{"id":62232,"date":"2023-01-20T08:11:13","date_gmt":"2023-01-20T07:11:13","guid":{"rendered":"https:\/\/svetslik.si\/2023\/01\/20\/amedeo-modigliani\/"},"modified":"2026-09-09T11:27:57","modified_gmt":"2026-09-09T09:27:57","slug":"amedeo-modigliani-blog","status":"publish","type":"post","link":"https:\/\/svetslik.si\/hu\/amedeo-modigliani-blog\/","title":{"rendered":"Amedeo Modigliani"},"content":{"rendered":"\n

Amedeo Modigliani olasz fest\u0151 \u00e9s szobr\u00e1sz volt, Livorn\u00f3ban sz\u00fcletett 1884. j\u00falius 12-\u00e9n, \u00e9s P\u00e1rizsban halt meg 1920. janu\u00e1r 24-\u00e9n, harminc\u00f6t \u00e9vesen. Alig tizen\u00f6t \u00e9vet dolgozott, csaknem mindet Franciaorsz\u00e1gban, \u00e9s portr\u00e9k \u00e9s aktok olyan sor\u00e1t hagyta h\u00e1tra, amelyet els\u0151 pillant\u00e1sra fel lehet ismerni: a hossz\u00fa nyak, az ov\u00e1lis arc, a keskeny mandulaszem.<\/p>\n\n\n\n

\u00c9lete \u00e9s munk\u00e1ss\u00e1ga<\/h2>\n\n\n\n

Livorno \u00e9s a P\u00e1rizs el\u0151tti \u00e9vek<\/h3>\n\n\n

M\u0171velt zsid\u00f3 csal\u00e1dban n\u0151tt fel a kik\u00f6t\u0151v\u00e1rosban, Livorn\u00f3ban; a Tate a fest\u0151r\u0151l sz\u00f3l\u00f3 ismertet\u0151j\u00e9ben kiemeli, hogy a csal\u00e1d t\u00e1mogatta becsv\u00e1gy\u00e1t, \u00e9s megnyitotta el\u0151tte a nyelveket \u00e9s az irodalmat. Festeni Guglielmo Michelin\u00e9l tanult, 1902-ben beiratkozott a firenzei Scuola Libera di Nud\u00f3-ra, a k\u00f6vetkez\u0151 \u00e9vben pedig Velenc\u00e9ben tanult. P\u00e1rizsba 1906-ban \u00e9rkezett, huszonegy \u00e9vesen, \u00e9s \u00e9lete v\u00e9g\u00e9ig ott maradt.<\/p>\n\n\n\n

P\u00e1rizs \u00e9s a k\u00f6r, amelyet megfestett<\/h3>\n\n\n

El\u0151bb a Montmartre-on \u00e9lt, majd a Montparnasse-on. Az osl\u00f3i Nasjonalmuseet le\u00edrja, hogyan kereste a kenyer\u00e9t k\u00e1v\u00e9h\u00e1zi rajzol\u00f3k\u00e9nt: gyorsan rajzolta a vend\u00e9gek portr\u00e9it, abban a rem\u00e9nyben, hogy olajban is megrendelnek t\u0151le valamit. K\u00f6r\u00e9hez tartozott Constantin Br\u00e2ncu\u0219i, Cha\u00efm Soutine, Mo\u00efse Kisling, Jacques Lipchitz szobr\u00e1sz, Max Jacob, Jean Cocteau, Juan Gris \u00e9s L\u00e9opold Zborowski m\u0171keresked\u0151, aki 1916-t\u00f3l gondoskodott r\u00f3la. Legt\u00f6bbj\u00fcket meg is festette, \u00e9s ez\u00e9rt tudjuk Modiglianin\u00e1l olyan gyakran pontosan, ki van a v\u00e1sznon; ennek a k\u00f6rnek a portr\u00e9i ma a Modigliani-festm\u00e9nyek oldal\u00e1n<\/a> tal\u00e1lhat\u00f3k.<\/p>\n\n\n\n

