{"id":215295,"date":"2026-09-10T09:36:58","date_gmt":"2026-09-10T07:36:58","guid":{"rendered":"https:\/\/svetslik.si\/modigliani-oci-zjenice\/"},"modified":"2026-09-10T09:36:58","modified_gmt":"2026-09-10T07:36:58","slug":"modigliani-oci-zjenice","status":"publish","type":"post","link":"https:\/\/svetslik.si\/hr\/modigliani-oci-zjenice\/","title":{"rendered":"Je li Modigliani doista odbijao slikati o\u010di dok ne upozna du\u0161u modela?"},"content":{"rendered":"\n

Pri\u010da se ponavlja u svakom tekstu o Modiglianiju: o\u010di je ostavljao prazne dok ne upozna ne\u010diju du\u0161u. Pri\u010da je lijepa. Na\u0161a polica mo\u017ee je provjeriti, jer imamo 76 njegovih djela i svako smo pogledali \u2013 najprije tekst \u0107elije, zatim samu sliku. Rezultat: prazne o\u010di ima 53 djela, 22 ih nema. Kod jednoga se pri dostupnoj razlu\u010divosti nije dalo razlu\u010diti i tako je i zapisano.<\/p>\n\n\n

\u0160to smo prebrojili<\/h2>\n\n\n

Od 76 djela na ovoj polici: 53 ima o\u010di bez zjenica, 17 ima naslikane zjenice, kod 3 je jedno oko sa zjenicom a drugo bez, kod 2 su o\u010di zatvorene, a kod 1 presuda nije mogu\u0107a. Pravilo dakle ne stoji: zjenice se pojavljuju pre\u010desto da bi bile iznimka, a prazne o\u010di su navika, ne obe\u0107anje.<\/p>\n\n\n

