cezanne
from 124,00 €Cherries and Peaches – a still life that will not stand still Cherries and Peaches is one of the most popular of Cézanne's still lifes and an excellent example of what the painter is known for: a table that tilts towards the viewer, a plate we see from the side [...]
from 147,00 €The Great Pine – the tree that holds the whole canvas The Great Pine is one of the most freely painted of Cézanne's trees: a solitary Provençal pine stands at the centre of the canvas, its branches spread across almost the entire width of the scene. The canvas is held [...]
from 130,00 €Still Life with Apples and Peaches – the work the catalogue names after a vessel nobody looks at On a wooden table with a scalloped edge, on a white plate, lies a heap of apples and peaches, yellow, orange and red. At the left stands a pale pitcher with a [...]
from 130,00 €The Gardener Vallier – a man with three trades in the record An elderly man in a dark cap sits turned slightly to the left, his hands crossed in his lap. He wears a dark blue-green coat that takes up almost the whole centre of the canvas; the face is [...]
from 130,00 €Pines and Rocks (Fontainebleau?) – the canvas lent to a museum before the museum owned it Three bare pine trunks rise the whole height of the canvas, and in front of them and behind them stands a dense blue-green wall of foliage, laid in short diagonal strokes. The lower third [...]
from 130,00 €A Modern Olympia – the canvas its own owner painted a second time On white drapery in the middle of the canvas a female nude reclines, and above her a servant with a raised arm draws back the cloth. At the lower right a bearded man in a dark coat [...]
from 130,00 €The Mill on the Couleuvre near Pontoise – a landscape you can check on the spot A tall mill with a pale façade and a steep ochre roof stands among greenery beside the water, a little left of the centre of the canvas. Below it lies a low wooden hut, [...]
from 130,00 €Houses in Provence: The Riaux Valley – the canvas where the catalogue contradicts itself Two ochre houses with reddish roofs stand in the upper half of the canvas, surrounded by slopes painted in parallel diagonal strokes of green, ochre and blue. Below, a pale road runs the full width. The [...]
from 130,00 €The Garden at Les Lauves – the canvas where the priming shows The lower third is taken up by a low wall, painted in a few ochre and green strokes. Above it a band of green opens out – trees, scrub, perhaps gardens – in green, blue and brownish patches [...]
from 130,00 €The Bridge over the Marne at Créteil – one canvas, four Moscow institutions The lower half of the canvas is taken up by still water in which trees, bridge and houses are reflected vertically; the reflection is painted at the same density as the thing it reflects. Above it a [...]
from 130,00 €Turn in the Road at Auvers-sur-Oise – the canvas exhibited for decades under the wrong region's name A pale ochre road comes in from the lower left, turns to the right and disappears behind a low stone wall. Beyond the wall farmhouses rise with grey and brownish roofs, and around [...]
from 130,00 €The Village of Gardanne – the canvas confiscated as enemy property The houses climb the hill in steps, one above another: ochre and reddish walls, flat roofs, narrow shadows between them. At the top stands a church steeple, the only vertical accent in the whole upper half. Below runs a [...]
from 130,00 €The Red Rock – a canvas with only three owners The canvas is upright, which is unusual for a landscape. From the upper right corner a large red-orange rock face comes down, smooth and almost without detail, like a curtain of stone. At the left and below stands dense green [...]
from 130,00 €The Bibémus Quarry – the canvas that left the museum and came back The canvas is filled almost entirely with stone. The steep red-orange walls of the quarry are cut into flat faces that rise one above another like masonry; among them and above them stand dark green pines and [...]
from 130,00 €The Bay of Marseille, Seen from L'Estaque – the village, the sea and a factory chimney In the lower third of the canvas the ochre and red roofs of the village press together, and among them rises a tall narrow factory chimney. Above the roofs the deep blue plane of [...]
from 130,00 €The House of the Hanged Man at Auvers-sur-Oise – a canvas from the first Impressionist exhibition The country road bends to the right in the foreground, between farmhouses with thick thatched roofs. At the left two bare trees rise the full height of the canvas; at the right a steep [...]
from 130,00 €Mont Sainte-Victoire and Château Noir – the canvas that left for Japan in 1922 At the left and along the bottom the canvas is closed by dark green trees, painted in short dense touches. Among them an ochre building appears with dark window openings: the Château Noir. Behind it lifts [...]
from 130,00 €Mont Sainte-Victoire Seen from Bibémus – the canvas two sisters from Baltimore bought In the foreground stand ochre blocks of the quarry, cut into flat faces, with low green scrub growing on them; at the right a pine rises the full height of the canvas on a thin dark branch. [...]