A szobr\u00e1sz, aki visszat\u00e9rt a fest\u00e9szethez<\/h3>\n\n\n

1909 \u00e9s 1913 k\u00f6z\u00f6tt els\u0151sorban szobr\u00e1sznak tartotta mag\u00e1t. A Nasjonalmuseet feljegyzi, hogy k\u00f6r\u00fclbel\u00fcl egy \u00e9vig Br\u00e2ncu\u0219i seg\u00e9dje volt; k\u00f6zvetlen\u00fcl a k\u0151be faragott, agyagminta n\u00e9lk\u00fcl. A Tate azt \u00edrja, hogy h\u00e9t ilyen szobr\u00e1t 1912 okt\u00f3ber\u00e9ben \u00e9s november\u00e9ben a Salon d\u2019Automne-on \u00e1ll\u00edtott\u00e1k ki \u2013 ez volt szobr\u00e1szat\u00e1nak egyetlen jelent\u0151sebb bemutat\u00f3ja \u00e9let\u00e9ben \u2013, \u00e9s hogy kubista festm\u00e9nyek term\u00e9be helyezt\u00e9k \u0151ket, amit Modigliani tal\u00e1n el\u0151re is l\u00e1tott, amikor \u201edekorat\u00edv egy\u00fcttesnek\u201d nevezte \u0151ket.<\/p>\n\n\n

A farag\u00e1sr\u00f3l nem sokkal ezut\u00e1n mondott le. A Mus\u00e9e de Grenoble okk\u00e9nt a t\u00f6r\u00e9keny eg\u00e9szs\u00e9get \u00e9s az anyagi neh\u00e9zs\u00e9geket nevezi meg, amelyek visszavitt\u00e9k a fest\u00e9szethez \u00e9s a megrendelt portr\u00e9hoz; a k\u0151por elviselhetetlen volt a tuberkul\u00f3zist\u00f3l m\u00e1r megt\u00e1madott t\u00fcd\u0151nek. Szobr\u00e1sz szem\u00e9vel t\u00e9rt vissza.<\/p>\n\n\n\n

Honnan j\u00f6nnek ezek az arcok<\/h3>\n\n\n

Az arcok maszkszer\u0171ek, szimmetrikusak, n\u00e9h\u00e1ny s\u00edkra egyszer\u0171s\u00edtettek, a szemek pedig gyakran mandula alak\u00faak \u00e9s pupilla n\u00e9lk\u00fcl maradnak. A Mus\u00e9e de Grenoble a forr\u00e1sok k\u00f6z\u00f6tt az afrikai m\u0171v\u00e9szetet, valamint az archaikus g\u00f6r\u00f6g, etruszk \u00e9s egyiptomi szobrokat nevezi meg; a Nasjonalmuseet afrikai szobr\u00e1szatr\u00f3l \u00edr, amelynek vonalas, megny\u00fajtott st\u00edlusa alakjainak a v\u00e1laszt\u00e9kos moderns\u00e9g jelleg\u00e9t adta, \u00e9s hozz\u00e1teszi, hogy a sz\u00ednben a kubizmus visszafogott, naturalizmusellenes palett\u00e1j\u00e1t r\u00e9szes\u00edtette el\u0151nyben. A Dallas Museum of Art a saj\u00e1t m\u0171ve mellett elmondja, hogy az afrikai maszkokat Matisse-szal, Picass\u00f3val, Braque-kal \u00e9s Derainnel egy\u00fctt csod\u00e1lta.<\/p>\n\n\n

A hasonl\u00f3s\u00e1g nem volt c\u00e9l. A Nasjonalmuseet az egyik saj\u00e1t m\u0171v\u00e9r\u0151l azt \u00edrja, hogy az egy\u00e9n\u00edt\u0151 von\u00e1sok nem voltak jellemz\u0151ek a fest\u0151re, \u00e9s hogy a modell val\u00f3sz\u00edn\u0171leg ismeretlen \u2013 a m\u00fazeum teh\u00e1t a saj\u00e1t sz\u00f6veg\u00e9ben veszi vissza azt a nevet, amelyet a saj\u00e1t katal\u00f3gusmez\u0151je visel.<\/p>\n\n\n\n

