Claude Monet – Woman with a Parasol (Facing Left)

Woman with a Parasol (Facing Left) is Monet’s study of a figure in the open air, painted in 1886: the figure with the green parasol stands on a flowering slope, behind her there is only sky, and the painter left the face without features. The original is held by the Musée d’Orsay in Paris under accession number RF 2621 and listed as oil on canvas, 88.7 x 131 cm. We make it as a hand-painted reproduction in oil on canvas, in eight sizes or to your own measurements, with a photograph of the finished work sent to approve before dispatch.

Woman with a Parasol (Facing Left), 1886 – Claude Monet

What is the painting of?

A figure with an open parasol, in a meadow under open sky. The museum record names nobody: it lists the work as an essai de figure en plein-air, a study of a figure in the open air — not a portrait of anyone, but the question of how a human figure looks in diffused daylight. Painted in 1886, when Monet was already at Giverny, it reached the museum in 1927 as a gift from Michel Monet, the painter’s son.

What is on the canvas?

The canvas is upright and tall. The figure is painted from below, so that almost nothing but sky remains behind her — no horizon, no distance. She faces left, the body slightly in profile, the parasol held above the head and a little back; it is green, its ribs visible and its edge pale. She wears a white-cream bodice with three-quarter sleeves and a long skirt that passes from pale pink into white; at the breast sits a small red flower, the only pure red in the work. On her head a dark blue-grey hat, from behind which a veil streams to the left — which is how you see that the wind is blowing. The face was left without features: under the parasol there is only a pale plane, no eyes, nose or mouth. In the lower third the meadow rises, painted in short separate dashes of yellow, orange, pink, violet, green and blue.

Why does this painting matter?

Because it is a figure painted with the method Monet had worked out on landscape. Sky and meadow are laid in with the same quick broken stroke as water or snow in his landscapes, and the figure is woven into them rather than set on top. As an impressionist painting that is rare: after the 1870s Monet almost stopped painting people, and these two canvases of 1886 are among the last where a human figure is the subject. The title is not a name but a task — a study of a figure in the open air.

Why is the face left blank?

Because the work is not a portrait. With no face the eye slides on to the skirt, the parasol and the grass — the figure becomes a shape in light rather than a person, and that was the object of the exercise. The emptiness above has its opposite below: the meadow is laid on in dense short strokes that almost nowhere close into a surface, so the colours mix only in the viewer’s eye. This hand-painted oil painting carries two ways of painting on one canvas — soft above, broken up below.

Which of Monet’s two parasols is this?

In 1886 Monet painted two almost identical studies, hanging in the same room at the Orsay and from the same gift: this is the one facing left, RF 2621, 88.7 x 131 cm. Its twin is mirrored — Femme à l’ombrelle tournée vers la droite, RF 2620, and it is not the same size: it measures 89.3 x 130.5 cm. Eleven years earlier the same motif appeared as a family scene with Camille and their son Jean: The Walk, Woman with a Parasol. The group version of the garden subject is Women in the Garden, Camille Monet on Her Deathbed is a rare case of a figure indoors, and how far Monet took the broken stroke in landscape is shown by Impression, Sunrise.

How is our hand-painted version made?

The painter works with a brush and oil colour, not a printer, and builds the canvas at two speeds: first the sky and the dress in broad soft passages, then the meadow in hundreds of short separate strokes. In the first photograph the finished canvas stands on the easel in our workshop, shot head on and unframed, as we ship it if you choose no frame. The second and third are taken from the side, from the left and from the right, and in them the edge of the stretched canvas is visible. The fourth shows the meadow close up: every dash stands on its own, and between them the weave shows. That relief is what a print cannot give, because there is nothing on an impression to cast a shadow. Each copy is made separately, so a hand-painted copy is always a work of its own, and every oil painting reproduction is photographed in daylight before dispatch.

