{"id":340745,"date":"2026-11-06T11:40:53","date_gmt":"2026-11-06T10:40:53","guid":{"rendered":"https:\/\/svetslik.si\/?p=340745"},"modified":"2026-11-06T11:40:53","modified_gmt":"2026-11-06T10:40:53","slug":"sandro-botticelli-blog","status":"publish","type":"post","link":"https:\/\/svetslik.si\/hu\/sandro-botticelli-blog\/","title":{"rendered":"Sandro Botticelli \u2013 a Tavasz fest\u0151j\u00e9nek \u00e9letrajza"},"content":{"rendered":"<p>Sandro Botticelli (1445 k\u00f6r\u00fcl \u2013 1510), eredeti nev\u00e9n Alessandro di Mariano di Vanni Filipepi, a korai renesz\u00e1nsz firenzei fest\u0151je volt, \u00e9s \u0151 festette az olasz m\u0171v\u00e9szet k\u00e9t legismertebb alkot\u00e1s\u00e1t, A V\u00e9nusz sz\u00fclet\u00e9s\u00e9t \u00e9s a Tavaszt (Primavera), amelyek ma a firenzei Uffiziben l\u00e1that\u00f3k. A Medici csal\u00e1dnak \u00e9s k\u00f6r\u00e9nek dolgozott, nagy mitol\u00f3giai jeleneteket, olt\u00e1rt\u00e1bl\u00e1kat, kerek Madonn\u00e1kat \u00e9s portr\u00e9kat festett, R\u00f3m\u00e1ban pedig h\u00e1rom nagy fresk\u00f3t k\u00e9sz\u00edtett a Sixtus-k\u00e1poln\u00e1ban. Hal\u00e1la ut\u00e1n t\u00f6bb mint h\u00e1rom \u00e9vsz\u00e1zadra szinte feled\u00e9sbe mer\u00fclt, m\u00edgnem a 19. sz\u00e1zad v\u00e9g\u00e9n a preraffaelit\u00e1k \u00fajra felfedezt\u00e9k. M\u0171vei <a href=\"https:\/\/svetslik.si\/hu\/sandro-botticelli\/\">Sandro Botticelli festm\u00e9nyeinek k\u00e9zzel festett reprodukci\u00f3i<\/a> k\u00f6z\u00f6tt szerepelnek k\u00edn\u00e1latunkban, v\u00e1sznon.<\/p>\n<div class=\"svs-capture\">\n<p>Gal\u00e9ri\u00e1nk minden Botticelli-festm\u00e9ny\u00e9t k\u00e9zzel festj\u00fck meg olajfest\u00e9kkel v\u00e1szonra, rendel\u00e9sre \u00e9s az \u00d6n \u00e1ltal v\u00e1lasztott m\u00e9retben; felad\u00e1s el\u0151tt elk\u00fcldj\u00fck a k\u00e9sz festm\u00e9ny fot\u00f3j\u00e1t.<\/p>\n<h3>Sandro Botticelli festm\u00e9nyei gal\u00e9ri\u00e1nkban<\/h3>\n<ul>\n<li><a href=\"https:\/\/svetslik.si\/hu\/sandro-botticelli\/primavera-botticelli\/\">Tavasz<\/a><\/li>\n<li><a href=\"https:\/\/svetslik.si\/hu\/sandro-botticelli\/venus-and-mars-botticelli\/\">V\u00e9nusz \u00e9s Mars<\/a><\/li>\n<li><a href=\"https:\/\/svetslik.si\/hu\/sandro-botticelli\/adoration-of-the-magi-botticelli\/\">A h\u00e1romkir\u00e1lyok im\u00e1d\u00e1sa<\/a><\/li>\n<li><a href=\"https:\/\/svetslik.si\/hu\/sandro-botticelli\/venus-and-the-three-graces-botticelli\/\">V\u00e9nusz \u00e9s a h\u00e1rom Gr\u00e1cia megaj\u00e1nd\u00e9koz egy fiatal n\u0151t<\/a><\/li>\n<li><a href=\"https:\/\/svetslik.si\/hu\/sandro-botticelli\/calumny-of-apelles-botticelli\/\">Apell\u00e9sz r\u00e1galma<\/a><\/li>\n<li><a href=\"https:\/\/svetslik.si\/hu\/sandro-botticelli\/madonna-of-the-magnificat-botticelli\/\">Magnificat Madonna<\/a><\/li>\n<li><a href=\"https:\/\/svetslik.si\/hu\/sandro-botticelli\/portrait-of-a-young-woman-botticelli\/\">Fiatal n\u0151 portr\u00e9ja<\/a><\/li>\n<\/ul>\n<\/div>\n<h2>\u00c9lete: a t\u00edm\u00e1r fia az Ognissanti negyedb\u0151l, aki a Medicieknek festett<\/h2>\n<p>Botticelli Firenz\u00e9ben sz\u00fcletett, egy olyan utc\u00e1ban \u00e1ll\u00f3 h\u00e1zban, amelyet ma is Borgo Ognissantinak h\u00edvnak. Mariano Filipepi t\u00edm\u00e1r t\u00f6bb gyermeke k\u00f6z\u00fcl az egyik volt; sz\u00fclet\u00e9s\u00e9nek pontos napj\u00e1t nem ismerj\u00fck, apja ad\u00f3bevall\u00e1sai alapj\u00e1n azonban 1444 \u00e9s 1446 k\u00f6z\u00f6tt j\u00f6tt vil\u00e1gra. A Botticelli, vagyis \u201ekis hord\u00f3\u201d ragadv\u00e1nynevet b\u00e1tyj\u00e1t\u00f3l, Giovannit\u00f3l vette \u00e1t, akit kerekded alakja miatt Botticell\u00f3nak h\u00edvtak. Vasari szerint el\u0151sz\u00f6r \u00f6tv\u00f6snek tanult, 1461 k\u00f6r\u00fcl pedig Fra Filippo Lippi, Firenze egyik vezet\u0151 fest\u0151je \u00e9s a Mediciek kedvelt mestere mell\u00e9 ker\u00fclt; t\u0151le tanulta meg, hogyan fessen sz\u00e9p, m\u00e9lab\u00fas alakokat tiszta k\u00f6rvonalakkal \u00e9s finom f\u00e9ny-\u00e1rny\u00e9k \u00e1tmenetekkel. 1469-ben m\u00e1r saj\u00e1t m\u0171helye volt, 1472-ben pedig els\u0151 seg\u00e9djek\u00e9nt mestere fi\u00e1t, Filippino Lippit fogadta be. 1474-ben n\u00e9h\u00e1ny h\u00f3napig Pis\u00e1ban dolgozott, 1475 k\u00f6r\u00fcl pedig a Santa Maria Novella templom sz\u00e1m\u00e1ra megfestette A h\u00e1romkir\u00e1lyok im\u00e1d\u00e1s\u00e1t, amelyet Vasari k\u00fcl\u00f6n megdics\u00e9rt, \u00e9s amely eg\u00e9sz Firenz\u00e9ben ismertt\u00e9 tette a nev\u00e9t. 1481-ben IV. Sixtus p\u00e1pa m\u00e1s vezet\u0151 firenzei \u00e9s umbriai fest\u0151kkel egy\u00fctt R\u00f3m\u00e1ba h\u00edvta, hogy fresk\u00f3kkal d\u00edsz\u00edts\u00e9k az \u00faj Sixtus-k\u00e1polna falait; Botticelli a tizenn\u00e9gy nagy jelenetb\u0151l h\u00e1rmat festett meg Krisztus \u00e9s M\u00f3zes \u00e9let\u00e9b\u0151l. 1482-ben visszat\u00e9rt