Svih 76 djela, jedno po jedno<\/h2>\n\n\n

Svaki redak vodi na svoje djelo. Stupac \u00bb\u0160to je na platnu\u00ab zapa\u017eanje je uz sliku, zapisano na engleskom onako kako je zabilje\u017eeno pri gledanju; nismo ga prevodili jer bi svaki prijevod zapa\u017eanje udaljio od onoga \u0161to je vi\u0111eno.<\/p>\n\n\n
Djelo<\/th>O\u010di<\/th>\u0160to je na platnu<\/th><\/tr><\/thead>
Crveni akt<\/a><\/td>bez zjenica<\/td>single visible eye is one solid dark almond, no iris\/sclera division<\/td><\/tr>
Portret Jeanne H\u00e9buterne I<\/a><\/td>sa zjenicama<\/td>both eyes have dark round irises with white sclera either side<\/td><\/tr>
Portret Jeanne H\u00e9buterne II<\/a><\/td>sa zjenicama<\/td>dark brown irises with visible white at the outer corners<\/td><\/tr>
Portret Jeanne H\u00e9buterne III<\/a><\/td>sa zjenicama<\/td>blue-grey iris disc with darker centre, white sclera at inner corner<\/td><\/tr>
Portret Jeanne H\u00e9buterne IV<\/a><\/td>sa zjenicama<\/td>rounded blue iris with catchlight, whites showing at both corners<\/td><\/tr>
Portret Jeanne H\u00e9buterne u crnoj i crvenoj haljini<\/a><\/td>bez zjenica<\/td>profile eye is a small pale bluish slit, uniform, nothing drawn inside<\/td><\/tr>
Portret Beatrice Hastings<\/a><\/td>bez zjenica<\/td>angular outlined lids over flat skin-tone and a dark band, no iris<\/td><\/tr>
Le\u017ee\u0107i akt II<\/a><\/td>bez zjenica<\/td>both eyes are pointed lens shapes filled uniform blue-black<\/td><\/tr>
Ciganka s djetetom<\/a><\/td>jedno oko sa zjenicom, drugo bez<\/td>viewer-right eye has a distinct dark pupil; left is a flat blue field<\/td><\/tr>
Sjede\u0107i akt<\/a><\/td>bez zjenica<\/td>one grey-mauve and one green almond, each an even field<\/td><\/tr>
Jacques i Berthe Lipchitz<\/a><\/td>bez zjenica<\/td>all four eyes are solid dark slits under a lid line<\/td><\/tr>
Mali seljak<\/a><\/td>bez zjenica<\/td>two small grey-blue slits with even fill<\/td><\/tr>
Portret Lunije Czechowske<\/a><\/td>bez zjenica<\/td>profile eye is a pale grey-blue lens, blank<\/td><\/tr>
Portret Jeanne H\u00e9buterne V<\/a><\/td>bez zjenica<\/td>two grey-blue almonds, flat colour, no iris<\/td><\/tr>
Portret Jeanne H\u00e9buterne VI<\/a><\/td>bez zjenica<\/td>small pale blue-grey almonds, uniform<\/td><\/tr>
Sjede\u0107i akt na divanu<\/a><\/td>bez zjenica<\/td>olive-green almonds, mottled but with no iris disc<\/td><\/tr>
Portret Cha\u00efma Soutinea<\/a><\/td>sa zjenicama<\/td>dark iris mass set against pale sclera in both eyes<\/td><\/tr>
Akt na plavom jastuku<\/a><\/td>bez zjenica<\/td>both eyes dark-filled almonds; only a white catchlight, no pupil<\/td><\/tr>
Karijatida<\/a><\/td>bez zjenica<\/td>eye is an empty charcoal lens outline, nothing drawn inside<\/td><\/tr>
Portret Juana Grisa<\/a><\/td>sa zjenicama<\/td>white sclera wedges flank a solid black iris\/pupil in both eyes<\/td><\/tr>
Portret Maxa Jacoba<\/a><\/td>bez zjenica<\/td>both eye openings are filled dark almonds, no iris ring or pupil disc<\/td><\/tr>
Akt<\/a><\/td>zatvorene o\u010di<\/td>eyes drawn as single curved lid strokes with lashes, no opening<\/td><\/tr>
Crvenokosa mlada \u017eena u ko\u0161ulji<\/a><\/td>bez zjenica<\/td>two flat blue-grey almonds, uniform colour edge to edge<\/td><\/tr>
Sjede\u0107a \u017eena u plavoj haljini<\/a><\/td>bez zjenica<\/td>uniform dark green-grey almond fields under the brow lines<\/td><\/tr>
Portret Poljakinje<\/a><\/td>bez zjenica<\/td>narrow solid dark slits, lid arcs drawn separately above<\/td><\/tr>
Autoportret<\/a><\/td>bez zjenica<\/td>both eyes are flat dark maroon-brown slits with no interior modelling<\/td><\/tr>
Le\u017ee\u0107i akt<\/a><\/td>sa zjenicama<\/td>clear white sclera with a dark iris and pupil in both eyes<\/td><\/tr>
Sjede\u0107i akt<\/a><\/td>zatvorene o\u010di<\/td>head tilted, lids closed with lash strokes over them<\/td><\/tr>
Akt s raspu\u0161tenom kosom<\/a><\/td>sa zjenicama<\/td>white sclera on both sides of a dark round iris, both eyes<\/td><\/tr>
Le\u017ee\u0107i akt III<\/a><\/td>bez zjenica<\/td>narrow uniformly dark almonds, no sclera, no pupil at full resolution<\/td><\/tr>
Portret Mo\u00efsea Kislinga<\/a><\/td>sa zjenicama<\/td>large white sclera wedges around heavy black irises in both eyes<\/td><\/tr>
Ren\u00e9e<\/a><\/td>bez zjenica<\/td>the whole opening is one teal-green field; only white catchlight dots<\/td><\/tr>
Mladi nau\u010dnik<\/a><\/td>bez zjenica<\/td>two small flat blue-grey slivers, downcast, no iris or pupil<\/td><\/tr>
Jeanne H\u00e9buterne u \u017eutom puloveru<\/a><\/td>bez zjenica<\/td>plain pale-blue almonds, uniform, no interior marks<\/td><\/tr>
Jeanne H\u00e9buterne u bijeloj ko\u0161uljici<\/a><\/td>bez zjenica<\/td>pale blue-grey almonds outlined in dark, blank inside<\/td><\/tr>
Madame Kisling<\/a><\/td>bez zjenica<\/td>both eyes are uniform slate\/teal fields with lid strokes only<\/td><\/tr>
Portret L\u00e9opolda Survagea<\/a><\/td>jedno oko sa zjenicom, drugo bez<\/td>his right eye is a flat grey-blue blank; his left has a modelled blue iris with a dark pupil<\/td><\/tr>
