{"id":53261,"date":"2021-09-02T17:50:55","date_gmt":"2021-09-02T15:50:55","guid":{"rendered":"https:\/\/svetslik.si\/nem-kategorizalt\/where-do-we-come-from-what-are-we-where-are-we-going\/"},"modified":"2026-03-22T21:29:40","modified_gmt":"2026-03-22T20:29:40","slug":"where-do-we-come-from-what-are-we-where-are-we-going","status":"publish","type":"product","link":"https:\/\/svetslik.si\/hu\/paul-gauguin-hu\/where-do-we-come-from-what-are-we-where-are-we-going\/","title":{"rendered":"Paul Gauguin – Where Do We Come From? What Are We? Where Are We Going?"},"content":{"rendered":"
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Paul Gauguin \u2013 Honnan j\u00f6v\u00fcnk? Mik vagyunk? Hov\u00e1 megy\u00fcnk?<\/h1>\n

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Olaj, v\u00e1szon Honnan j\u00f6v\u00fcnk? Mik vagyunk? Merre tartunk?<\/em>Gauguin egyik legfontosabb v\u00e1szonk\u00e9pe.<\/p>\n<\/div>\n

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Gauguin megesk\u00fcd\u00f6tt, hogy \u00f6ngyilkos lesz a festm\u00e9ny elk\u00e9sz\u00edt\u00e9se ut\u00e1n \u2013 amit a m\u00faltban is megk\u00eds\u00e9relt. A szerz\u0151 szerint az olajfestm\u00e9nyt jobbr\u00f3l balra kell tanulm\u00e1nyozni, a v\u00e1sznon l\u00e1that\u00f3 h\u00e1rom f\u0151 figuracsoport pedig azokat a k\u00e9rd\u00e9seket k\u00e9pviseli, amelyeket Gauguin adott a festm\u00e9nyhez.<\/p>\n<\/div>\n

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H\u00e1rom gyermekes n\u0151 az \u00e9let kezdet\u00e9t jelenti; a k\u00f6z\u00e9ps\u0151 csoport a serd\u00fcl\u0151kor l\u00e9t\u00e9t szimboliz\u00e1lja; a v\u00e1szon bal oldal\u00e1n az utols\u00f3 csoportban pedig egy id\u0151s n\u0151t festett meg a m\u0171v\u00e9sz, aki belet\u00f6r\u0151d\u00f6tt a hal\u00e1l k\u00f6zelg\u0151 elj\u00f6vetel\u00e9be, \u00e9s saj\u00e1t gondolataiba mer\u00fcl. L\u00e1b\u00e1n\u00e1l egy furcsa feh\u00e9r mad\u00e1r jelk\u00e9pezi a szavak \u00e9rtelmetlens\u00e9g\u00e9t. A h\u00e1tt\u00e9rben l\u00e1that\u00f3 k\u00e9k szobor azt k\u00e9pviseli, amit maga Gauguin \u201ea m\u00e1sik vil\u00e1gnak\u201d nevezett.<\/p>\n<\/div>\n

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A Gauguin az olaj, v\u00e1szon sz\u00e1m\u00e1ra k\u00e9sz\u00fclt Honnan j\u00f6v\u00fcnk? Mik vagyunk? Merre tartunk?<\/em><\/strong>azt mondta, hogy ez minden kor\u00e1bbi munk\u00e1j\u00e1t fel\u00fclm\u00falta, \u00e9s enn\u00e9l jobb k\u00e9pet a j\u00f6v\u0151ben sem tudna festeni.<\/p>\n<\/div>\n

Filoz\u00f3fi\u00e1kkal teli nagym\u00e9ret\u0171 olajfestm\u00e9nyr\u0151l van sz\u00f3, s maga a m\u0171v\u00e9sz elmond\u00e1sa szerint ezt a m\u0171vet a legnagyobb lelkesed\u00e9ssel k\u00e9sz\u00edtette el, mert Gauguint kor\u00e1bban a szeg\u00e9nys\u00e9g \u00e9s a k\u00e9ts\u00e9gbees\u00e9s k\u00e9nyszer\u00edtette \u00f6ngyilkoss\u00e1gra. Az \u00e1lmok fant\u00e1zi\u00e1it \u00e9s a tahiti \u00e9let\u00e9rz\u00e9seket szintetiz\u00e1lja ebbe a kompoz\u00edci\u00f3ba. A festm\u00e9ny h\u00e1romszint\u0171 kompoz\u00edci\u00f3ja jobbr\u00f3l balra h\u00e1rom f\u0151szerepl\u0151t, egy csecsem\u0151t, egy gy\u00fcm\u00f6lcsszed\u0151 fiatalembert \u00e9s egy \u00f6regasszonyt rendez el, akik felv\u00e1ltva t\u00e1rj\u00e1k el\u00e9nk a sz\u00fclet\u00e9s, \u00e9let \u00e9s hal\u00e1l titkait. Ez egy olyan folyamat, amelyen az emberi l\u00e9nyeknek v\u00e9gig kell menni\u00fck \u00e9let\u00fck sor\u00e1n, de egyben Gauguin \u00f6sszefoglal\u00f3ja is saj\u00e1t bels\u0151 gondolkod\u00e1s\u00e1r\u00f3l, \u00e9s bizony\u00edt\u00e9ka annak, hogy az \u00e9lete nem ment k\u00e1rba. A festm\u00e9ny sz\u00ednvil\u00e1ga egyszer\u0171 \u00e9s rejt\u00e9lyes, a cselekm\u00e9ny technik\u00e1ja pedig keleties dekor\u00e1ci\u00f3val, romantik\u00e1val, a fest\u0151 \u00e9let \u00e9rtelm\u00e9nek filoz\u00f3fiai k\u00e9rd\u00e9sfeltev\u00e9se pedig a foltos, sz\u00e9p \u00e9s \u00e1lmodoz\u00f3 k\u00e9peken sejthet\u0151.<\/p>\n