Firenz\u00e9be, \u00e9s ezut\u00e1n soha t\u00f6bb\u00e9 nem hagyta el hosszabb id\u0151re a v\u00e1rost. Az 1480-as \u00e9vek voltak legsikeresebb \u00e9vtizede: ekkor fejezte be a Mediciek \u00e9s sz\u00f6vets\u00e9geseik sz\u00e1m\u00e1ra nagy mitol\u00f3giai m\u0171veit \u00e9s sok legh\u00edresebb Madonn\u00e1j\u00e1t. Vasari szerint az 1490-es \u00e9vekben Girolamo Savonarola pr\u00e9dik\u00e1tor k\u00f6vet\u0151je lett; hogy ez mennyire hatott r\u00e1, bizonytalan, st\u00edlusa azonban szem\u00e9lyesebb\u00e9 \u00e9s szigor\u00fabb\u00e1 v\u00e1lt. Egyetlen festm\u00e9nye, amelyre d\u00e1tumot \u00edrt, az 1500-ban k\u00e9sz\u00fclt Misztikus sz\u00fclet\u00e9s. 1504-ben tagja volt annak a bizotts\u00e1gnak, amely Michelangelo D\u00e1vidj\u00e1nak hely\u00e9r\u0151l d\u00f6nt\u00f6tt. Soha nem n\u0151s\u00fclt meg, \u00e9s eg\u00e9sz \u00e9let\u00e9t ugyanabban a negyedben t\u00f6lt\u00f6tte. 1510 m\u00e1jus\u00e1ban halt meg, \u00e9s az Ognissanti-templom mellett temett\u00e9k el, ahol megkeresztelt\u00e9k.<\/p>\n<h2>St\u00edlusa: a tiszta vonal, a mitol\u00f3gia \u00e9s a kerek Madonn\u00e1k<\/h2>\n<p>Botticelli st\u00edlus\u00e1t tiszta, \u00e1raml\u00f3 vonal\u00e1r\u00f3l lehet felismerni. Alakjait l\u00e1gy, megszak\u00edt\u00e1s n\u00e9lk\u00fcli k\u00f6rvonalakkal rajzolja, a f\u00e9nyt \u00e9s az \u00e1rny\u00e9kot visszafogottan haszn\u00e1lja, sz\u00ednei vil\u00e1gosak, szinte pasztellesek; John Ruskin a vonal ritmus\u00e1t l\u00e1tta festm\u00e9nyeiben, Vasari a kecsess\u00e9get. Eredeti m\u0171vei t\u00f6bbnyire fat\u00e1bl\u00e1ra festett temper\u00e1k, a falakra pedig fresk\u00f3technik\u00e1val dolgozott. Olyan nagy m\u00e9ret\u0171 mitol\u00f3giai jeleneteket, mint a Tavasz \u00e9s A V\u00e9nusz sz\u00fclet\u00e9se, a nyugati m\u0171v\u00e9szet az \u00f3kor \u00f3ta szinte nem ismert; egyetlen sz\u00f6veget sem illusztr\u00e1lnak, hanem t\u00f6bb k\u00f6lt\u0151re \u00e9s a Lorenzo de\u2019 Medici k\u00f6r\u00e9ben \u00e9l\u0151 humanist\u00e1k \u00fajplatonista filoz\u00f3fi\u00e1j\u00e1ra \u00e9p\u00fclnek. Az els\u0151k k\u00f6z\u00f6tt haszn\u00e1lta a tond\u00f3t, a nagyj\u00e1b\u00f3l 115\u2013145 cm \u00e1tm\u00e9r\u0151j\u0171 kerek festm\u00e9nyt, \u00e9s \u00e9ppen kerek Madonn\u00e1i, amelyeket gyakrabban festett meg saj\u00e1t kez\u0171leg, mint a sz\u00f6gleteseket, v\u00e1ltak a v\u00e9djegy\u00e9v\u00e9. Portr\u00e9in a n\u0151ket t\u00f6bbnyire