{"id":82225,"date":"2021-09-02T17:49:25","date_gmt":"2021-09-02T15:49:25","guid":{"rendered":"https:\/\/svetslik.si\/uncategorized\/the-little-peasant\/"},"modified":"2026-09-03T19:42:01","modified_gmt":"2026-09-03T17:42:01","slug":"the-little-peasant","status":"publish","type":"product","link":"https:\/\/svetslik.si\/en\/amedeo-modigliani\/the-little-peasant\/","title":{"rendered":"Amedeo Modigliani \u2013 The Little Peasant"},"content":{"rendered":"<p>The Little Peasant is an oil on canvas that Amedeo Modigliani painted around 1918, most probably in Nice, where he had withdrawn with Jeanne H\u00e9buterne from wartime Paris; the original belongs to Tate in London under accession number N05269 and hangs in Tate Modern. It shows a young peasant boy in a wide-brimmed hat, seated frontally on a chair, looking straight out at the viewer. Our <strong>canvas painting<\/strong> is a hand-painted copy of that work: an academy-trained painter makes it in oils on cotton canvas, in eight sizes from 40 x 60 cm to 120 x 180 cm or a measurement you give us, and before dispatch we photograph it and send you the photograph for approval.<\/p>\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" style=\"width: 632px;\" width=\"632\">\n<tbody>\n<tr>\n<td style=\"width: 180px;\">Title:<\/td>\n<td style=\"width: 452px;\">The Little Peasant<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 180px;\">Other titles:<\/td>\n<td style=\"width: 452px;\">Le Petit Paysan \u00b7 Il contadinello \u00b7 Parasztfi\u00fa<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 180px;\">Painter:<\/td>\n<td style=\"width: 452px;\">Amedeo Modigliani (1884\u20131920)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 180px;\">Year:<\/td>\n<td style=\"width: 452px;\">around 1918, the title inscribed on the canvas at lower right<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 180px;\">Original size:<\/td>\n<td style=\"width: 452px;\">100 x 64.5 cm<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 180px;\">Original technique:<\/td>\n<td style=\"width: 452px;\">Oil on canvas<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 180px;\">Style:<\/td>\n<td style=\"width: 452px;\">Modern art, \u00c9cole de Paris<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 180px;\">Location:<\/td>\n<td style=\"width: 452px;\"><a href=\"https:\/\/www.tate.org.uk\/art\/artworks\/modigliani-the-little-peasant-n05269\" target=\"_blank\" rel=\"noopener\">Tate, London<\/a> (inv. N05269)<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 180px;\">Our reproduction:<\/td>\n<td style=\"width: 452px;\">hand-painted oil on canvas, eight sizes from 40 x 60 cm to 120 x 180 cm, made to measure on request<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2>The Little Peasant \u2013 Amedeo Modigliani<\/h2>\n<h3>Who sat for this canvas?<\/h3>\n<p>We do not know, and that is not a gap in the research but a property of the work. Modigliani named it after a type of person rather than a name, as was usual with portraits of working people, and Tate\u2019s record names nobody. A young peasant boy sat before the easel; what he was called and where he lived, we cannot say. The same model appears in The Young Apprentice, so he did not sit just once, in passing. Beyond that we claim nothing: where there is no source we invent no name, because it would quickly become a \u201cfact\u201d that somebody after us copies out.<\/p>\n<h3>What is on the canvas?<\/h3>\n<p>The boy sits frontally on a plain chair, only a narrow strip of its back visible beside his hip. He wears a dark brown hat with a wide brim, pushed back so the face stays open. The face is round and warm, built up in ochre and pink, with small pale eyes and a small closed mouth; the expression is neither cheerful nor sad but patient, that of someone who knows he must sit still. He wears a grey-green jacket, a buttoned waistcoat in the same family of colours, and under them a white collarless shirt; the trousers are ochre brown and softly creased. The hands rest on the knees: large, heavy, painted without flattery and visibly bigger than the body\u2019s proportion would call for. The background is a pale grey-green wall; at the left a door frame is barely suggested, and at lower right the title stands on the canvas. The range of colour is narrow and quiet: ochre, grey, green, brown, without a single loud note.<\/p>\n<h3>Why does this work matter?