Egyetlen ki\u00e1ll\u00edt\u00e1s<\/h3>\n\n\n

\u00c9let\u00e9ben egyetlen \u00f6n\u00e1ll\u00f3 ki\u00e1ll\u00edt\u00e1sa volt, 1917 december\u00e9ben Berthe Weill p\u00e1rizsi gal\u00e9ri\u00e1j\u00e1ban. Berthe Weill aktot akasztott a kirakatba; a rend\u0151rs\u00e9g m\u00e9g aznap levetette a m\u0171veket, \u00e9s a ki\u00e1ll\u00edt\u00e1s szinte azonnal bez\u00e1rt.<\/p>\n\n\n\n

Jeanne H\u00e9buterne \u00e9s az utols\u00f3 \u00e9vek<\/h3>\n\n\n

1917 nyar\u00e1n ismerte meg Jeanne H\u00e9buterne-t, aki maga is m\u0171v\u00e9szhallgat\u00f3 volt \u2013 \u00edgy \u00edrja le a Yale University Art Gallery kur\u00e1tora. A Norton Simon Museum a saj\u00e1t le\u00edr\u00e1s\u00e1ban feljegyzi, hogy l\u00e1nyuk a k\u00f6vetkez\u0151 \u00e9v november\u00e9ben sz\u00fcletett. 1920. janu\u00e1r 24-\u00e9n halt meg tuberkul\u00f3zisos agyh\u00e1rtyagyullad\u00e1sban. Jeanne H\u00e9buterne, aki m\u00e1sodik gyermek\u00fcket v\u00e1rta, k\u00e9t nappal ut\u00e1na halt meg.<\/p>\n\n\n\n

Hal\u00e1la ut\u00e1n<\/h3>\n\n\n

Az elismer\u00e9s ut\u00f3bb j\u00f6tt meg. A Nasjonalmuseet azt \u00edrja, hogy a h\u00edrneve a hal\u00e1la ut\u00e1n csak n\u0151tt, \u00e9s hogy a h\u00faszas \u00e9vek folyam\u00e1n tragikus \u00e9lete \u00e9s saj\u00e1tos formanyelve az eur\u00f3pai modernizmus t\u00f6rt\u00e9net\u00e9nek r\u00e9szek\u00e9nt r\u00f6gz\u00fclt. A Mus\u00e9e de Grenoble azt az \u00e9vet is megadja, amelyben ez az \u00fat hivataloss\u00e1 v\u00e1lt: 1923-ban megvette a N\u0151 feh\u00e9r gall\u00e9rral<\/a> c\u00edm\u0171 m\u0171vet \u2013 saj\u00e1t le\u00edr\u00e1sa szerint az els\u0151 Modigliani-festm\u00e9nyt, amelyet valaha m\u00fazeum szerzett meg, h\u00e1rom \u00e9vvel a fest\u0151 hal\u00e1la ut\u00e1n.<\/p>\n\n\n

M\u0171vei ma t\u00f6bbek k\u00f6z\u00f6tt a New York-i Metropolitan Museum of Art-ban \u00e9s a Solomon R. Guggenheim Museum-ban, a washingtoni National Gallery of Art-ban, a S\u00e3o Paulo Museum of Art-ban, a p\u00e1rizsi Mus\u00e9e national d\u2019art moderne \u2013 Centre Pompidou-ban \u00e9s a Mus\u00e9e de l\u2019Orangerie-ben, a londoni Tate-ben, az osl\u00f3i Nasjonalmuseetben, a Yale University Art Gallery-ben, a Mus\u00e9e de Grenoble-ban \u00e9s a Detroit Institute of Arts-ban tal\u00e1lhat\u00f3k. Ezek a megny\u00fajtott portr\u00e9k m\u00e1ig a legkeresettebb mot\u00edvumok k\u00f6z\u00e9 tartoznak a k\u00e9zzel festett Modigliani-reprodukci\u00f3k<\/a>.<\/p>\n\n\n\n

