{"id":339236,"date":"2026-09-10T09:36:56","date_gmt":"2026-09-10T07:36:56","guid":{"rendered":"https:\/\/svetslik.si\/modigliani-oci-zenice-2\/"},"modified":"2026-10-29T16:01:21","modified_gmt":"2026-10-29T15:01:21","slug":"modigliani-oci-zenice","status":"publish","type":"post","link":"https:\/\/svetslik.si\/es\/modigliani-oci-zenice\/","title":{"rendered":"\u00bfDe verdad Modigliani se negaba a pintar los ojos hasta conocer el alma del modelo?"},"content":{"rendered":"\n

La historia aparece en todos los art\u00edculos sobre Modigliani: dejaba los ojos vac\u00edos hasta conocer el alma de la persona retratada. Es una historia bonita. Nuestro cat\u00e1logo puede comprobarla, porque tenemos 76 obras suyas y las hemos mirado una por una \u2013 primero el texto de cada ficha y despu\u00e9s solo el cuadro. Resultado: 53 obras tienen los ojos vac\u00edos y 22 no. En una, con la resoluci\u00f3n disponible, no se pudo distinguir, y as\u00ed consta.<\/p>\n\n\n

Lo que hemos contado<\/h2>\n\n\n

De las 76 obras de este cat\u00e1logo: 53 tienen los ojos sin pupilas, 17 tienen las pupilas pintadas, en 3 un ojo tiene pupila y el otro no, en 2 los ojos est\u00e1n cerrados y en 1 no es posible pronunciarse. La regla, por tanto, no se cumple: las pupilas aparecen con demasiada frecuencia para ser una excepci\u00f3n, y los ojos vac\u00edos son una costumbre, no una promesa.<\/p>\n\n\n

