{"id":243559,"date":"2026-10-19T14:52:14","date_gmt":"2026-10-19T12:52:14","guid":{"rendered":"https:\/\/svetslik.si\/?post_type=product&p=243559"},"modified":"2026-10-19T14:52:41","modified_gmt":"2026-10-19T12:52:41","slug":"burial-of-saint-lucy-caravaggio","status":"publish","type":"product","link":"https:\/\/svetslik.si\/en\/caravaggio\/burial-of-saint-lucy-caravaggio\/","title":{"rendered":"Caravaggio \u2013 The Burial of Saint Lucy"},"content":{"rendered":"
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The Burial of Saint Lucy is an altarpiece Caravaggio painted in 1608. In a vast, empty stone vault two huge gravediggers in the foreground bend towards the ground and dig a grave; behind them lies the dead saint, and around her, in a dense group, stand mourners, a bishop with mitre and crozier and a soldier in armour. The original, oil on canvas, is 408 cm high and 300 cm wide and is today in the church of Santa Lucia al Sepolcro in Syracuse, Sicily. When you order, one of our painters paints the scene by hand in oils on canvas, in 6 portrait sizes from 92 x 127 to 166 x 230 cm or made to measure, and you see the finished work in a photograph before it is dispatched.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n<\/colgroup>\n<\/table>\n

The Burial of Saint Lucy \u2013 Caravaggio<\/h2>\n

What does The Burial of Saint Lucy show?<\/h3>\n

The space is what strikes you first. The high stone vault is almost empty, and the upper half of the canvas is nothing but a bare, dark wall. Caravaggio presses every person into the lower half, as if the weight of the event had pulled them down to the floor.<\/p>\n

Right at the front two gravediggers are at work. They are painted larger than any other figure, with powerful shoulders and arms, and both bend over the earth in which they are digging the grave.<\/p>\n

Lucy lies on the ground behind them, quiet and still. A close group of mourners gathers around her, and among them you can make out a bishop with mitre and crozier and a soldier in armour.<\/p>\n

Who was Saint Lucy?<\/h3>\n

According to The Golden Legend, Lucy lived in Syracuse and gave her wealth to the poor, in gratitude for the miraculous healing of her mother. She was denounced as a Christian by her own suitor, who wrongly suspected her of being unfaithful.<\/p>\n

She refused to recant, offered her chastity to Christ and was sentenced to be dragged to a brothel. Yet in the legend nothing and nobody could move her from the spot where she stood. She died when a knife pierced her throat, and where she fell the church of Santa Lucia al Sepolcro was later built.<\/p>\n

Lucy is the patron saint of Syracuse and was buried beneath that church. So Caravaggio does not paint the martyrdom itself but the moment after it: the grave being dug and the people standing beside the dead woman.<\/p>\n

Why is this painting so unusual?<\/h3>\n

Because of the emptiness. The scholar Howard Hibbard spoke of the \u201cpowerful emptiness\u201d of the final version. The bare wall above the figures carries no ornament, which is why the people beneath it look small and vulnerable.<\/p>\n

Because of the proportions. The gravediggers are enormous and the mourners behind them smaller, so the eye takes in the work of hands before it registers the grief.<\/p>\n

And because of a secret under the paint. X-rays revealed that Caravaggio first painted Lucy beheaded, as the Greek version of her life tells it, and then changed the scene so that only a cut in her throat shows, following the Latin version. Wikipedia says he probably made the change at the request of the city\u2019s senate. The English Wikipedia article<\/a> explains all this in more detail.<\/p>\n

Where is the original, and how did it come about?<\/h3>\n

In Syracuse, Sicily, in the Franciscan church of Santa Lucia al Sepolcro, for which Caravaggio painted it in 1608.<\/p>\n

That year Caravaggio had escaped from prison on Malta and fled to Syracuse. There his Roman companion Mario Minniti helped him obtain this commission.<\/p>\n

