{"id":242563,"date":"2026-10-19T12:20:29","date_gmt":"2026-10-19T10:20:29","guid":{"rendered":"https:\/\/svetslik.si\/?post_type=product&p=242563"},"modified":"2026-10-19T15:03:44","modified_gmt":"2026-10-19T13:03:44","slug":"martha-and-mary-magdalene-caravaggio","status":"publish","type":"product","link":"https:\/\/svetslik.si\/en\/caravaggio\/martha-and-mary-magdalene-caravaggio\/","title":{"rendered":"Caravaggio \u2013 Martha and Mary Magdalene"},"content":{"rendered":"
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Martha and Mary Magdalene is a painting by Caravaggio from about 1598: two women sit at a table, Martha in shadow on the left leaning forward and counting off her reasons on her fingers, Mary Magdalene in a rich red dress turning an orange blossom between her fingers and resting her hand on a convex mirror. The original, oil on canvas, is 98 cm high and 133 cm wide and belongs to the Detroit Institute of Arts. Our painter paints it for you by hand in oil on canvas in 8 landscape sizes, from 56 x 40 to 150 x 105 cm, or made to measure, and we send you a photograph of the finished painting before dispatch.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n<\/colgroup>\n<\/table>\n

Martha and Mary Magdalene \u2013 Caravaggio<\/h2>\n

What can you see in Martha and Mary Magdalene?<\/h3>\n

The scene is close and tight: two half-length figures at a table against a dark background. On the left sits Martha, her face half in shadow. She leans towards her sister and taps the fingers of one hand against the other, as if listing one argument after another.<\/p>\n

On the right is Mary Magdalene, in the light and dressed in red, the colour painters traditionally gave the Magdalene. Her blouse is embroidered and her sleeves are full. Between her fingers she holds an orange blossom, and with the other hand she leans on a convex Venetian mirror.<\/p>\n

The mirror reflects her hand and a rectangular window, and her middle finger points at that reflection. On the cream-brown table lie an ivory comb and an alabaster dish with a sponge.<\/p>\n

What story lies behind the scene?<\/h3>\n

The painting follows a medieval tradition in which the sisters Martha and Mary of the Gospels were Martha of Bethany and Mary Magdalene, and the Magdalene was believed to have lived as a courtesan before her conversion. Today Mary of Bethany is seen as a separate figure, but Caravaggio painted what his own age believed.<\/p>\n

Martha has already met Jesus and now presses her sister to leave a life of pleasure behind. The mirror stands for the vanity Mary will give up. The power of the work lies in Mary\u2019s face, caught at the moment her conversion begins.<\/p>\n

The Church Fathers, starting with Origen, read the two sisters as the active and the contemplative sides of the life of faith. The work is also known as Martha Reproving Mary and The Conversion of the Magdalene.<\/p>\n

Why is the painting so admired?<\/h3>\n

Caravaggio painted it while he was living in the palace of his patron, Cardinal Francesco Maria del Monte. Two women he often painted in those years sat for it: Fillide Melandroni as Mary and Anna Bianchini as Martha.<\/p>\n

According to Wikipedia, Caravaggio would certainly have known Bernardino Luini\u2019s Martha and Mary, a work once attributed to Leonardo da Vinci.<\/p>\n

Since its rediscovery its influence has become clear: many copies, a lost work by Carlo Saraceni and a well-known version by Orazio Gentileschi, now in Munich. The whole story of the work is told in the Wikipedia article<\/a>, written in English.<\/p>\n

Where is the original, and how did it get there?<\/h3>\n

The original hangs in Detroit, in the collection of the Detroit Institute of Arts, which acquired it in 1973. Before that, on 25 June 1971, its owners tried to sell it at Christie\u2019s in London, but it stayed unsold at 130,000 guineas.<\/p>\n

It probably belonged first to Ottavio Costa, one of Caravaggio\u2019s patrons. His will of 1606 lets Ruggero Tritonio choose between this work and a Saint Francis, so Martha and Mary probably passed to Juan Enriquez de Herrera late in 1606.<\/p>\n