profilb\u00f3l, a f\u00e9rfiakat h\u00e1romnegyedes n\u00e9zetben mutatja, h\u00e1tt\u00e9rnek pedig sz\u00edvesen v\u00e1laszt nyitott ablakot. Utols\u00f3 \u00e9veiben alakjai kisebbek, gesztusai kifejez\u0151bbek, sz\u00ednei kev\u00e9sb\u00e9 term\u00e9szetesek lesznek, ez\u00e9rt sokan g\u00f3tikusnak vagy archaikusnak \u00edrj\u00e1k le k\u00e9s\u0151i st\u00edlus\u00e1t. Hal\u00e1la ut\u00e1n h\u00edrneve hosszabb id\u0151re \u00e9s alaposabban elhalv\u00e1nyult, mint b\u00e1rmely m\u00e1s nagy eur\u00f3pai m\u0171v\u00e9sz\u00e9. A preraffaelit\u00e1k fedezt\u00e9k fel \u00fajra, Walter Pater \u00edr\u00f3 h\u00edres essz\u00e9t \u00edrt r\u00f3la, az els\u0151 monogr\u00e1fia 1893-ban jelent meg, 1900 \u00e9s 1920 k\u00f6z\u00f6tt pedig t\u00f6bb k\u00f6nyv sz\u00fcletett r\u00f3la, mint b\u00e1rmely m\u00e1s fest\u0151r\u0151l.<\/p>\n<h2>Legh\u00edresebb m\u0171vei<\/h2>\n<p>Legh\u00edresebb m\u0171ve, A V\u00e9nusz sz\u00fclet\u00e9se az Uffiziben a Tavasz mellett l\u00e1that\u00f3, gal\u00e9ri\u00e1nk pedig \u00e9ppen a Tavasszal (1480 k\u00f6r\u00fcl) kezd\u0151dik: ez egy 203 x 314 cm-es, fat\u00e1bl\u00e1ra festett nagy tempera. Egy s\u00f6t\u00e9t narancsligetben, vir\u00e1gos r\u00e9ten kilenc alak \u00e1ll: balra Merk\u00far p\u00e1lc\u00e1j\u00e1val elkergeti a felh\u0151ket, a h\u00e1rom Gr\u00e1cia \u00e1tl\u00e1tsz\u00f3 f\u00e1tylakban t\u00e1ncol, k\u00f6z\u00e9pen V\u00e9nusz \u00e1ll, f\u00f6l\u00f6tte bek\u00f6t\u00f6tt szem\u0171 \u00c1mor nyil\u00e1val c\u00e9loz; jobbra a k\u00e9kesz\u00f6ld Zeph\u00fcrosz utol\u00e9ri Khl\u00f3risz nimf\u00e1t, aki Fl\u00f3r\u00e1v\u00e1, a vir\u00e1gok istenn\u0151j\u00e9v\u00e9 v\u00e1ltozik, vir\u00e1gokkal bor\u00edtott ruh\u00e1ban. A r\u00e9ten mintegy 500 n\u00f6v\u00e9nyfajt \u00e9s csaknem 190 k\u00fcl\u00f6nb\u00f6z\u0151 vir\u00e1got azonos\u00edtottak. Egy 1499-es lelt\u00e1r Lorenzo di Pierfrancesco de\u2019 Medicinek, Lorenzo il Magnifico unokatestv\u00e9r\u00e9nek v\u00e1rosi palot\u00e1j\u00e1ban eml\u00edti a festm\u00e9nyt; jelent\u00e9s\u00e9r\u0151l a kutat\u00f3k ma is vitatkoznak. A V\u00e9nusz \u00e9s Mars (1485 k\u00f6r\u00fcl) tempera \u00e9s olaj ny\u00e1rfa t\u00e1bl\u00e1n, m\u00e9rete 69,2 x 173,4 cm, hossz\u00fa, alacsony form\u00e1ja pedig arra utal, hogy falburkolatba vagy b\u00fatorba illesztett\u00e9k. V\u00e9nusz \u00e9bren figyeli az alv\u00f3 Marsot, kis szat\u00edrok j\u00e1tszanak a fegyvereivel, egyik\u00fck pedig kagyl\u00f3val f\u00faj a f\u00fcl\u00e9be; a feje k\u00f6r\u00fcl repked\u0151 darazsak tal\u00e1n a Vespucci csal\u00e1dra utalnak, amelynek neve \u201ekis darazsakat\u201d jelent. 