\u017dena plavih o\u010diju<\/a><\/td>bez zjenica<\/td>two flat cyan-blue almonds, uniform colour, no pupil<\/td><\/tr>
Hanka Zborowska<\/a><\/td>bez zjenica<\/td>narrow almond slits filled flat green, no iris or pupil<\/td><\/tr>
Dje\u010dak<\/a><\/td>bez zjenica<\/td>uniform slate-blue slits under the lids, no iris drawn<\/td><\/tr>
Madame G. van Muyden<\/a><\/td>sa zjenicama<\/td>large blue-grey iris mass in each eye with white sclera at the corners<\/td><\/tr>
Portret L\u00e9opolda Zborowskog<\/a><\/td>bez zjenica<\/td>flat slits, one grey-blue one teal, uniform colour throughout<\/td><\/tr>
L\u00e9on Bakst<\/a><\/td>nije mogu\u0107e razlu\u010diti<\/td>the eye is a small mottled blue-white smear; iris and brushwork cannot be separated<\/td><\/tr>
L\u2019Enfant gras<\/a><\/td>bez zjenica<\/td>heavy-lidded almonds filled uniform grey-brown, no iris<\/td><\/tr>
Madam Pompadour<\/a><\/td>bez zjenica<\/td>solid black almond blobs, nothing inside<\/td><\/tr>
Djevojka u bluzi s to\u010dkama<\/a><\/td>bez zjenica<\/td>flat pale-blue almonds, no iris or pupil<\/td><\/tr>
Mala slu\u017eavka<\/a><\/td>bez zjenica<\/td>both eyes blank dark blue-black fields under heavy lids<\/td><\/tr>
Jean Cocteau<\/a><\/td>jedno oko sa zjenicom, drugo bez<\/td>viewer-right eye has a round black pupil with white sclera; viewer-left is a blank dark wedge<\/td><\/tr>
Portret Lunije Czechowske u bijeloj bluzi<\/a><\/td>bez zjenica<\/td>pale blue-grey almonds outlined in dark, uniform fill<\/td><\/tr>
Crvena glava<\/a><\/td>bez zjenica<\/td>left eye flat dark blue-grey, right eye a white impasto slab; neither has an iris<\/td><\/tr>
L\u00e9on Indenbaum<\/a><\/td>bez zjenica<\/td>pale grey-green blank almonds<\/td><\/tr>
Viking Eggeling<\/a><\/td>bez zjenica<\/td>dark green-teal masses fill the almonds; highlights are brushstrokes<\/td><\/tr>
\u017denska glava<\/a><\/td>bez zjenica<\/td>solid black almond shapes, only a sclera glint, no drawn iris<\/td><\/tr>
Dje\u010dak u prugastom puloveru<\/a><\/td>bez zjenica<\/td>pale blue-grey fields with lid line only, no iris circle<\/td><\/tr>
Talijanka<\/a><\/td>sa zjenicama<\/td>brown irises with darker pupils and white sclera in both eyes<\/td><\/tr>
\u017dena s nau\u0161nicama<\/a><\/td>sa zjenicama<\/td>big black iris and pupil in each eye, white sclera at the corners<\/td><\/tr>
Slikar Kr\u00e9m\u00e8gne<\/a><\/td>bez zjenica<\/td>narrow slate-blue slits, uniform, no iris<\/td><\/tr>
Lolotte<\/a><\/td>sa zjenicama<\/td>proper-left eye has an olive iris with dark pupil and white highlight over visible sclera<\/td><\/tr>
Lola de Valence<\/a><\/td>bez zjenica<\/td>the single drawn eye is a bare charcoal almond outline filled with plain flesh tone<\/td><\/tr>
B\u00e9atrice (portret B\u00e9atrice Hastings)<\/a><\/td>bez zjenica<\/td>one eye an empty outline, the other a solid uniform brown fill<\/td><\/tr>
Adrienne (\u017eena sa \u0161i\u0161kama)<\/a><\/td>sa zjenicama<\/td>both eyes show a distinct dark iris with a sclera crescent at the outer corner<\/td><\/tr>
Portret L\u00e9opolda Zborowskog (Izraelski muzej)<\/a><\/td>bez zjenica<\/td>right aperture a flat olive-green band, left a dark hollow<\/td><\/tr>
Sanjarenje (studija za portret Franka Burtyja Havilanda)<\/a><\/td>bez zjenica<\/td>narrow slanted almond with a pale sliver fill, no darker disc even at master resolution<\/td><\/tr>
Portret Paula Guillaumea<\/a><\/td>bez zjenica<\/td>both eyes are solid blue-black wedges filling the aperture<\/td><\/tr>
Djevoj\u010dica u crnoj prega\u010di<\/a><\/td>sa zjenicama<\/td>round dark brown iris with white highlight set in white sclera, both eyes<\/td><\/tr>
Pjeva\u010dica iz kavane<\/a><\/td>bez zjenica<\/td>shallow almonds carrying a uniform soft grey-green wash<\/td><\/tr>
Mlada \u017eena u \u017eutoj haljini<\/a><\/td>sa zjenicama<\/td>dark iris and pupil with white sclera and a paint highlight in both eyes<\/td><\/tr>
Portret Maxa Jacoba (D\u00fcsseldorf)<\/a><\/td>bez zjenica<\/td>left eye a flat teal-green field, right a flat grey-white field<\/td><\/tr>
Jeanne, sjedi s rukom na naslonu stolca<\/a><\/td>bez zjenica<\/td>pale blue-grey blank almonds<\/td><\/tr>
Dje\u010dak u kratkim hla\u010dama<\/a><\/td>bez zjenica<\/td>narrow slate-teal slivers of uniform colour<\/td><\/tr>
Prodava\u010dica cvije\u0107a<\/a><\/td>bez zjenica<\/td>both eyes are flat teal-green almond fields with no iris drawn<\/td><\/tr>
Materinstvo<\/a><\/td>bez zjenica<\/td>the mother's eyes pale blue blanks; the child's likewise plain blue-grey ovals<\/td><\/tr>
\u017dena s bijelim ovratnikom<\/a><\/td>bez zjenica<\/td>both eyes filled edge to edge with uniform green<\/td><\/tr>
Portret mlade \u017eene (Yale)<\/a><\/td>sa zjenicama<\/td>profile eye has a round dark iris with white highlight and sclera either side<\/td><\/tr>
Mladi\u0107 s kapom<\/a><\/td>bez zjenica<\/td>pale grey-green blank slits under the cap<\/td><\/tr>
Mlada \u017eena (Oslo)<\/a><\/td>bez zjenica<\/td>solid dark slate-blue almonds, uniform<\/td><\/tr><\/tbody><\/table>\n\n\n

