{"id":296412,"date":"2021-09-02T17:46:07","date_gmt":"2021-09-02T15:46:07","guid":{"rendered":"https:\/\/svetslik.si\/nekategorizirano\/the-last-supper-2\/"},"modified":"2026-10-23T08:40:24","modified_gmt":"2026-10-23T06:40:24","slug":"the-last-supper","status":"publish","type":"product","link":"https:\/\/svetslik.si\/fr\/leonardo-da-vinci\/the-last-supper\/","title":{"rendered":"L\u00e9onard de Vinci \u2013 La C\u00e8ne"},"content":{"rendered":"
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L\u00e9onard de Vinci \u2013 La C\u00e8ne<\/h2>\n

La C\u00e8ne<\/strong> est, avec La Joconde, l\u2019\u0153uvre la plus c\u00e9l\u00e8bre de L\u00e9onard. Elle a \u00e9t\u00e9 r\u00e9alis\u00e9e entre 1495 et 1498<\/strong> sur le mur du r\u00e9fectoire \u2013 la salle \u00e0 manger \u2013 du couvent dominicain attenant \u00e0 l\u2019\u00e9glise Santa Maria delle Grazie<\/strong> de Milan, o\u00f9 elle se trouve encore aujourd\u2019hui. Elle mesure 460 \u00d7 880 cm<\/strong>. Des sources plus anciennes la datent souvent d\u2019environ 1500. Et d\u00e8s le d\u00e9but, une rectification essentielle pour comprendre son \u00e9tat\u00a0: ce n\u2019est pas une fresque<\/strong>.<\/p>\n

L\u2019instant que saisit le tableau<\/h3>\n

L\u00e9onard n\u2019a pas repr\u00e9sent\u00e9 la communion, mais l\u2019instant juste apr\u00e8s que J\u00e9sus<\/strong> annonce que l\u2019un des douze le trahira. Chaque ap\u00f4tre r\u00e9agit diff\u00e9remment \u2013 par un geste, un mouvement du corps, une expression du visage. C\u2019\u00e9tait cela, la nouveaut\u00e9\u00a0: de telles r\u00e9actions psychologiques n\u2019avaient pas \u00e9t\u00e9 peintes avant lui. Les ap\u00f4tres sont r\u00e9partis en quatre groupes de trois, ce qui donne du rythme \u00e0 la sc\u00e8ne, et au milieu reste seul le Christ<\/strong>, calme et \u00e9quilibr\u00e9.<\/p>\n

Pourquoi l\u2019\u0153uvre se d\u00e9t\u00e9riore<\/h3>\n

Une vraie fresque se peint dans l\u2019enduit humide et fait corps avec lui. L\u00e9onard voulait plus de temps pour les retouches et les nuances\u00a0; il a donc peint \u00e0 la d\u00e9trempe et \u00e0 l\u2019huile sur enduit sec<\/strong>. La couche de peinture n\u2019a pas adh\u00e9r\u00e9 au mur, et le mur ext\u00e9rieur \u00e9tait de surcro\u00eet mince et humide. L\u2019\u00e9caillage a commenc\u00e9 peu apr\u00e8s l\u2019ach\u00e8vement, en 1498 \u2013 du vivant du peintre. C\u2019est la m\u00eame audace qui, pour La Bataille d\u2019Anghiari<\/a>, a fait qu\u2019il ne reste aujourd\u2019hui plus rien de ce mur.<\/p>\n

Vingt et un ans de restauration<\/h3>\n

La derni\u00e8re grande restauration a dur\u00e9 de 1978 \u00e0 1999<\/strong> et a \u00e9t\u00e9 dirig\u00e9e par Pinin Brambilla Barcilon<\/strong>. Le r\u00e9fectoire a \u00e9t\u00e9 transform\u00e9 en espace clos \u00e0 climat contr\u00f4l\u00e9. Les endroits impossibles \u00e0 sauver ont \u00e9t\u00e9 combl\u00e9s \u00e0 l\u2019aquarelle dans des tons discrets, de sorte qu\u2019ils se distinguent de la couleur d\u2019origine. La restauration a aussi \u00e9t\u00e9 critiqu\u00e9e\u00a0: il resterait peu du L\u00e9onard authentique \u2013 nous le disons aussi, car cela fait partie de l\u2019histoire.<\/p>\n

Des copies qui conservent ce qui est perdu<\/h3>\n

L\u2019original \u00e9tant si endommag\u00e9, les copies anciennes sont pr\u00e9cieuses. La copie de Giampietrino<\/strong>, vers 1520, \u00e0 la Royal Academy de Londres, a \u00e9t\u00e9 le principal guide de la restauration. La copie d\u2019Andrea Solario<\/strong> est conserv\u00e9e par le mus\u00e9e L\u00e9onard de Vinci de l\u2019abbaye de Tongerlo<\/strong>, en Belgique\u00a0: huile sur toile, environ 794 \u00d7 418 cm<\/strong> (pr\u00e8s de 33 m\u00b2), et l\u2019on y voit des d\u00e9tails qui n\u2019existent plus sur l\u2019original.<\/p>\n