from 130,00 €The Murder – three works under one title The canvas is dark almost throughout: a low horizon, above it a heavy brown-black sky, and a single lighter patch at the upper right. Three figures are on the ground. At the left a man in a white shirt and blue trousers, [...]
from 130,00 €Still Life with Apples – a work built on two pieces of cloth On the table stand, side by side, a green olive jar with a terracotta foot, a raffia-wrapped bottle, a blue and white ginger pot caught in a net of cord, a small lidded sugar pot with a [...]
from 130,00 €Seated Man – what is in his hand, and why the record cannot agree about it A grey-haired man with a grey moustache sits facing the viewer, in a dark coat, a white shirt and a black bow tie. Both hands rest on his knees; under the left one lies [...]
from 130,00 €Peasant in a Blue Smock – the canvas a museum bought in memory of its first director The man sits turned slightly to one side, in a loose blue working smock, with a red neckerchief at the open collar and a soft brown hat on his head. His hands are [...]
from 130,00 €Portrait of Antony Valabrègue – the canvas an auction brought into a museum The man sits close in front of a grey-green wall laid on in broad, plainly visible strokes. He has dark hair and a full reddish-brown beard, and he wears a black coat, a grey waistcoat with three [...]
from 130,00 €Portrait of Gustave Geffroy – the canvas its painter gave up on Gustave Geffroy sits at a table in his own study, leaning slightly forward, his hands together above an open book. Behind him a wall of shelves climbs to the top edge of the canvas, the spines painted as [...]
from 135,00 €Portrait of the Painter Achille Emperaire – the name written across the top Right at the top of the canvas, in large gold-ochre capitals, stands the inscription: ACHILLE EMPERAIRE PEINTRE. Below it a man sits frontally and symmetrically in a tall armchair whose arched back rises well above his head, [...]
from 130,00 €Young Italian Woman at a Table – the cloth whose colours the catalogue writes down A young woman sits at a table, her head tipped and resting on her right hand, the elbow planted on the top. She wears a white blouse with full gathered sleeves; a gold-yellow sash runs [...]
from 130,00 €Woman with a Coffeepot – the catalogue does not know who she is The woman sits square to the viewer and fills almost the whole height of a large canvas. Her dark hair is drawn back, her face calm and frontal. She wears a blue dress buttoned to the throat, [...]
from 130,00 €Madame Cézanne in Blue – a single colour holds the whole work The sitter is painted almost frontally, turned only a fraction; her dark hair is centre-parted and drawn back. She wears a blue jacket with a white turned collar that fills the lower two thirds of the canvas. Behind [...]
from 130,00 €Madame Cézanne in a Red Dress – a room with everything carried out of it The sitter faces the viewer square on, her dark hair centre-parted and drawn back. She wears a dark red, almost maroon dress with a soft belt knotted at the waist and long sleeves; her hands [...]
from 130,00 €Madame Cézanne in a Striped Skirt – two patterns in one work The woman sits square to the viewer, her dark hair drawn up. She wears a blue-grey bodice with a soft bow at the throat, her hands folded in her lap, and the lower half of the canvas is [...]
from 130,00 €Self-Portrait with a Pink Background – the work named after its wall The painter is bare-headed, the head turned to the right. The crown is high and bald, dark hair remains at the sides and behind, a large ear is exposed at the left, and the jaw is covered by [...]
from 130,00 €Self-Portrait in a Straw Hat – the other hat The painter has shown himself almost frontally, the head slightly turned. On it sits a broad straw hat laid in a strong yellow, its brim falling at the right and a darker band running round the crown. A thick brown beard [...]
from 130,00 €The Stove in the Studio – the canvases stand with their backs to the room At the centre stands a small cast-iron stove on curved feet; through the grate open at the front the red embers show. On its plate squats a large dark pot with two handles and a [...]
from 130,00 €Self-Portrait with a Soft Hat – in the catalogue the hat is a heading of its own The painter has shown himself at a three-quarter turn: the body faces left, the head to the right. On his head sits a soft olive-ochre hat with the brim bent down, its shadow [...]
from 130,00 €Milk Can and Apples – the catalogue knows which room it was painted in At the left stands a tall cylindrical milk vessel, blue-grey, with a flat lid and a dark seam down its side. The centre is held by a white napkin, folded into sharp edges that do not [...]
from 130,00 €Flowers in a Ginger Jar and Fruit – the exhibition title that says where the canvas had been Out of a blue-and-white vessel seated in a woven cane basket rises a dense bouquet: white daisies, two deep red blooms, pale pink petals and small orange buds among dark green leaves. [...]