\u0160to o tome ka\u017eu muzeji<\/h2>\n\n\n

Obja\u0161njenja koja navode drugi, i izvor za svako: Dallas Museum of Art<\/strong> uz svoje djelo ka\u017ee da su afri\u010dke maske cijenili zajedno s Matisseom, Picassom, Braqueom i Derainom i da je utjecaj vidljiv u stiliziranoj obradi lica. Nasjonalmuseet<\/strong> u Oslu pi\u0161e o afri\u010dkoj skulpturi \u010diji je linearan, izdu\u017een stil njegovim figurama dao dojam profinjene modernosti, a uz jedno svoje djelo dodaje da individualiziraju\u0107e crte nisu bile slikareva navada. Mus\u00e9e de Grenoble<\/strong> me\u0111u izvorima navodi arhajske gr\u010dke, etru\u0161\u010danske i egipatske kipove. Kustosica Yale University Art Gallery<\/strong> imenuje i mjesta: skulpturu koju je vidio u Parizu, me\u0111u ostalim u Trocad\u00e9ru, i maske s Obale Bjelokosti. Nijedan od tih zapisa ne govori o du\u0161i.<\/p>\n\n\n

\u0160to ovaj popis nije<\/h2>\n\n\n

Presude su donesene uz reprodukciju koju imamo, ne uz platno u muzeju; kod malih glava i mekog nanosa granica izme\u0111u \u0161arenice i poteza kista stvarna je i kod jednog smo je djela priznali umjesto da naga\u0111amo. Popis ka\u017ee \u0161to je na slici \u2013 ne za\u0161to je ondje.<\/p>\n\n\n

Sva djela s ove police nalaze se na stranici s Modiglianijevim slikama<\/a>, svako kao ru\u010dno slikana reprodukcija.<\/p>\n\n","protected":false},"excerpt":{"rendered":"

Pri\u010da se ponavlja u svakom tekstu o Modiglianiju: o\u010di je ostavljao prazne dok ne upozna ne\u010diju du\u0161u. Pri\u010da je lijepa. Na\u0161a polica mo\u017ee je provjeriti, jer imamo 76 njegovih djela i svako smo pogledali \u2013 najprije tekst \u0107elije, zatim samu sliku. Rezultat: prazne o\u010di ima 53 djela, 22 ih nema. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1804],"tags":[],"class_list":["post-215295","post","type-post","status-publish","format-standard","hentry","category-reprodukcije-slika"],"acf":[],"yoast_head":"\nJe li Modigliani doista odbijao slikati o\u010di dok ne upozna du\u0161u modela? - SvetSlik.si<\/title>\n<meta name=\"description\" content=\"Umetni\u010dke slike \u2013 100% ru\u010dno naslikane reprodukcije poznatih slikara, apstraktne slike, zidne slike na platnu, moderne slike i slike po narud\u017ebi.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/svetslik.si\/hr\/modigliani-oci-zjenice\/\" \/>\n<meta property=\"og:locale\" content=\"hr_HR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Je li Modigliani doista odbijao slikati o\u010di dok ne upozna du\u0161u modela? 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