{"id":281279,"date":"2023-01-20T08:11:13","date_gmt":"2023-01-20T07:11:13","guid":{"rendered":"https:\/\/svetslik.si\/amedeo-modigliani-blog-2\/"},"modified":"2026-10-23T04:07:03","modified_gmt":"2026-10-23T02:07:03","slug":"amedeo-modigliani-blog","status":"publish","type":"post","link":"https:\/\/svetslik.si\/fr\/amedeo-modigliani-blog\/","title":{"rendered":"Amedeo Modigliani"},"content":{"rendered":"\n

Amedeo Modigliani \u00e9tait un peintre et sculpteur italien, n\u00e9 \u00e0 Livourne le 12 juillet 1884 et mort \u00e0 Paris le 24 janvier 1920, \u00e0 l\u2019\u00e2ge de trente-cinq ans. Il n\u2019a travaill\u00e9 que quinze ans, dont presque tout en France, et a laiss\u00e9 une s\u00e9rie de portraits et de nus que l\u2019on reconna\u00eet au premier coup d\u2019\u0153il\u00a0: cou long, visage ovale, \u0153il \u00e9troit en forme d\u2019amande.<\/p>\n\n\n\n

Sa vie et son \u0153uvre<\/h2>\n\n\n\n

Livourne, et les ann\u00e9es avant Paris<\/h3>\n\n\n

Il a grandi dans une famille juive cultiv\u00e9e, dans le port de Livourne\u00a0; la Tate souligne, dans son article sur le peintre, que sa famille a soutenu son ambition et lui a ouvert le monde des langues et de la litt\u00e9rature. Il a appris la peinture aupr\u00e8s de Guglielmo Micheli, s\u2019est inscrit en 1902 \u00e0 la Scuola Libera di Nudo de Florence et a \u00e9tudi\u00e9 l\u2019ann\u00e9e suivante \u00e0 Venise. Il est arriv\u00e9 \u00e0 Paris en 1906, \u00e0 l\u2019\u00e2ge de vingt et un ans, et y est rest\u00e9 jusqu\u2019\u00e0 la fin de sa vie.<\/p>\n\n\n\n

Paris et le cercle qu\u2019il a peint<\/h3>\n\n\n

Il a d\u2019abord v\u00e9cu \u00e0 Montmartre, puis \u00e0 Montparnasse. Le Nasjonalmuseet d\u2019Oslo d\u00e9crit comment il gagnait son pain comme dessinateur de caf\u00e9\u00a0: il dessinait rapidement le portrait des clients dans l\u2019espoir d\u2019obtenir une commande \u00e0 l\u2019huile. Son cercle comprenait Constantin Br\u00e2ncu\u0219i, Cha\u00efm Soutine, Mo\u00efse Kisling, le sculpteur Jacques Lipchitz, Max Jacob, Jean Cocteau, Juan Gris et le marchand L\u00e9opold Zborowski, qui s\u2019est occup\u00e9 de lui \u00e0 partir de 1916. Il en a peint la plupart, et c\u2019est pourquoi, chez Modigliani, on sait si souvent exactement qui est repr\u00e9sent\u00e9\u00a0; les portraits de ce cercle se trouvent aujourd\u2019hui sur notre page des tableaux de Modigliani<\/a>.<\/p>\n\n\n\n

Le sculpteur revenu \u00e0 la peinture<\/h3>\n\n\n

Entre 1909 et 1913, il se consid\u00e9rait avant tout comme un sculpteur. Le Nasjonalmuseet indique qu\u2019il a \u00e9t\u00e9 pendant environ un an l\u2019assistant de Br\u00e2ncu\u0219i\u00a0; il taillait directement dans la pierre, sans mod\u00e8le en argile. La Tate note que sept de ces sculptures ont \u00e9t\u00e9 expos\u00e9es au Salon d\u2019Automne en octobre et novembre 1912 \u2013 la seule pr\u00e9sentation importante de sa sculpture de son vivant \u2013 et qu\u2019on les a plac\u00e9es dans une salle de peintures cubistes, ce que Modigliani avait peut-\u00eatre pr\u00e9vu en les appelant un \u00ab\u00a0ensemble d\u00e9coratif\u00a0\u00bb.<\/p>\n\n\n