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Paul Gauguin<\/strong> (1848-1903), a posztimpresszionizmus reprezentat\u00edv fest\u0151je. Gauguin P\u00e1rizsban sz\u00fcletett, egy \u00fajs\u00e1g\u00edr\u00f3 fiak\u00e9nt \u00e9s egy perui \u00edr\u00f3 l\u00e1nyak\u00e9nt. Gauguin festm\u00e9nyei egyed\u00fcl\u00e1ll\u00f3ak a nyugati modern m\u0171v\u00e9szet t\u00f6rt\u00e9net\u00e9ben primit\u00edv \u00e9s szimbolikus ir\u00e1nyzataikkal, valamint \u00fagynevezett \u201eszint\u00e9zis\u201d st\u00edlusukkal. Gauguin korai \u00e9veiben tenger\u00e9sz \u00e9s \u00fczletember volt. 1871-ben P\u00e1rizsba j\u00f6tt, hogy t\u0151zsde\u00fcgyn\u00f6k legyen. Ez id\u0151 alatt bar\u00e1tja, Schfnack hat\u00e1s\u00e1ra kezdett \u00e9rdekl\u0151dni a fest\u00e9szet ir\u00e1nt. 1883-ban Gauguin, aki mindig is amat\u0151r fest\u0151 volt, hirtelen feladta \u00edg\u00e9retes \u00e9s irigyl\u00e9sre m\u00e9lt\u00f3 banki poz\u00edci\u00f3j\u00e1t, \u00e9s \u00fagy d\u00f6nt\u00f6tt, hogy profi fest\u0151 lesz. 35 \u00e9ves volt ekkor. Eleinte az impresszionista fest\u00e9szet megsz\u00e1llottja volt, \u00e9s t\u00f6bb impresszionista festm\u00e9nyki\u00e1ll\u00edt\u00e1son vett r\u00e9szt. K\u00e9s\u0151bb, amikor a szimbolizmus eszt\u00e9tikai felfog\u00e1sa vez\u00e9relte, elhagyta az impresszionizmust, \u00e9s szembesz\u00e1llt a term\u00e9szet t\u00e1rgyilagos helyre\u00e1ll\u00edt\u00e1s\u00e1ra ir\u00e1nyul\u00f3 impresszionista m\u0171v\u00e9szi t\u00f6rekv\u00e9ssel, \u00e9s a m\u0171v\u00e9szi k\u00e9pek megk\u00fcl\u00f6nb\u00f6ztet\u00e9s\u00e9t szorgalmazta. Az objekt\u00edv k\u00e9p ugyanakkor tele van a m\u0171v\u00e9sz szubjekt\u00edv \u00e9rz\u00e9seivel.<\/p>\n<\/div>\n

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[vc_row css=”.vc_custom_1640131920483{margin-bottom: 20px !important;}”][vc_column][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1640131920483{margin-bottom: 20px !important;}”][vc_column][\/vc_column][\/vc_row] Paul Gauguin \u2013 Honnan j\u00f6v\u00fcnk? Mik vagyunk? Hov\u00e1 megy\u00fcnk?   L\u00e9trehoz\u00e1s \u00e9ve: 1897 Eredeti m\u00e9ret: 374,6 cm x 139,1 cm Fest\u00e9si st\u00edlus: Szimbolika Eredeti technika: Olaj, v\u00e1szon Helysz\u00edn: Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum, Boston   Olaj, v\u00e1szon Honnan j\u00f6v\u00fcnk? Mik vagyunk? Merre tartunk?Gauguin egyik legfontosabb v\u00e1szonk\u00e9pe. 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L\u00e9trehoz\u00e1s \u00e9ve:<\/td>\n1897<\/td>\n<\/tr>\n
Eredeti m\u00e9ret:<\/td>\n374,6 cm x 139,1 cm<\/td>\n<\/tr>\n
Fest\u00e9si st\u00edlus:<\/td>\nSzimbolika<\/td>\n<\/tr>\n
Eredeti technika:<\/td>\nOlaj, v\u00e1szon<\/td>\n<\/tr>\n
Helysz\u00edn:<\/td>\nSz\u00e9pm\u0171v\u00e9szeti M\u00fazeum, Boston<\/td>\n<\/tr>\n<\/tbody>\n