T\u00edz dolog, amit \u00e9rdemes tudni<\/h3>\n\n\n
    \n\n
  1. 1884. j\u00falius 12-\u00e9n sz\u00fcletett Livorn\u00f3ban, \u00e9s 1906-t\u00f3l Franciaorsz\u00e1gban \u00e9lt \u00e9s dolgozott.<\/li>\n\n\n
  2. Huszonegy \u00e9vesen \u00e9rkezett P\u00e1rizsba, \u00e9s hal\u00e1l\u00e1ig ott maradt.<\/li>\n\n\n
  3. Eleinte k\u00e1v\u00e9h\u00e1zi vend\u00e9gek rajzol\u00e1s\u00e1b\u00f3l \u00e9lt, olajmegrendel\u00e9s rem\u00e9ny\u00e9ben.<\/li>\n\n\n
  4. 1909 \u00e9s 1913 k\u00f6z\u00f6tt els\u0151sorban szobr\u00e1sznak tartotta mag\u00e1t, nem fest\u0151nek.<\/li>\n\n\n
  5. Br\u00e2ncu\u0219i tan\u00edtotta meg a k\u00f6zvetlen k\u0151farag\u00e1sra; k\u00f6r\u00fclbel\u00fcl egy \u00e9vig a seg\u00e9dje volt.<\/li>\n\n\n
  6. H\u00e9t szobr\u00e1t 1912-ben a Salon d\u2019Automne-on \u00e1ll\u00edtott\u00e1k ki \u2013 szobr\u00e1szat\u00e1nak egyetlen jelent\u0151sebb bemutat\u00f3ja \u00e9let\u00e9ben.<\/li>\n\n\n
  7. Az arcokat az afrikai m\u0171v\u00e9szet, valamint az archaikus g\u00f6r\u00f6g, etruszk \u00e9s egyiptomi szobrok form\u00e1lt\u00e1k.<\/li>\n\n\n
  8. A szemeket gyakran pupilla n\u00e9lk\u00fcl hagyta \u2013 mandula alak\u00fa sz\u00ednfoltok, amelyek a n\u00e9z\u0151 mellett n\u00e9znek el.<\/li>\n\n\n
  9. Egyetlen \u00f6n\u00e1ll\u00f3 ki\u00e1ll\u00edt\u00e1sa volt, 1917 december\u00e9ben Berthe Weilln\u00e9l; a rend\u0151rs\u00e9g a kirakatba akasztott akt miatt m\u00e9g aznap levetette a m\u0171veket.<\/li>\n\n\n
  10. Az els\u0151 festm\u00e9ny\u00e9t 1923-ban v\u00e1s\u00e1rolta meg egy m\u00fazeum: a Mus\u00e9e de Grenoble, h\u00e1rom \u00e9vvel a hal\u00e1la ut\u00e1n.<\/li>\n\n<\/ol>\n\n","protected":false},"excerpt":{"rendered":"

    Amedeo Modigliani olasz fest\u0151 \u00e9s szobr\u00e1sz volt, Livorn\u00f3ban sz\u00fcletett 1884. j\u00falius 12-\u00e9n, \u00e9s P\u00e1rizsban halt meg 1920. janu\u00e1r 24-\u00e9n, harminc\u00f6t \u00e9vesen. Alig tizen\u00f6t \u00e9vet dolgozott, csaknem mindet Franciaorsz\u00e1gban, \u00e9s portr\u00e9k \u00e9s aktok olyan sor\u00e1t hagyta h\u00e1tra, amelyet els\u0151 pillant\u00e1sra fel lehet ismerni: a hossz\u00fa nyak, az ov\u00e1lis arc, a keskeny […]<\/p>\n","protected":false},"author":1,"featured_media":50333,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7116],"tags":[],"class_list":["post-62232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festmenyek-reprodukcioi"],"acf":[],"yoast_head":"\nAmedeo Modigliani \u2013 az olasz fest\u0151 \u00e9lete \u00e9s munk\u00e1ss\u00e1ga<\/title>\n<meta name=\"description\" content=\"Amedeo Modigliani (1884\u20131920): Livorno, P\u00e1rizs, a szobr\u00e1sz\u00e9vek, Jeanne H\u00e9buterne. 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