Il a bient\u00f4t renonc\u00e9 \u00e0 la taille. Le mus\u00e9e de Grenoble donne comme raisons une sant\u00e9 fragile et des difficult\u00e9s mat\u00e9rielles, qui l\u2019ont ramen\u00e9 \u00e0 la peinture et au portrait de commande\u00a0; la poussi\u00e8re de pierre \u00e9tait insupportable pour des poumons d\u00e9j\u00e0 atteints par la tuberculose. Il est revenu avec un regard de sculpteur.<\/p>\n\n\n\n

D\u2019o\u00f9 viennent ces visages<\/h3>\n\n\n

Les visages ressemblent \u00e0 des masques, sym\u00e9triques, r\u00e9duits \u00e0 quelques plans, et les yeux sont souvent en amande et sans pupilles. Le mus\u00e9e de Grenoble cite parmi ses sources l\u2019art africain ainsi que les statues grecques archa\u00efques, \u00e9trusques et \u00e9gyptiennes\u00a0; le Nasjonalmuseet \u00e9voque la sculpture africaine, dont le style lin\u00e9aire et allong\u00e9 a donn\u00e9 \u00e0 ses figures un air de modernit\u00e9 raffin\u00e9e, et ajoute que, pour la couleur, il a pr\u00e9f\u00e9r\u00e9 la palette retenue, anti-naturaliste, du cubisme. Le Dallas Museum of Art pr\u00e9cise, \u00e0 propos de son tableau, que les masques africains \u00e9taient admir\u00e9s par Matisse, Picasso, Braque et Derain.<\/p>\n\n\n

La ressemblance n\u2019\u00e9tait pas le but. \u00c0 propos d\u2019un de ses tableaux, le Nasjonalmuseet note que les traits individualisants n\u2019\u00e9taient pas dans les habitudes du peintre et que le mod\u00e8le est probablement inconnu \u2013 le mus\u00e9e retire ainsi lui-m\u00eame le nom que porte sa propre notice de catalogue.<\/p>\n\n\n\n

Une seule exposition<\/h3>\n\n\n

De son vivant, il n\u2019a eu qu\u2019une seule exposition personnelle, en d\u00e9cembre 1917, \u00e0 la galerie de Berthe Weill \u00e0 Paris. Berthe Weill a accroch\u00e9 un nu en vitrine\u00a0; la police a ordonn\u00e9 le jour m\u00eame de retirer les tableaux et l\u2019exposition a ferm\u00e9 presque aussit\u00f4t.<\/p>\n\n\n\n

Jeanne H\u00e9buterne et les derni\u00e8res ann\u00e9es<\/h3>\n\n\n

\u00c0 l\u2019\u00e9t\u00e9 1917, il a rencontr\u00e9 Jeanne H\u00e9buterne, elle-m\u00eame \u00e9tudiante en art\u00a0; c\u2019est ainsi que la d\u00e9crit la conservatrice de la Yale University Art Gallery. Le Norton Simon Museum indique dans sa notice que leur fille est n\u00e9e en novembre de l\u2019ann\u00e9e suivante. Il est mort le 24 janvier 1920 d\u2019une m\u00e9ningite tuberculeuse. Jeanne H\u00e9buterne, enceinte de leur deuxi\u00e8me enfant, est morte deux jours apr\u00e8s lui.<\/p>\n\n\n\n

Apr\u00e8s sa mort<\/h3>\n\n\n

La reconnaissance est venue apr\u00e8s sa mort. Le Nasjonalmuseet \u00e9crit que la gloire a \u00e9t\u00e9 d\u2019autant plus grande apr\u00e8s sa disparition et que, dans les ann\u00e9es 1920, sa vie tragique et son expression plastique singuli\u00e8re se sont impos\u00e9es comme une partie de l\u2019histoire du modernisme europ\u00e9en. Le mus\u00e9e de Grenoble indique aussi l\u2019ann\u00e9e o\u00f9 ce chemin est devenu officiel\u00a0: en 1923, il a acquis la Femme au col blanc<\/a> \u2013 d\u2019apr\u00e8s sa propre notice, le premier tableau de Modigliani jamais acquis par un mus\u00e9e, trois ans apr\u00e8s la mort du peintre.<\/p>\n\n\n