Las 76 obras, una por una<\/h2>\n\n\n

Cada fila lleva a su obra. La columna \u00abQu\u00e9 hay en el lienzo\u00bb es la observaci\u00f3n hecha ante el cuadro, escrita en ingl\u00e9s tal como se anot\u00f3 durante la revisi\u00f3n; no la hemos traducido, porque cualquier traducci\u00f3n alejar\u00eda la observaci\u00f3n de lo que se vio.<\/p>\n\n\n
Obra<\/th>Ojos<\/th>Qu\u00e9 hay en el lienzo<\/th><\/tr><\/thead>
Desnudo rojo<\/a><\/td>sin pupilas<\/td>single visible eye is one solid dark almond, no iris\/sclera division<\/td><\/tr>
Retrato de Jeanne H\u00e9buterne I<\/a><\/td>con pupilas<\/td>both eyes have dark round irises with white sclera either side<\/td><\/tr>
Retrato de Jeanne H\u00e9buterne II<\/a><\/td>con pupilas<\/td>dark brown irises with visible white at the outer corners<\/td><\/tr>
Retrato de Jeanne H\u00e9buterne III<\/a><\/td>con pupilas<\/td>blue-grey iris disc with darker centre, white sclera at inner corner<\/td><\/tr>
Retrato de Jeanne H\u00e9buterne IV<\/a><\/td>con pupilas<\/td>rounded blue iris with catchlight, whites showing at both corners<\/td><\/tr>
Retrato de Jeanne H\u00e9buterne con vestido negro y rojo<\/a><\/td>sin pupilas<\/td>profile eye is a small pale bluish slit, uniform, nothing drawn inside<\/td><\/tr>
Retrato de Beatrice Hastings<\/a><\/td>sin pupilas<\/td>angular outlined lids over flat skin-tone and a dark band, no iris<\/td><\/tr>
Desnudo reclinado II<\/a><\/td>sin pupilas<\/td>both eyes are pointed lens shapes filled uniform blue-black<\/td><\/tr>
Gitana con ni\u00f1o<\/a><\/td>un ojo con pupila y el otro sin<\/td>viewer-right eye has a distinct dark pupil; left is a flat blue field<\/td><\/tr>
Desnudo sentado<\/a><\/td>sin pupilas<\/td>one grey-mauve and one green almond, each an even field<\/td><\/tr>
Jacques y Berthe Lipchitz<\/a><\/td>sin pupilas<\/td>all four eyes are solid dark slits under a lid line<\/td><\/tr>
El peque\u00f1o campesino<\/a><\/td>sin pupilas<\/td>two small grey-blue slits with even fill<\/td><\/tr>
Retrato de Lunia Czechowska<\/a><\/td>sin pupilas<\/td>profile eye is a pale grey-blue lens, blank<\/td><\/tr>
Retrato de Jeanne H\u00e9buterne V<\/a><\/td>sin pupilas<\/td>two grey-blue almonds, flat colour, no iris<\/td><\/tr>
Retrato de Jeanne H\u00e9buterne VI<\/a><\/td>sin pupilas<\/td>small pale blue-grey almonds, uniform<\/td><\/tr>
Desnudo sentado en un div\u00e1n<\/a><\/td>sin pupilas<\/td>olive-green almonds, mottled but with no iris disc<\/td><\/tr>
Retrato de Cha\u00efm Soutine<\/a><\/td>con pupilas<\/td>dark iris mass set against pale sclera in both eyes<\/td><\/tr>
Desnudo sobre coj\u00edn azul<\/a><\/td>sin pupilas<\/td>both eyes dark-filled almonds; only a white catchlight, no pupil<\/td><\/tr>
Cari\u00e1tide<\/a><\/td>sin pupilas<\/td>eye is an empty charcoal lens outline, nothing drawn inside<\/td><\/tr>
Retrato de Juan Gris<\/a><\/td>con pupilas<\/td>white sclera wedges flank a solid black iris\/pupil in both eyes<\/td><\/tr>
Retrato de Max Jacob<\/a><\/td>sin pupilas<\/td>both eye openings are filled dark almonds, no iris ring or pupil disc<\/td><\/tr>
Desnudo<\/a><\/td>ojos cerrados<\/td>eyes drawn as single curved lid strokes with lashes, no opening<\/td><\/tr>
Joven pelirroja en camisa<\/a><\/td>sin pupilas<\/td>two flat blue-grey almonds, uniform colour edge to edge<\/td><\/tr>
Mujer sentada con vestido azul<\/a><\/td>sin pupilas<\/td>uniform dark green-grey almond fields under the brow lines<\/td><\/tr>
Retrato de una mujer polaca<\/a><\/td>sin pupilas<\/td>narrow solid dark slits, lid arcs drawn separately above<\/td><\/tr>
Autorretrato<\/a><\/td>sin pupilas<\/td>both eyes are flat dark maroon-brown slits with no interior modelling<\/td><\/tr>
Desnudo reclinado<\/a><\/td>con pupilas<\/td>clear white sclera with a dark iris and pupil in both eyes<\/td><\/tr>
Desnudo sentado<\/a><\/td>ojos cerrados<\/td>head tilted, lids closed with lash strokes over them<\/td><\/tr>
Desnudo con el pelo suelto<\/a><\/td>con pupilas<\/td>white sclera on both sides of a dark round iris, both eyes<\/td><\/tr>
Desnudo reclinado III<\/a><\/td>sin pupilas<\/td>narrow uniformly dark almonds, no sclera, no pupil at full resolution<\/td><\/tr>
Retrato de Mo\u00efse Kisling<\/a><\/td>con pupilas<\/td>large white sclera wedges around heavy black irises in both eyes<\/td><\/tr>
Ren\u00e9e<\/a><\/td>sin pupilas<\/td>the whole opening is one teal-green field; only white catchlight dots<\/td><\/tr>
El joven aprendiz<\/a><\/td>sin pupilas<\/td>two small flat blue-grey slivers, downcast, no iris or pupil<\/td><\/tr>
Jeanne H\u00e9buterne con jersey amarillo<\/a><\/td>sin pupilas<\/td>plain pale-blue almonds, uniform, no interior marks<\/td><\/tr>
Jeanne H\u00e9buterne con camisola blanca<\/a><\/td>sin pupilas<\/td>pale blue-grey almonds outlined in dark, blank inside<\/td><\/tr>
Madame Kisling<\/a><\/td>sin pupilas<\/td>both eyes are uniform slate\/teal fields with lid strokes only<\/td><\/tr>
Retrato de L\u00e9opold Survage<\/a><\/td>un ojo con pupila y el otro sin<\/td>his right eye is a flat grey-blue blank; his left has a modelled blue iris with a dark pupil<\/td><\/tr>