For the later years there is only a seal and inscriptions on the back of the canvas naming members of the Panzani family, who have never been traced. Today it is generally accepted as Caravaggio\u2019s own work.<\/p>\n

Martha and Mary Magdalene or another Caravaggio?<\/h3>\n

This is a canvas painting about conversation and choice, with no violence, so it suits a living room, a dining room or a work corner. The woman who plays Martha here, Wikipedia says, also sat alone for Penitent Magdalene<\/a>, where the Magdalene sits quietly beside the jewellery she has set down.<\/p>\n

If the mirror and the theme of reflection draw you, the natural neighbour is Narcissus<\/a>, where a young man loses himself in his own face on the water. For a table scene with even more gestures and glances, look at The Cardsharps<\/a>; for silence among books, Saint Jerome Writing<\/a>.<\/p>\n

All the famous Caravaggio paintings our painter makes to order are on the Caravaggio<\/a> page.<\/p>\n

How does our painter paint your Martha and Mary Magdalene?<\/h3>\n

We start only once you order, and the painting is built up layer by layer in oil on canvas. The painter first lays in the dark ground and the shadow that holds Martha\u2019s face, then the Magdalene\u2019s lit face and shoulders.<\/p>\n

Next come the red dress, the embroidery on the blouse and the hands of both women, because the fingers carry the conversation: Martha\u2019s counting, Mary\u2019s holding the blossom. Last come the mirror with its window, the ivory comb, the alabaster dish and the grain of the tabletop.<\/p>\n

The result is a Caravaggio reproduction with brush marks and colour that has depth. A print cannot do this, because it stays a thin film on the surface. A true oil painting reproduction changes with the light in the room: the red dress looks warmer in the afternoon than in the morning.<\/p>\n

Which size suits which wall?<\/h3>\n

In short: 130 x 91 or 150 x 105 cm above a sofa, 101 x 74 or 114 x 82 cm above a sideboard or in a dining room, 70 x 52 or 80 x 59 cm for a hallway or a smaller wall, and 56 x 40 or 63 x 45 cm for a shelf or a narrow wall.<\/p>\n

There are 8 landscape sizes (width x height): 56 x 40, 63 x 45, 70 x 52, 80 x 59, 101 x 74, 114 x 82, 130 x 91 and 150 x 105 cm. The closest to the original is 130 x 91 cm, which is 3 cm narrower and 7 cm lower.<\/p>\n

As a painting for the living room above a three-seater, 130 x 91 cm works well, because both women and the things on the table read clearly from the far side of the room. Hang the centre at about eye level and leave 20 to 30 cm between the lower edge and the backrest.<\/p>\n

Can I have another size or a frame?<\/h3>\n

Yes. The original is roughly 4 : 3 in proportion, so it moves easily onto almost any landscape size without cropping Martha\u2019s fingers or the mirror. Tell us the width and height you need<\/a> and we will reply with a price and a date.<\/p>\n

Martha and Mary can travel rolled, stretched on a stretcher bar or already framed. Our workshop in Slovenia does the stretching and framing and prepares every painting we send in the same way. You choose the frame in our 3D app, which is only for choosing frames; seeing the painting on your own wall is a separate service.<\/p>\n

An old-gold frame suits the red dress; plain dark wood suits the dark background.<\/p>\n

When and how does the painting arrive?<\/h3>\n

We begin as soon as your order comes in, and the painting is ready to ship in 15 to 45 working days. Before dispatch we send you a photograph of your finished Martha and Mary Magdalene; if you want anything changed, we change it. There are no customs within Slovenia and the rest of the EU, and our returns policy covers every order.<\/p>\n

A scene of two sisters makes a good gift for a sister, a friend or someone who listens well and gives advice. To let the recipient choose the size, give a wall art voucher<\/a>.<\/p>\n

Frequently asked questions<\/h3>\n

Where can the original be seen?<\/h4>\n

In Detroit, in the United States, at the Detroit Institute of Arts.<\/p>\n

What does the mirror on the table mean?<\/h4>\n

It stands for the vanity the Magdalene is about to leave behind.<\/p>\n

Is this a print?<\/h4>\n

No. Each one is a hand-painted copy that our painter brings onto the canvas in oil only after you order.<\/p>\n