Aujourd\u2019hui, ses \u0153uvres se trouvent notamment au Metropolitan Museum of Art et au Solomon R. Guggenheim Museum de New York, \u00e0 la National Gallery of Art de Washington, au S\u00e3o Paulo Museum of Art, au Mus\u00e9e national d\u2019art moderne \u2013 Centre Pompidou et au mus\u00e9e de l\u2019Orangerie \u00e0 Paris, \u00e0 la Tate \u00e0 Londres, au Nasjonalmuseet d\u2019Oslo, \u00e0 la Yale University Art Gallery, au mus\u00e9e de Grenoble et au Detroit Institute of Arts. Ces portraits allong\u00e9s restent parmi les motifs les plus recherch\u00e9s pour des reproductions de tableaux de Modigliani peintes \u00e0 la main<\/a>.<\/p>\n\n\n\n

Dix choses \u00e0 savoir<\/h3>\n\n\n
    \n\n
  1. Il est n\u00e9 \u00e0 Livourne le 12 juillet 1884 et a v\u00e9cu et travaill\u00e9 en France \u00e0 partir de 1906.<\/li>\n\n\n
  2. Il est arriv\u00e9 \u00e0 Paris \u00e0 vingt et un ans et y est rest\u00e9 jusqu\u2019\u00e0 sa mort.<\/li>\n\n\n
  3. Il gagnait d\u2019abord sa vie en dessinant les clients des caf\u00e9s, dans l\u2019espoir d\u2019obtenir une commande \u00e0 l\u2019huile.<\/li>\n\n\n
  4. Entre 1909 et 1913, il se consid\u00e9rait avant tout comme un sculpteur, non comme un peintre.<\/li>\n\n\n
  5. Br\u00e2ncu\u0219i lui a appris la taille directe dans la pierre\u00a0; il a \u00e9t\u00e9 son assistant pendant environ un an.<\/li>\n\n\n
  6. Sept de ses sculptures ont \u00e9t\u00e9 expos\u00e9es en 1912 au Salon d\u2019Automne \u2013 la seule pr\u00e9sentation importante de sa sculpture de son vivant.<\/li>\n\n\n
  7. Ses visages ont \u00e9t\u00e9 fa\u00e7onn\u00e9s par l\u2019art africain et par les statues grecques archa\u00efques, \u00e9trusques et \u00e9gyptiennes.<\/li>\n\n\n
  8. Il laissait souvent les yeux sans pupilles \u2013 des plans de couleur en amande qui regardent au-del\u00e0 du spectateur.<\/li>\n\n\n
  9. Il n\u2019a eu qu\u2019une seule exposition personnelle, en d\u00e9cembre 1917 chez Berthe Weill\u00a0; \u00e0 cause d\u2019un nu en vitrine, la police a ordonn\u00e9 le jour m\u00eame de la retirer.<\/li>\n\n\n
  10. Le premier de ses tableaux achet\u00e9 par un mus\u00e9e l\u2019a \u00e9t\u00e9 en 1923\u00a0: le mus\u00e9e de Grenoble, trois ans apr\u00e8s sa mort.<\/li>\n\n<\/ol>\n\n","protected":false},"excerpt":{"rendered":"

    Amedeo Modigliani \u00e9tait un peintre et sculpteur italien, n\u00e9 \u00e0 Livourne le 12 juillet 1884 et mort \u00e0 Paris le 24 janvier 1920, \u00e0 l\u2019\u00e2ge de trente-cinq ans. Il n\u2019a travaill\u00e9 que quinze ans, dont presque tout en France, et a laiss\u00e9 une s\u00e9rie de portraits et de nus que […]<\/p>\n","protected":false},"author":1,"featured_media":308810,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14553],"tags":[],"class_list":["post-281279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reproductions-de-tableaux-blog"],"acf":[],"yoast_head":"\nAmedeo Modigliani\u00a0: vie, \u0153uvre et tableaux peints \u00e0 la main<\/title>\n<meta name=\"description\" content=\"Amedeo Modigliani (1884\u20131920)\u00a0: Livourne, Paris, les ann\u00e9es de sculpture et Jeanne H\u00e9buterne, d\u2019apr\u00e8s les mus\u00e9es, et tableaux peints \u00e0 la main.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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