Mujer de ojos azules<\/a><\/td>sin pupilas<\/td>two flat cyan-blue almonds, uniform colour, no pupil<\/td><\/tr>
Hanka Zborowska<\/a><\/td>sin pupilas<\/td>narrow almond slits filled flat green, no iris or pupil<\/td><\/tr>
El ni\u00f1o<\/a><\/td>sin pupilas<\/td>uniform slate-blue slits under the lids, no iris drawn<\/td><\/tr>
Madame G. van Muyden<\/a><\/td>con pupilas<\/td>large blue-grey iris mass in each eye with white sclera at the corners<\/td><\/tr>
Retrato de L\u00e9opold Zborowski<\/a><\/td>sin pupilas<\/td>flat slits, one grey-blue one teal, uniform colour throughout<\/td><\/tr>
L\u00e9on Bakst<\/a><\/td>no se puede distinguir<\/td>the eye is a small mottled blue-white smear; iris and brushwork cannot be separated<\/td><\/tr>
L\u2019Enfant gras<\/a><\/td>sin pupilas<\/td>heavy-lidded almonds filled uniform grey-brown, no iris<\/td><\/tr>
Madam Pompadour<\/a><\/td>sin pupilas<\/td>solid black almond blobs, nothing inside<\/td><\/tr>
Muchacha con blusa de lunares<\/a><\/td>sin pupilas<\/td>flat pale-blue almonds, no iris or pupil<\/td><\/tr>
La peque\u00f1a criada<\/a><\/td>sin pupilas<\/td>both eyes blank dark blue-black fields under heavy lids<\/td><\/tr>
Jean Cocteau<\/a><\/td>un ojo con pupila y el otro sin<\/td>viewer-right eye has a round black pupil with white sclera; viewer-left is a blank dark wedge<\/td><\/tr>
Retrato de Lunia Czechowska con blusa blanca<\/a><\/td>sin pupilas<\/td>pale blue-grey almonds outlined in dark, uniform fill<\/td><\/tr>
Cabeza roja<\/a><\/td>sin pupilas<\/td>left eye flat dark blue-grey, right eye a white impasto slab; neither has an iris<\/td><\/tr>
L\u00e9on Indenbaum<\/a><\/td>sin pupilas<\/td>pale grey-green blank almonds<\/td><\/tr>
Viking Eggeling<\/a><\/td>sin pupilas<\/td>dark green-teal masses fill the almonds; highlights are brushstrokes<\/td><\/tr>
Cabeza de mujer<\/a><\/td>sin pupilas<\/td>solid black almond shapes, only a sclera glint, no drawn iris<\/td><\/tr>
Ni\u00f1o con jersey a rayas<\/a><\/td>sin pupilas<\/td>pale blue-grey fields with lid line only, no iris circle<\/td><\/tr>
La italiana<\/a><\/td>con pupilas<\/td>brown irises with darker pupils and white sclera in both eyes<\/td><\/tr>
Mujer con pendientes<\/a><\/td>con pupilas<\/td>big black iris and pupil in each eye, white sclera at the corners<\/td><\/tr>
El pintor Kr\u00e9m\u00e8gne<\/a><\/td>sin pupilas<\/td>narrow slate-blue slits, uniform, no iris<\/td><\/tr>
Lolotte<\/a><\/td>con pupilas<\/td>proper-left eye has an olive iris with dark pupil and white highlight over visible sclera<\/td><\/tr>
Lola de Valence<\/a><\/td>sin pupilas<\/td>the single drawn eye is a bare charcoal almond outline filled with plain flesh tone<\/td><\/tr>
B\u00e9atrice (retrato de B\u00e9atrice Hastings)<\/a><\/td>sin pupilas<\/td>one eye an empty outline, the other a solid uniform brown fill<\/td><\/tr>
Adrienne (mujer con flequillo)<\/a><\/td>con pupilas<\/td>both eyes show a distinct dark iris with a sclera crescent at the outer corner<\/td><\/tr>
Retrato de L\u00e9opold Zborowski (Israel Museum)<\/a><\/td>sin pupilas<\/td>right aperture a flat olive-green band, left a dark hollow<\/td><\/tr>
Enso\u00f1aci\u00f3n (estudio para el retrato de Frank Burty Haviland)<\/a><\/td>sin pupilas<\/td>narrow slanted almond with a pale sliver fill, no darker disc even at master resolution<\/td><\/tr>
Retrato de Paul Guillaume<\/a><\/td>sin pupilas<\/td>both eyes are solid blue-black wedges filling the aperture<\/td><\/tr>
Ni\u00f1a con delantal negro<\/a><\/td>con pupilas<\/td>round dark brown iris with white highlight set in white sclera, both eyes<\/td><\/tr>
Cantante de caf\u00e9<\/a><\/td>sin pupilas<\/td>shallow almonds carrying a uniform soft grey-green wash<\/td><\/tr>
Mujer joven con vestido amarillo<\/a><\/td>con pupilas<\/td>dark iris and pupil with white sclera and a paint highlight in both eyes<\/td><\/tr>
Retrato de Max Jacob (D\u00fcsseldorf)<\/a><\/td>sin pupilas<\/td>left eye a flat teal-green field, right a flat grey-white field<\/td><\/tr>
Jeanne sentada con el brazo en el respaldo de la silla<\/a><\/td>sin pupilas<\/td>pale blue-grey blank almonds<\/td><\/tr>
Ni\u00f1o con pantalones cortos<\/a><\/td>sin pupilas<\/td>narrow slate-teal slivers of uniform colour<\/td><\/tr>
La vendedora de flores<\/a><\/td>sin pupilas<\/td>both eyes are flat teal-green almond fields with no iris drawn<\/td><\/tr>
Maternidad<\/a><\/td>sin pupilas<\/td>the mother's eyes pale blue blanks; the child's likewise plain blue-grey ovals<\/td><\/tr>
Mujer con cuello blanco<\/a><\/td>sin pupilas<\/td>both eyes filled edge to edge with uniform green<\/td><\/tr>
Retrato de mujer joven (Yale)<\/a><\/td>con pupilas<\/td>profile eye has a round dark iris with white highlight and sclera either side<\/td><\/tr>
Joven con gorra<\/a><\/td>sin pupilas<\/td>pale grey-green blank slits under the cap<\/td><\/tr>
Mujer joven (Oslo)<\/a><\/td>sin pupilas<\/td>solid dark slate-blue almonds, uniform<\/td><\/tr><\/tbody><\/table>\n\n\n