The choice of subject was no accident. It was an unusual theme, but one that mattered greatly to the local authorities, who wanted to strengthen the cult of their patron saint. That cult had suffered a setback when her remains were stolen from the city in the Middle Ages.<\/p>\n

The Burial of Saint Lucy or another Caravaggio?<\/h3>\n

The Burial of Saint Lucy is a serious, composed canvas painting for a tall wall: a stairwell, a corridor with a high ceiling or any room where an upright canvas can breathe.<\/p>\n

From the same Sicilian years comes The Adoration of the Shepherds<\/a>, which Caravaggio painted a year later for the Capuchins in Messina, again with a bare, dark space around the figures. A similarly restrained grief beside a dead woman fills Death of the Virgin<\/a>, whose original is 369 cm high.<\/p>\n

A year before the Lucy came The Crucifixion of Saint Andrew<\/a>, in which a thin old man on the cross looks up towards the light. If you prefer a scene at a table, see The Supper at Emmaus<\/a> too. All the famous Caravaggio paintings our painters make to order are gathered on the Caravaggio<\/a> page.<\/p>\n

How does our painter paint your Burial of Saint Lucy?<\/h3>\n

We only start painting a Lucy once your order has arrived, and we build it up layer by layer in oil on canvas. The painter first settles the dark tone of the wall and the outlines of the two gravediggers, because these two figures carry the balance of the whole canvas.<\/p>\n

Then comes the group behind them: the bishop\u2019s mitre and staff, the metallic gleam of the armour, the faces of the mourners and finally the motionless figure of the saint on the ground.<\/p>\n

The empty wall asks for the most patience. It is not covered with a single colour; the painter builds it in thin layers so that it stays deep and never turns flat.<\/p>\n

So your Caravaggio reproduction has visible brushstrokes and a translucent darkness that no print reaches. An oil painting reproduction of this height looks, in a room, almost like a view into a stone vault.<\/p>\n

Which size for which wall?<\/h3>\n

In short: Lucy needs a tall wall, as even the smallest size is 127 cm high.<\/p>\n

Because this is a demanding composition with many figures, we paint it in 6 portrait sizes (width x height): 92 x 127, 105 x 145, 120 x 160, 130 x 185, 151 x 200 and 166 x 230 cm. The original is larger than all of them: the biggest size, 166 x 230 cm, is 134 cm narrower and 178 cm lower.<\/p>\n

The 92 x 127 and 105 x 145 cm sizes suit the wall above a chest of drawers or the space between two windows. At 120 x 160 or 130 x 185 cm it makes a fine painting for the living room with a higher ceiling, while 151 x 200 and 166 x 230 cm are meant for a stairwell, a gallery or a double-height room.<\/p>\n

Is another size or a frame possible?<\/h3>\n

Yes. All the figures sit in the lower half, so we can shorten or extend the upper wall as needed without taking space from any of the people. Tell us the width and height you would like<\/a> and we will prepare a quote with price and timing.<\/p>\n

Your painting arrives rolled, stretched on a stretcher bar or already framed. Stretching and framing are done by our workshop in Slovenia, which prepares every painting we send for its journey.<\/p>\n

You choose the frame in our 3D app, which serves for frame choice only; a view of the painting on your own wall is a separate service.<\/p>\n

When and how will the painting reach me?<\/h3>\n

We start painting once we have confirmed your order, and the painting is ready to ship within 15 to 45 working days. Before we send it, you receive a photograph of the finished Lucy, and if you would like something changed, we see to it.<\/p>\n

Shipping inside the EU, Slovenia included, carries no customs duty, and each Lucy is covered by our returns policy.<\/p>\n

The Burial of Saint Lucy is a thoughtful gift for someone called Lucy, or for anyone with memories of Syracuse and Sicily. To leave the choice of size to them, a wall art voucher<\/a> does the job.<\/p>\n

Frequently asked questions<\/h3>\n

Where can I visit the original?<\/h4>\n

In the church of Santa Lucia al Sepolcro in Syracuse, Sicily.<\/p>\n

What are the men in the foreground doing?<\/h4>\n

They are gravediggers digging the saint\u2019s grave; they are painted larger than all the other figures.<\/p>\n