from 130,00 €Straw-Trimmed Vase, Sugar Bowl and Apples – the year was written by the painter's son A blue-grey vase bound with straw that crosses over its belly in an X, a white sugar bowl with a small lid beside it, and in front a plate of apples – yellow, yellow-green and [...]
from 130,00 €Still Life with Soup Tureen – Pissarro's painting, from Pontoise A large cream soup tureen with a lid, painted with an orange-red festoon and tassels, a dark bottle standing behind it, a wicker basket heaped with yellow, green and dark red apples, and two apples that have rolled onto the [...]
from 130,00 €Bowl and Milk-Jug – a piece of a larger canvas Two objects and nothing else: at the left a tall blue-grey milk pot with a lid, at the right a white bowl with an orange rim and green leaf sprigs, both on a warm ochre wooden surface, with a dark [...]
from 130,00 €Ginger Pot with Pomegranate and Pears – one red line across the white A grey-green ginger pot bound about with plaited straw, a pomegranate with its stalk, green and reddish pears and a shallow white dish – all on a wooden table from which a white cloth falls. The canvas [...]
from 130,00 €Fruit and a Jug on a Table – the painting that found no buyer at auction A stoneware jug with a thick loop handle, a white oval dish of apples and peaches, and beside it a yellow lemon lying straight on the cloth. The whole group stands on a blue-grey [...]
from 130,00 €Still Life with Milk Jug and Fruit – the Cézanne that belonged to Monet A tall, narrow, faceted milk jug with a flowering sprig, a stemmed glass behind it, and in front a white oval dish of peaches and apples from which a few fruits escape onto the table. The [...]
from 130,00 €The Peppermint Bottle – the painting that was named last A dark green bottle with a red label, a tall glass carafe, a small half-filled glass and five apples stand on a table that a large blue patterned cloth covers almost to the floor; a stiff white linen cloth falls [...]
from 130,00 €The Kitchen Table – a painting that rhymes with itself This is one of Cézanne's most crowded kitchen scenes: a large wicker basket heaped with pears and apples, a ginger jar on a low stand, a lidded sugar bowl, a white jug with a floral sprig, fruit across the cloth, [...]
from 130,00 €Bread and Eggs – a painting with another painting under it On a dark table lie a long loaf, two white eggs, red onions, a pewter tankard, a glass of wine and a black-handled knife; from the right a white cloth falls over the edge. The background is almost black. [...]
from 130,00 €Still Life with a Dessert – a borrowed grandeur The objects on this canvas are gentlemanly: a heavy cut-glass decanter with incised rosettes, a tall glass on a thin stem, a white cloth, and beneath it all a carved and gilded chest of drawers. What lies on them is bread, [...]
from 130,00 €The Buffet – two ways of laying on paint in one canvas In Cézanne's Buffet a laid table stands in front of a dark sideboard: a wine bottle, a blue glass, two cups on the shelf, apples and pears, and a carefully stacked pile of biscuits on a blue plate. [...]
from 130,00 €Harlequin – when the painter takes away his son's face Harlequin stands alone in front of a grey-blue wall, in tights of red and black diamonds, a white crescent-shaped hat on his head and a slender baton in his hand. The canvas measures 101 × 65 cm, was painted between [...]
from 130,00 €Poplars – the canvas Cézanne lets breathe Poplars is one of those Cézanne landscapes in which the paint deliberately does not cover everything. Slender trunks rise in a row into dense, restless foliage, a meadow with a narrow path stretches below, and a low stone wall shows white among the [...]
from 130,00 €Curtain, Jug and Fruit Bowl – the Cézanne you cannot visit Curtain, Jug and Fruit Bowl is one of those Cézanne still lifes that stands up only because the painter willed it so: a heavy patterned curtain at the left, a stoneware jug, a bowl of apples and pears, and [...]
from 130,00 €Still Life with Onions – the knife that opens depth Still Life with Onions is among the most fully resolved of Cézanne's late still lifes. On a table whose right edge draws back, a dish of onions stands before white drapery, with a quiet grey wall behind; to the left [...]
from 130,00 €The Basket of Apples – a table that does not line up The Basket of Apples was the first work by Cézanne to enter the collection of the Art Institute of Chicago, and it is among his most discussed still lifes. At first glance it is a quiet table: a [...]