<\/h3>\n<p>Because it shows a Modigliani not doing the thing we know him for. We know him for long necks, almond eyes without pupils, the poets and dealers of Montparnasse; here a working man in working clothes sits before him, the body broad and solid, the neck short, almost nothing left of the characteristic lengthening. Behind it stands C\u00e9zanne: the <strong>post-impressionist painting<\/strong> of peasants and field labourers in cool bluish tones was a motif Modigliani knew well, and here he took it seriously \u2013 not as a quotation but as a way of painting someone who works with their hands. In Paris he belonged to the circle of immigrant painters we now call the \u00c9cole de Paris, and that circle took the portrait of a labourer as seriously as the portrait of a poet. So the work also interests people whom his nudes leave cold: it is about weight and stillness, not elegance.<\/p>\n<h3>What does the work mean?<\/h3>\n<p>It means somebody whose name nobody wrote down was given a canvas a hundred centimetres high and the painter\u2019s whole attention. Modigliani neither flatters the boy nor pities him: no landscape, no tool in his hand, no symbol of labour. He sits him on a chair before an empty wall and lets him look at us. That is exactly why the hands say more than the face. They are painted large and awkward, with fingers that cannot relax even when empty, and in them is everything the face will not give away. One thought to take away: dignity here is not conferred from outside, it is simply noticed.<\/p>\n<h3>Is The Little Peasant the same work as The Young Apprentice?<\/h3>\n<p>No, they are two different works in which, according to scholarship, the same boy sits. The confusion is understandable: the arrangement and mood are close, and the originals are not in the same collection. The same goes for the titles: <em>Le Petit Paysan<\/em> is the French title of this very work, <em>Il contadinello<\/em> the Italian and <em>Parasztfi\u00fa<\/em> the Hungarian \u2013 not three works but one with several names. Joseph Lanthemann placed the work in Nice, because the background shows the same room as works depicting Jeanne H\u00e9buterne. For other portraits of young and working people, see the <a href=\"\/en\/amedeo-modigliani\/boy-in-short-pants\/\">Boy in Short Pants<\/a>, the <a href=\"\/en\/amedeo-modigliani\/boy-in-a-striped-sweater\/\">Boy in a Striped Sweater<\/a>, <a href=\"\/en\/amedeo-modigliani\/la-petite-servante\/\">The Servant Girl<\/a> and the <a href=\"\/en\/amedeo-modigliani\/flower-vendor\/\">Flower Vendor<\/a>; close in directness is the <a href=\"\/en\/amedeo-modigliani\/gypsy-woman-with-baby\/\">Gypsy Woman with Baby<\/a> as well. The full selection is in the <a href=\"\/en\/amedeo-modigliani\/\">Amedeo Modigliani gallery<\/a>, and about the painter himself we have written a <a href=\"\/en\/amedeo-modigliani-blog\/\">longer article<\/a>. There is also an entry on this work at <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Little_Peasant_(Modigliani)\" target=\"_blank\" rel=\"noopener\">Wikipedia<\/a>.<\/p>\n<h3>How is our hand-painted version made?<\/h3>\n<p>The work is made by an academy-trained painter in oils on cotton canvas, stretched over a wooden frame. It is not a print and not a machine reproduction: every stroke is laid on by hand, so your canvas always differs a little from our reference in the thickness of the paint and in the shades. The painter works from a high-resolution reproduction and our colour reference, starting with the grey-green wall, because the wall decides how warm the face will look. Once the paint is dry we photograph the work and send it for approval; only when you say it is right does it go further, and if something is not to your liking the painter corrects it before it leaves the studio.<\/p>\n<h3>Which size for which wall?<\/h3>\n<p>For most homes 65 x 100 cm is the right choice: the boy comes close to natural proportion while the work still does not take over the wall. The small sizes, 40 x 60 and 50 x 80 cm, suit a hallway, a narrow wall between two doors or the space above a chest of drawers. The middle sizes, 70 x 110 and 80 x 120 cm, are for the wall above a sofa or dining table, seen from two or three metres. The large ones, 90 x 140, 100 x 150 and 120 x 180 cm, belong in rooms with high ceilings and in corridors. The upright format carries a narrow, tall wall that would defeat many other subjects. The calm ochre and grey-green does not argue with the furniture and asks for no strong wall colour.