Is it printed?<\/h4>\n

No. Every Lucy we dispatch is a hand-painted copy, made with brushes and oil colours.<\/p>\n

How big is the original?<\/h4>\n

It is 408 cm high and 300 cm wide, far larger than our biggest size of 166 x 230 cm.<\/p>\n

Why is the upper half empty?<\/h4>\n

Caravaggio left a bare wall above the people; Howard Hibbard spoke of the powerful emptiness of this work.<\/p>\n

Who would like it as a gift?<\/h4>\n

Anyone named Lucy, lovers of the Baroque and everyone who has fallen for Syracuse.<\/p>\n

Do you paint the Lucy to a size of my choice?<\/h4>\n

Yes, send us the width and height and we will reply with a price and an expected date.<\/p>\n

How long is the wait?<\/h4>\n

Usually 15 to 45 working days, and before dispatch you get a photograph of the finished painting.<\/p>\n

    \n
  • Subject:<\/strong> two gravediggers in a great stone vault dig the grave of Saint Lucy, while mourners, a bishop and a soldier stand behind them.<\/li>\n
  • Original:<\/strong> 1608, oil on canvas, 408 x 300 cm, Church of Santa Lucia al Sepolcro, Syracuse.<\/li>\n
  • Ours:<\/strong> your Lucy, painted by hand in oil on canvas, in 6 portrait sizes from 92 x 127 to 166 x 230 cm or made to measure.<\/li>\n
  • Worth knowing:<\/strong> X-rays showed that Caravaggio first painted the saint beheaded and changed the scene later.<\/li>\n<\/ul>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

    Caravaggio\u2019s The Burial of Saint Lucy: two gravediggers dig the grave while a bishop, a soldier and many others mourn behind them. The original is in the church of Santa Lucia al Sepolcro in Syracuse. Hand-painted in oil on canvas, 6 sizes or made to measure.<\/p>\n","protected":false},"featured_media":243554,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[14294],"product_tag":[],"class_list":["post-243559","product","type-product","status-publish","has-post-thumbnail","product_cat-caravaggio","pa_dimenzija-105-x-145-cm","pa_dimenzija-120-cm-x-160-cm","pa_dimenzija-130-cm-x-185-cm","pa_dimenzija-151-x-200-cm","pa_dimenzija-166-x-230-cm","pa_dimenzija-92-x-127-cm","pa_oblika-vertical","pa_okvir-without-frame","pa_podokvir-without","pa_podokvir-yes","first","onbackorder","purchasable","product-type-variable"],"acf":[],"yoast_head":"\nThe Burial of Saint Lucy \u2013 Caravaggio, oil painting<\/title>\n<meta name=\"description\" content=\"Caravaggio\u2019s The Burial of Saint Lucy (1608), hand-painted in oil on canvas: 6 portrait sizes from 92 x 127 to 166 x 230 cm or made to measure.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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Title:<\/td>\nThe Burial of Saint Lucy<\/td>\n<\/tr>\n
Other titles:<\/td>\nSeppellimento di santa Lucia \u00b7 Das Begr\u00e4bnis der heiligen Lucia<\/td>\n<\/tr>\n
Painter:<\/td>\nMichelangelo Merisi da Caravaggio (1571\u20131610)<\/td>\n<\/tr>\n
Year painted:<\/td>\n1608<\/td>\n<\/tr>\n
Original size:<\/td>\n408 cm x 300 cm (height x width)<\/td>\n<\/tr>\n
Original technique:<\/td>\nOil on canvas<\/td>\n<\/tr>\n
Painting style:<\/td>\nBaroque, tenebrism<\/td>\n<\/tr>\n
Located at:<\/td>\nChurch of Santa Lucia al Sepolcro, Syracuse (Sicily)<\/td>\n<\/tr>\n
Our reproduction:<\/td>\nHand-painted oil on canvas, 6 sizes or made to measure<\/td>\n<\/tr>\n<\/tbody>\n