How big is the original?<\/h4>\n

It is 98 cm high and 133 cm wide; our nearest size is 130 x 91 cm.<\/p>\n

Does it suit a dining room or a living room?<\/h4>\n

Yes. The scene is calm, and the landscape format fits over a sofa, a sideboard or a dining table.<\/p>\n

Who are the two women?<\/h4>\n

Martha of Bethany and Mary Magdalene, who in Caravaggio\u2019s day were believed to be sisters.<\/p>\n

Can I order it in a different size?<\/h4>\n

Of course. Send us the width and height and we will reply with a price and a production time.<\/p>\n

How long does it take to make?<\/h4>\n

Between 15 and 45 working days; we send a photograph of the finished painting before it ships.<\/p>\n

    \n
  • Subject:<\/strong> Martha, in shadow, urges her sister on, while Mary Magdalene in red holds an orange blossom and touches a mirror; on the table lie a comb and a dish with a sponge.<\/li>\n
  • Original:<\/strong> c. 1598, oil on canvas, 98 x 133 cm, Detroit Institute of Arts, Detroit.<\/li>\n
  • Ours:<\/strong> painted by hand in oil on canvas, in 8 landscape sizes from 56 x 40 to 150 x 105 cm or made to measure.<\/li>\n
  • Worth knowing:<\/strong> the model for the Magdalene was Fillide Melandroni, whom Caravaggio also painted as Saint Catherine in 1598.<\/li>\n<\/ul>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

    Caravaggio\u2019s Martha and Mary Magdalene: Martha, in shadow, urges her sister, who holds an orange blossom and touches a mirror. The original is in Detroit. Hand-painted in oil or acrylic on canvas, 8 sizes or made to measure.<\/p>\n","protected":false},"featured_media":242558,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[14294],"product_tag":[14403],"class_list":["post-242563","product","type-product","status-publish","has-post-thumbnail","product_cat-caravaggio","product_tag-large-wall-paintings","pa_dimenzija-101-x-74-cm","pa_dimenzija-114-x-82-cm","pa_dimenzija-130-x-91-cm","pa_dimenzija-150-cm-x-105-cm","pa_dimenzija-40-cm-x-56-cm","pa_dimenzija-63-x-45-cm","pa_dimenzija-70-cm-x-52-cm","pa_dimenzija-80-cm-x-59-cm","pa_oblika-horizontal","pa_okvir-without-frame","pa_podokvir-without","pa_podokvir-yes","first","onbackorder","purchasable","product-type-variable"],"acf":[],"yoast_head":"\nMartha and Mary Magdalene \u2013 Caravaggio, oil painting<\/title>\n<meta name=\"description\" content=\"Caravaggio\u2019s Martha and Mary Magdalene (c. 1598), hand-painted in oil on canvas: 8 landscape sizes from 56 x 40 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Title:<\/td>\nMartha and Mary Magdalene<\/td>\n<\/tr>\n
Other titles:<\/td>\nMarta e Maria Maddalena \u00b7 Martha und Maria Magdalena<\/td>\n<\/tr>\n
Painter:<\/td>\nMichelangelo Merisi da Caravaggio (1571\u20131610)<\/td>\n<\/tr>\n
Year painted:<\/td>\nc. 1598<\/td>\n<\/tr>\n
Original size:<\/td>\n98 cm x 133 cm (height x width)<\/td>\n<\/tr>\n
Original technique:<\/td>\nOil on canvas<\/td>\n<\/tr>\n
Painting style:<\/td>\nBaroque, tenebrism<\/td>\n<\/tr>\n
Located at:<\/td>\nDetroit Institute of Arts, Detroit<\/td>\n<\/tr>\n
Our reproduction:<\/td>\nHand-painted oil on canvas, 8 sizes or made to measure<\/td>\n<\/tr>\n<\/tbody>\n