In the 49-second video under the description the camera moves slowly across the finished work: first over the skirt, then over the meadow below it, so that you can see how high the strokes stand above the weave. That is where this Monet reproduction shows what a photograph taken head on cannot catch.

Which size for which wall?

If you are unsure: 88 x 131 cm. That size is the closest to the original, which measures 88.7 x 131 cm, and is therefore the most faithful choice. The format is markedly upright, roughly 2 : 3, so it fills a narrow wall between a door and a window. 40 x 60 cm and 50 x 75 cm belong in a hallway; 60 x 90 cm and 70 x 100 cm are the usual choice above a chest of drawers; 80 x 120 cm, 100 x 150 cm and 120 x 180 cm are meant for tall walls. Because the upper half is pale and quiet and the lower half busy, this kind of canvas painting hangs better a little higher, so the meadow does not fall to furniture height. As impressionist wall art it brings light into a room without strong contrast, and that is why as a painting for living room walls it warms a room instead of dividing it.

Made to measure, stretcher and frame

If none of the eight sizes fits your wall, we paint the work to your measurements; that is our painting made to order. We keep the ratio of the sides, so the figure is not squeezed. Every copy arrives stretched on a wooden bar frame and ready to hang. For the frame, use our 3D application: on this subject it shows all our mouldings, so you can compare gold, silver, black, white and natural wood before deciding — it is for choosing the frame only and does not show the work in your room. If you want to see how it will look on your wall, that is our separate room-placement service.

Delivery and guarantee

Every copy is made to order in our studio in Slovenia, so allow 15 to 45 days, depending on the size; the largest are usually at the top of that range. We ship it stretched and protected for transport, framed if you chose a frame, within Slovenia and the EU with no customs. Before dispatch you receive a photograph of the finished work to approve, and every order is covered by our returns policy. The full range is in the Claude Monet gallery, the painter’s path in the article on Claude Monet.

Frequently asked questions

Where is the original?

At the Musée d’Orsay in Paris, accession RF 2621: oil on canvas, 88.7 x 131 cm, a gift from Michel Monet in 1927.

Who is in the painting?

The museum record names nobody. It lists a study of a figure in the open air, and the face is deliberately blank, so we name nobody either.

What year is it from?

1886. The museum gives that year without qualification, so we give it without qualification too.

Is this a print?

No. It is hand-painted oil on canvas; the strokes are visible and can be felt, as the fourth photograph and the video under the description record close up.

Which size should I choose?

88 x 131 cm to come as close to the original as our ladder allows. For other walls see the size guide above — there are eight sizes.

Can I have a size that is not listed?

Yes, we paint to measure, keeping the upright ratio so the figure is not squeezed.

How is it delivered?

Stretched on the bar frame, framed if you chose that, in 15 to 45 days, once you approve the photograph of the finished work.

Why was the face never finished?

Because the work is not a portrait but a study of a figure in light: with no features the eye moves to the dress, the parasol and the grass.

How high should I hang it?

Centre at eye level, roughly 145–150 cm from the floor — with this upright format rather a little higher, so the meadow clears the furniture.

How does it differ from the version facing right?

This one faces left, RF 2621, 88.7 x 131 cm. The mirrored twin facing right is RF 2620, 89.3 x 130.5 cm — same year, same museum.

Does it work as a gift?

Yes. Stretched on the bar frame it arrives ready to hang. Because each copy is painted to order, allow for the making time; if the occasion is close, there is a wall art voucher.

• Subject: a figure with a green parasol on a flowering slope, facing left, the face blank, 1886.
• Original: 88.7 x 131 cm, oil on canvas, Musée d’Orsay, Paris (inv. RF 2621), gift of Michel Monet 1927.
• Our version: hand-painted oil on canvas, eight sizes from 40 x 60 to 120 x 180 cm; 88 x 131 cm is the closest to the original.
• Worth knowing: there are two — this one faces left, its twin faces right, and they are not the same size.