<\/p>\n<h3>Custom size, stretcher bar and frame<\/h3>\n<p>If your wall calls for a measurement not on the list, we will make it: give us height and width in centimetres, and we check whether the ratio carries the crop of the original and tell you what changes at the edges. You can also choose whether we send it stretched and ready to hang, or rolled in a tube, which ships cheaper and suits you if your own framer will stretch it. This work is offered without a frame, so you choose it yourself and match it to the room. With placement we help by visualisation: before you buy we set the work into a photograph of your wall, so you see proportion and height first. For a work we do not carry, see <a href=\"\/en\/paintings-made-by-order\/\">paintings made by order<\/a>.<\/p>\n<h3>Delivery and guarantee<\/h3>\n<p>We deliver across Europe to your address, the canvas held away from the outer wall of the packaging. Making time depends on the size and on how much work is in the studio; we give an estimate when you order and tell you if it changes. We stand behind workmanship and material: if the work arrives damaged or does not match the photograph you approved, we put it right or repaint it at our cost. Because you see it photographed before dispatch, most questions are settled before the parcel leaves.<\/p>\n<h3>Frequently asked questions<\/h3>\n<h4>Where is the original?<\/h4>\n<p>In London, in the Tate collection, under accession number N05269, shown at Tate Modern.<\/p>\n<h4>Whom did Modigliani paint here?<\/h4>\n<p>A young peasant boy whom the sources do not name. The title gives a type, not a person, and the same model appears in The Young Apprentice.<\/p>\n<h4>Is Le Petit Paysan the same work?<\/h4>\n<p>Yes. That is the French title of the same work; in Italian it is Il contadinello, in Hungarian Parasztfi\u00fa.<\/p>\n<h4>Is this a print?<\/h4>\n<p>No. Every canvas is painted by hand, in oils. We print nothing.<\/p>\n<h4>Which size should I choose?<\/h4>\n<p>If you cannot decide, take 65 x 100 cm. Above a sofa choose 80 x 120 cm; on a narrow hallway wall, 40 x 60 cm.<\/p>\n<h4>Can I have a size that is not listed?<\/h4>\n<p>You can. Give us height and width in centimetres; before we start we explain how the measurement affects the crop.<\/p>\n<h4>How is it delivered?<\/h4>\n<p>Stretched and ready to hang, or rolled in a tube, whichever you choose. Both travel in protective packaging.<\/p>\n<h4>What is it about, in one sentence?<\/h4>\n<p>That a young working person with no name deserves a whole canvas and the painter\u2019s full attention.<\/p>\n<h4>Is the original for sale and what is it worth?<\/h4>\n<p>It is not for sale. It belongs to the public collection of Tate, is not on the market, and so we put no value on it.<\/p>\n<h4>How high should I hang it?<\/h4>\n<p>Put the centre about 145 cm above the floor. With an upright format, hang it a shade lower than looks right at first glance.<\/p>\n<h4>Is it suitable as a gift?<\/h4>\n<p>It is, especially for someone who dislikes decorative subjects: serious, quiet, and it does not wear out.<\/p>\n<ul>\n<li>Subject: a young peasant boy in a wide-brimmed hat, frontal on a chair, with large hands on his knees \u2013 Nice, around 1918<\/li>\n<li>Original: 100 x 64.5 cm, oil on canvas, Tate, London (inv. N05269), shown at Tate Modern<\/li>\n<li>Ours: hand-painted oil on canvas, eight sizes from 40 x 60 to 120 x 180 cm, made to measure on request, with a photograph for approval before dispatch<\/li>\n<li>Worth knowing: the hands are painted larger than the proportion would call for \u2013 and it is the hands that say more about the boy than his face does<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The Little Peasant is an oil on canvas that Amedeo Modigliani painted around 1918, most probably in Nice, where he had withdrawn with Jeanne H\u00e9buterne from wartime Paris; the original belongs to Tate in London under accession number N05269 and hangs in Tate Modern. It shows a young peasant boy [&hellip;]<\/p>\n","protected":false},"featured_media":79311,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[9802],"product_tag":[9848,9870,9862,9863],"class_list":["post-82225","product","type-product","status-publish","has-post-thumbnail","product_cat-amedeo-modigliani","product_tag-modigliani-en","product_tag-painter","product_tag-reproduction-en","product_tag-reproductions","pa_dimenzija-100-x-150-cm","pa_dimenzija-120-x-180-cm","pa_dimenzija-40-x-60-cm","pa_dimenzija-50-x-80-cm","pa_dimenzija-65-x-100-cm","pa_dimenzija-70-x-110-cm","pa_dimenzija-80-x-120-cm","pa_dimenzija-90-x-140-cm","pa_oblika-vertical","pa_okvir-without-frame","pa_podokvir-without","pa_podokvir-yes","first","onbackorder","purchasable","product-type-variable","has-default-attributes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Amedeo Modigliani \u2013 The Little Peasant - 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