Notre reproduction peinte \u00e0 la main<\/h3>\n

Le format est tr\u00e8s allong\u00e9, c\u2019est pourquoi le tableau fait son effet sur un mur plus long \u2013 dans une salle \u00e0 manger, une salle de r\u00e9union ou un couloir. Chaque tableau sur toile peint \u00e0 la main<\/strong> est peint sur commande par nos peintres \u2013 jamais imprim\u00e9. Comme tableau d\u2019art<\/strong> ou tableau mural<\/strong>, La C\u00e8ne compte parmi les motifs les plus souvent command\u00e9s. L\u2019\u0153uvre la plus c\u00e9l\u00e8bre de L\u00e9onard reste La Joconde<\/a>.<\/p>\n\n\n\n\n\n\n\n\n\n<\/colgroup>\n<\/table>\n
    \n
  • Sujet\u00a0:<\/strong> La C\u00e8ne, L\u00e9onard de Vinci, 1495\u20131498<\/li>\n
  • Technique\u00a0:<\/strong> tableau peint \u00e0 la main, huile sur toile, reproduction<\/li>\n
  • Dimensions\u00a0:<\/strong> 9 dimensions, de 100 \u00d7 50 cm \u00e0 400 \u00d7 210 cm, avec mise sur ch\u00e2ssis si vous le souhaitez<\/li>\n
  • \u00c0 savoir\u00a0:<\/strong> l\u2019original n\u2019est pas une fresque \u2013 c\u2019est pourquoi la peinture a commenc\u00e9 \u00e0 s\u2019\u00e9cailler du vivant de L\u00e9onard<\/li>\n<\/ul>\n

    La vid\u00e9o de cette page (0:36) montre d\u2019abord, de pr\u00e8s, le groupe des ap\u00f4tres sur notre tableau La C\u00e8ne peint \u00e0 la main, tandis que le pinceau ajoute les derniers coups, puis la toile allong\u00e9e enti\u00e8re dans un cadre dor\u00e9 sur le chevalet parmi des \u00e9chantillons de cadres, avec un gros plan sur l\u2019angle du cadre, et enfin, de pr\u00e8s, le visage du Christ et deux ap\u00f4tres, o\u00f9 l\u2019on voit le tissage de la toile.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

    [vc_row][vc_column][vc_column_text css=””] [\/vc_column_text][\/vc_column][\/vc_row] [vc_row][vc_column][vc_column_text] L\u00e9onard de Vinci \u2013 La C\u00e8ne La C\u00e8ne est, avec La Joconde, l\u2019\u0153uvre la plus c\u00e9l\u00e8bre de L\u00e9onard. Elle a \u00e9t\u00e9 r\u00e9alis\u00e9e entre 1495 et 1498 sur le mur du r\u00e9fectoire \u2013 la salle \u00e0 manger \u2013 du couvent dominicain attenant \u00e0 l\u2019\u00e9glise Santa Maria delle […]<\/p>\n","protected":false},"featured_media":296413,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[14657,14565],"product_tag":[14591,14586,14587,14585],"class_list":["post-296412","product","type-product","status-publish","has-post-thumbnail","product_cat-leonardo-da-vinci","product_cat-tableaux-religieux","product_tag-de-vinci","product_tag-peintre","product_tag-reproduction","product_tag-reproductions","pa_dimenzija-100-x-50-cm","pa_dimenzija-120-x-60-cm","pa_dimenzija-140-cm-x-70-cm","pa_dimenzija-160-cm-x-80-cm","pa_dimenzija-200-x-100-cm","pa_dimenzija-250-x-130-cm","pa_dimenzija-300-x-160-cm","pa_dimenzija-350-x-180-cm","pa_dimenzija-400-x-210-cm","pa_oblika-horizontal","pa_okvir-sans-cadre","pa_podokvir-non","pa_podokvir-oui","first","onbackorder","purchasable","product-type-variable","has-default-attributes"],"acf":[],"yoast_head":"\nLa C\u00e8ne \u2013 L\u00e9onard de Vinci \u2013 tableau peint \u00e0 la main<\/title>\n<meta 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Ann\u00e9e de cr\u00e9ation\u00a0:<\/td>\n1495\u20131498<\/td>\n<\/tr>\n
Dimensions de l\u2019original\u00a0:<\/td>\n460 cm x 880 cm (hauteur \u00d7 largeur)<\/td>\n<\/tr>\n
Style\u00a0:<\/td>\nHaute Renaissance<\/td>\n<\/tr>\n
Technique originale\u00a0:<\/td>\nD\u00e9trempe et huile sur enduit sec<\/td>\n<\/tr>\n
Conserv\u00e9 \u00e0\u00a0:<\/td>\nSanta Maria delle Grazie, Milan<\/td>\n<\/tr>\n<\/tbody>\n