1874-ben a londoni National Gallery v\u00e1s\u00e1rolta meg. A h\u00e1romkir\u00e1lyok im\u00e1d\u00e1s\u00e1t (1475 k\u00f6r\u00fcl, 111 x 134 cm) Gaspare del Lama rendelte meg a Santa Maria Novella-beli olt\u00e1r\u00e1hoz. A kir\u00e1lyok \u00e9s k\u00eds\u00e9ret\u00fck k\u00f6z\u00f6tt a Medici csal\u00e1d tagjai jelennek meg: az id\u0151sebb Cosimo a Gyermek el\u0151tt t\u00e9rdel, mellette a hagyom\u00e1ny szerint fiai \u00e9s unok\u00e1i, Lorenzo \u00e9s Giuliano l\u00e1that\u00f3k; a jobb sz\u00e9len \u00e1ll\u00f3, s\u00e1rg\u00e1sbarna k\u00f6penyes f\u00e9rfit, aki kitekint a festm\u00e9nyb\u0151l, a legt\u00f6bb szak\u00e9rt\u0151 mag\u00e1nak Botticellinek tartja. A festm\u00e9ny az Uffiziben van. A V\u00e9nusz \u00e9s a h\u00e1rom Gr\u00e1cia megaj\u00e1nd\u00e9koz egy fiatal n\u0151t (1483\u20131485 k\u00f6r\u00fcl) fresk\u00f3 a Firenze melletti Villa Lemmib\u0151l, amely Giovanni Tornabuoni\u00e9 volt; val\u00f3sz\u00edn\u0171leg fia, Lorenzo \u00e9s Giovanna degli Albizzi 1486-os esk\u00fcv\u0151j\u00e9re k\u00e9sz\u00fclt, a feh\u00e9r kend\u0151t tart\u00f3 fiatal n\u0151t pedig gyakran a menyasszonnyal azonos\u00edtj\u00e1k. A fresk\u00f3t 1873-ban fedezt\u00e9k fel egy meszel\u00e9sr\u00e9teg alatt, levett\u00e9k a falr\u00f3l \u00e9s v\u00e1szonra vitt\u00e9k \u00e1t; ma a p\u00e1rizsi Louvre-ban l\u00e1that\u00f3. Az Apell\u00e9sz r\u00e1galma (1494\u20131495 k\u00f6r\u00fcl) kisebb, 62 x 91 cm-es fat\u00e1bla, amelyen Botticelli Lukianosz le\u00edr\u00e1sa alapj\u00e1n, amelyet Alberti aj\u00e1nlott a fest\u0151knek, \u00fajraalkotta az \u00f3kori g\u00f6r\u00f6g fest\u0151, Apell\u00e9sz elveszett m\u0171v\u00e9t: a szam\u00e1rf\u00fcl\u0171 kir\u00e1ly a Tudatlans\u00e1gra \u00e9s a Gyan\u00fara hallgat, a f\u00e1kly\u00e1s R\u00e1galom haj\u00e1n\u00e1l fogva vonszolja \u00e1ldozat\u00e1t, balra pedig a Megb\u00e1n\u00e1s, egy fekete ruh\u00e1s \u00f6regasszony, \u00e9s a mez\u00edtelen Igazs\u00e1g \u00e1ll, aki az \u00e9g fel\u00e9 mutat. Tal\u00e1n saj\u00e1t mag\u00e1nak festette; az Uffizi \u0151rzi. A Magnificat Madonna (1481\u20131483 k\u00f6r\u00fcl) 118 cm \u00e1tm\u00e9r\u0151j\u0171 kerek festm\u00e9ny: M\u00e1ria, \u00f6l\u00e9ben a Gyermekkel, a Luk\u00e1cs-evang\u00e9liumb\u00f3l val\u00f3 Magnificat dics\u00e9neket \u00edrja, a Gyermek vezeti a kez\u00e9t, k\u00e9t angyal pedig koron\u00e1t tart a feje f\u00f6l\u00e9. Ez is az Uffiziben van. A Fiatal n\u0151 portr\u00e9ja (1475 k\u00f6r\u00fcl) a Palazzo Pitti Galleria Palatin\u00e1j\u00e1b\u00f3l egy ismeretlen fiatal n\u0151t mutat szigor\u00fa profilban, egy ablak el\u0151tt; a 19. sz\u00e1zadi kritikusok Simonett\u00e1nak nevezt\u00e9k, Simonetta Vespuccira gondolva, von\u00e1sai azonban nagyon elt\u00e9rnek Simonetta felt\u00e9telezett portr\u00e9it\u00f3l. Hogy Botticelli hol \u00e1ll a t\u00f6bbi nagy mester mellett, azt <a href=\"https:\/\/svetslik.si\/hu\/z-5-legismertebb-festmeny-a-vilagon\/\">a vil\u00e1g \u00f6t legh\u00edresebb festm\u00e9ny\u00e9r\u0151l sz\u00f3l\u00f3 \u00e1ttekint\u00e9s\u00fcnkben<\/a> olvashatja el.<\/p>\n<h2>Gyakori k\u00e9rd\u00e9sek Sandro Botticellir\u0151l<\/h2>\n<h3>Ki volt Sandro Botticelli?<\/h3>\n<p>A korai renesz\u00e1nsz firenzei fest\u0151je (1445 k\u00f6r\u00fcl \u2013 1510), Fra Filippo Lippi tan\u00edtv\u00e1nya \u00e9s a Medici-k\u00f6r fest\u0151je, akinek Tavasz \u00e9s A V\u00e9nusz sz\u00fclet\u00e9se c\u00edm\u0171 m\u0171ve a vil\u00e1g legismertebb festm\u00e9nyei k\u00f6z\u00e9 tartozik.<\/p>\n<h3>Mit festett Sandro Botticelli?<\/h3>\n<p>Mitol\u00f3giai jeleneteket V\u00e9nusszal \u00e9s a Gr\u00e1ci\u00e1kkal, olt\u00e1rt\u00e1bl\u00e1kat \u00e9s templomi fresk\u00f3kat, k\u00f6zt\u00fck h\u00e1rom nagy jelenetet a Sixtus-k\u00e1poln\u00e1ban, sz\u00e1mos Madonn\u00e1t a Gyermekkel, sokat k\u00f6z\u00fcl\u00fck kerek tond\u00f3 form\u00e1ban, portr\u00e9kat, k\u00e9s\u0151i \u00e9veiben pedig kisebb \u00f3kori t\u00f6rt\u00e9neti jeleneteket \u00e9s rajzokat Dante Isteni sz\u00ednj\u00e1t\u00e9k\u00e1hoz.<\/p>\n<h3>Hol l\u00e1that\u00f3k Botticelli eredeti festm\u00e9nyei?<\/h3>\n<p>Gal\u00e9ri\u00e1nk m\u0171vei k\u00f6z\u00fcl a Tavasz, A h\u00e1romkir\u00e1lyok im\u00e1d\u00e1sa, az Apell\u00e9sz r\u00e1galma \u00e9s a Magnificat Madonna a firenzei Uffiziben, a Fiatal n\u0151 portr\u00e9ja a szint\u00e9n firenzei Palazzo Pitti Galleria Palatin\u00e1j\u00e1ban, a V\u00e9nusz \u00e9s Mars a londoni National Galleryben, A V\u00e9nusz \u00e9s a h\u00e1rom Gr\u00e1cia megaj\u00e1nd\u00e9koz egy fiatal n\u0151t c\u00edm\u0171 fresk\u00f3 pedig a p\u00e1rizsi Louvre-ban l\u00e1that\u00f3.