproduction<\/h2>\n

The upper half of the scene is a pale grey-lilac sky, almost featureless, with a faint
\npink tinge at the very top left. At the left a long pale stone wall with a flat coping runs
\nfrom the lower left corner up towards the middle, and above it a green grassy bank carries a
\nrow of low trees with pale foliage along its crest. Near the centre stands a tall dark wooden
\nframe with rungs, like a ladder stood upright and leaning slightly; immediately to its right
\na taller pale grey post carries a horizontal arm at its top, projecting to the left. Below
\nthem open green ground slopes gently away. On it two small figures stand together, one in a
\nlong red garment and one in dark, and lower to the right a larger figure \u2013 a man in a dark
\ncoat and a broad dark hat \u2013 walks along a pale sandy path beside a dark hedge. At the right
\nrises a row of tall slender trees with pale grey-green crowns, and behind the dark hedge
\nbeneath them stands a row of low pale-fronted buildings with red and dark brown roofs. At the
\nlower left is the dark signature Henri Rousseau.<\/p>\n

A painting that spends its colour sparingly<\/h3>\n

The whole canvas is silvery and low in colour: sky, wall, grass and crowns all move within
\na narrow band of greys and pale greens. That is exactly why two places catch fire \u2013 the red
\ngarment on the grass and the red roofs behind the hedge. This is not an absence of colour but
\na rationing of it, and the opposite case in this group is Outskirts of Paris<\/a>, where the same fringe of the
\ncity is painted fuller and warmer.<\/p>\n

Two objects we do not name<\/h3>\n

Two constructions stand on the grass, drawn precisely and left unexplained: a wooden frame
\nwith rungs, and a grey post with a horizontal arm. What they were we do not claim \u2013 the
\nrecord says nothing about them, and the shapes alone cannot carry a function. That silence is
\npart of the effect: the scene looks like the edge of a city, where things stand without
\nanyone explaining why. A related reticence appears in Scene in Bagneux on the Outskirts of Paris<\/a> and in Sawmill, Outskirts of Paris<\/a>, where work and
\nbuildings likewise stand without a story attached.<\/p>\n

What it means on the wall<\/h3>\n

The original measures 31 cm x 41 cm and is small and landscape. Because the colour range
\nis narrow, the canvas stays quiet even at larger sizes and does not take over a wall; at
\nsmall sizes the three figures and the row of roofs collapse into dots, so wider measurements
\nsuit it better. We do not reproduce canvases at the original measurement; you choose the size
\nfor your wall. For a more colourful view of the same surroundings, see Environs de Paris<\/a>.<\/p>\n

How a hand-painted reproduction is made<\/h3>\n

Every canvas is painted by hand in oils, to order, in the size you choose. The painter
\nworks from a high-resolution photograph of the original, layer by layer, so that the red
\ngarment on the grass, the rungs of the wooden frame and the row of roofs stay legible at
\nsmaller sizes too. Because this is hand work, two canvases of the same size always differ
\nslightly; that is not a fault but the difference between a painting and a print. Prices on
\nthis page start at 155 EUR for the smallest size.<\/p>\n","protected":false},"excerpt":{"rendered":"

Year: 1909 Original size: 31 cm x 41 cm Painting style: Naive art (primitivism), post-impressionist period Original technique: Oil on canvas Located at: Hermitage Museum, Saint Petersburg, Russia View of the Fortifications to the Left of the Gate of Vanves \u2013 a hand-painted reproduction The upper half of the scene […]<\/p>\n","protected":false},"featured_media":202396,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[9809],"product_tag":[9870,9862,9863,9866],"class_list":["post-202408","product","type-product","status-publish","has-post-thumbnail","product_cat-henri-rousseau","product_tag-painter","product_tag-reproduction-en","product_tag-reproductions","product_tag-rousseau-en","pa_dimenzija-104-x-81-cm","pa_dimenzija-110-x-85-cm","pa_dimenzija-116-x-89-cm","pa_dimenzija-130-x-94-cm","pa_dimenzija-135-x-105-cm","pa_dimenzija-70-cm-x-52-cm","pa_dimenzija-75-x-58-cm","pa_dimenzija-80-cm-x-63-cm","pa_dimenzija-90-x-71-cm","pa_dimenzija-95-x-75-cm","pa_oblika-horizontal","pa_okvir-without-frame","pa_podokvir-without","pa_podokvir-yes","first","onbackorder","purchasable","product-type-variable"],"acf":[],"yoast_head":"\nHenri Rousseau \u2013 View of the Fortifications to the Left of the Gate of Vanves - SvetSlik.si<\/title>\n<meta name=\"description\" content=\"View of the Fortifications at the Gate of Vanves (1909, Hermitage) as a hand-painted oil reproduction on canvas, in your size. 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\nYear:<\/td>\n\n1909<\/td>\n<\/tr>\n
\nOriginal size:<\/td>\n\n31 cm x 41 cm<\/td>\n<\/tr>\n
\nPainting style:<\/td>\n\nNaive art (primitivism), post-impressionist period<\/td>\n<\/tr>\n
\nOriginal technique:<\/td>\n\nOil on canvas<\/td>\n<\/tr>\n
\nLocated at:<\/td>\n\nHermitage Museum, Saint Petersburg, Russia<\/td>\n<\/tr>\n<\/tbody>\n