Lo que dicen los museos<\/h2>\n\n\n

Las explicaciones que dan otros, con la fuente de cada una: el Dallas Museum of Art<\/strong> explica, junto a su obra, que las m\u00e1scaras africanas las admiraba junto con Matisse, Picasso, Braque y Derain, y que la influencia se ve en el tratamiento estilizado del rostro. El Nasjonalmuseet<\/strong> de Oslo escribe sobre la escultura africana, cuyo estilo lineal y alargado dio a sus figuras un aire de modernidad refinada, y a\u00f1ade, junto a una de sus obras, que los rasgos individualizadores no eran costumbre del pintor. El Mus\u00e9e de Grenoble<\/strong> cita entre las fuentes las estatuas arcaicas griegas, etruscas y egipcias. La conservadora de la Yale University Art Gallery<\/strong> llega a nombrar lugares: la escultura que vio en Par\u00eds, entre otros sitios en el Trocad\u00e9ro, y las m\u00e1scaras de Costa de Marfil. Ninguno de estos textos habla del alma.<\/p>\n\n\n

Lo que esta lista no es<\/h2>\n\n\n

Los veredictos se han hecho sobre la reproducci\u00f3n que tenemos, no sobre el lienzo del museo; en cabezas peque\u00f1as y con una pincelada suave, el l\u00edmite entre el iris y el trazo del pincel es real, y en una obra lo hemos reconocido en lugar de adivinar. La lista dice qu\u00e9 hay en el cuadro \u2013 no por qu\u00e9 est\u00e1 ah\u00ed.<\/p>\n\n\n

Todas las obras de este cat\u00e1logo est\u00e1n en la p\u00e1gina de cuadros de Modigliani<\/a>, cada una como reproducci\u00f3n pintada a mano.<\/p>\n\n","protected":false},"excerpt":{"rendered":"

La historia aparece en todos los art\u00edculos sobre Modigliani: dejaba los ojos vac\u00edos hasta conocer el alma de la persona retratada. Es una historia bonita. Nuestro cat\u00e1logo puede comprobarla, porque tenemos 76 obras suyas y las hemos mirado una por una \u2013 primero el texto de cada ficha y despu\u00e9s […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14698],"tags":[],"class_list":["post-339236","post","type-post","status-publish","format-standard","hentry","category-uncategorized-es"],"acf":[],"yoast_head":"\nModigliani y los ojos sin pupila: 76 cuadros pintados a mano<\/title>\n<meta name=\"description\" content=\"\u00bfDejaba Modigliani los ojos vac\u00edos hasta conocer el alma del modelo? 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