<\/p>\n<h3>V\u00e1s\u00e1rolhatok k\u00e9zzel festett reprodukci\u00f3t Botticelli festm\u00e9ny\u00e9r\u0151l?<\/h3>\n<p>Igen, online gal\u00e9ri\u00e1nkban <a href=\"https:\/\/svetslik.si\/hu\/sandro-botticelli\/\">Sandro Botticelli festm\u00e9nyeinek k\u00e9zzel festett reprodukci\u00f3it<\/a> tal\u00e1lja v\u00e1sznon, a v\u00e1lasztott m\u00e9retben. Az eredetik nem v\u00e1szonra festett olajfestm\u00e9nyek: t\u00f6bbs\u00e9g\u00fck fat\u00e1bl\u00e1ra festett tempera, a V\u00e9nusz \u00e9s Mars tempera \u00e9s olaj ny\u00e1rfa t\u00e1bl\u00e1n, A V\u00e9nusz \u00e9s a h\u00e1rom Gr\u00e1cia pedig egy villa fal\u00e1r\u00f3l levett fresk\u00f3. Mi minden m\u00e1solatot k\u00e9zzel fest\u00fcnk meg olajjal v\u00e1szonra, \u00edgy feltekerve, fa vakr\u00e1m\u00e1ra fesz\u00edtve vagy keretezve is megkaphatja. A Tavasz 314 cm sz\u00e9les, ez\u00e9rt minden m\u00e9ret\u00fcnk kisebb n\u00e1la, a legnagyobb V\u00e9nusz \u00e9s Marsunk viszont valamivel nagyobb az eredetin\u00e9l. A Magnificat Madonna kerek: a kerek jelenetet n\u00e9gyzet alak\u00fa v\u00e1szonra festj\u00fck. Sz\u00e1ll\u00edt\u00e1s el\u0151tt j\u00f3v\u00e1hagy\u00e1sra elk\u00fcldj\u00fck a festm\u00e9ny fot\u00f3j\u00e1t.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sandro Botticelli (1445 k\u00f6r\u00fcl \u2013 1510), eredeti nev\u00e9n Alessandro di Mariano di Vanni Filipepi, a korai renesz\u00e1nsz firenzei fest\u0151je volt, \u00e9s \u0151 festette az olasz m\u0171v\u00e9szet k\u00e9t legismertebb alkot\u00e1s\u00e1t, A V\u00e9nusz sz\u00fclet\u00e9s\u00e9t \u00e9s a Tavaszt (Primavera), amelyek ma a firenzei Uffiziben l\u00e1that\u00f3k. A Medici csal\u00e1dnak \u00e9s k\u00f6r\u00e9nek dolgozott, nagy mitol\u00f3giai [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":340147,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7116],"tags":[],"class_list":["post-340745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festmenyek-reprodukcioi"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Sandro Botticelli \u2013 \u00e9lete, st\u00edlusa \u00e9s legh\u00edresebb m\u0171vei<\/title>\n<meta name=\"description\" content=\"Sandro Botticelli: a Tavasz \u00e9s A V\u00e9nusz sz\u00fclet\u00e9se fest\u0151j\u00e9nek \u00e9lete, st\u00edlusa \u00e9s legh\u00edresebb m\u0171vei, valamint k\u00e9zzel festett olajfestm\u00e9nyek.\" 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