from 250,00 €The Large Bathers – the canvas Cézanne painted for seven years The Large Bathers from the Philadelphia Museum of Art is the largest canvas Paul Cézanne ever painted and the last great work of his life. Above a group of female nudes the trees close into a high Gothic arch, […]
from 139,00 €Still Life with Plaster Cast – a painting within a painting This still life is one of Cézanne’s most unusual canvases: a plaster cast of a cupid stands at the centre of the scene, apples and an onion pile up around it and – in the background – other canvases […]
from 139,00 €The Abduction – the earliest Cézanne in our range The Abduction is a work of 1867, when Cézanne was twenty-eight and painting darkly, thickly and violently. A muscular man carries a limp female body through a gloomy landscape; in the distance two small figures bathe in the water. Our hand-painted […]
from 139,00 €Boy with Skull – youth set against mortality A young man sits at a table, resting his head on his hand and looking past us; books and a human skull lie in front of him. The canvas is held by the Barnes Foundation in Pennsylvania. Our hand-painted reproduction on canvas […]
from 139,00 €Woods with Millstone – a stone in the middle of the forest In the park of the Château Noir estate an abandoned millstone lies among the trees, with a few worked blocks of stone beside it. Cézanne painted them exactly as they were: without a story, as geometric shapes the […]
from 147,00 €Rocks and Branches at Bibémus – a quarry as architecture Bibémus is a disused quarry east of Aix-en-Provence, where Cézanne found a landscape already cut into planes and cubes of its own accord. Orange rock walls interweave with blue-green branches. Our hand-painted reproduction on canvas brings this unusual subject into […]
from 139,00 €Road at Chantilly – five months in the north Road at Chantilly was made in 1888, when Cézanne left Provence for a few months and worked around Chantilly north of Paris. Instead of dry southern light he met denser, greener trees here – and that change is exactly what shows [...]
from 124,00 €Lake Annecy – Cézanne’s only Alpine subject Lake Annecy was made in the summer of 1896, when Cézanne spent a few weeks in Savoy – far from his Provence. Past a dark tree in the foreground the view opens onto the blue-green lake, a château on the far shore and […]
from 139,00 €Bend in Forest Road – the late Cézanne at the edge of abstraction Bend in Forest Road is a work of Cézanne's last years, when his manner loosened to the point where individual branches and trunks are barely separable from the planes of colour they are built from. An ochre [...]
from 124,00 €Afternoon in Naples – the early, audacious Cézanne Afternoon in Naples is a work of Cézanne's early years, when he painted far more directly and provocatively than in the late still lifes and landscapes. Two nudes lie on a white sheet while a dark-skinned servant brings them a drink on [...]
from 132,00 €Village Road, Auvers – the dark, early Cézanne Village Road at Auvers is an early work from the beginning of the 1870s, when Cézanne’s palette was still heavy and earthen. A muddy road winds between low houses under a grey sky; the trees are bare. Our hand-painted reproduction on canvas […]
from 147,00 €The House of Père Lacroix in Auvers – the year with Pissarro This early canvas was made in 1873 at Auvers, north of Paris, when Cézanne was working alongside Camille Pissarro. The white façade of the house barely breaks through the dense greenery. Our hand-painted reproduction on canvas brings this […]
from 219,00 €The Large Bathers (Barnes) – the largest of the three versions This is one of the three great bather compositions with which Cézanne closed his work. A group of female nudes sits and reclines under dark trees beside water; a basket and a dog lie in the foreground. The canvas […]
from 139,00 €Maison Maria with a View of Château Noir – a path through the pines Maison Maria is a house on the path leading up to the Château Noir estate east of Aix-en-Provence. Cézanne walked this path to work and painted it as he saw it every day: a pink-ochre building […]
from 108,00 €Still Life with an Open Drawer – a small canvas, a large lesson This is one of Cézanne’s smaller still lifes and instructive for exactly that reason: on little more than half a metre of canvas all his methods are gathered – the tilted table, fruit as solid spheres, a […]
from 147,00 €Girl at the Piano – The Overture to Tannhäuser Girl at the Piano is an early work showing the painter’s two sisters: one plays the piano, the other sews in the background. The title refers to Wagner’s overture to the opera Tannhäuser. The canvas is held by the Hermitage in […]
from 139,00 €Jas de Bouffan, The Pond – the garden that made Cézanne a painter Jas de Bouffan was the Cézanne family estate just outside Aix-en-Provence and the setting the painter portrayed for almost forty years. On this canvas from the Hermitage in Saint Petersburg, trees, a stone pillar and an old [...]
from 124,00 €Still Life with a Curtain – the summit of Cézanne’s still lifes Still Life with a Curtain is held to be one of the most accomplished of Cézanne’s still lifes: a heavy patterned curtain on the left, a white cloth in sharp folds, a jug with a pink pattern and […]
from 124,00 €The Card Players (Courtauld) – two men silent over their cards This is the most concentrated version of Cézanne’s most famous series: two peasants sit facing each other, with nothing between them but the table and the silence. The canvas is held by the Courtauld Gallery in London. Our hand-painted […]
from 124,00 €Château Noir – the house Cézanne could not buy Château Noir is an abandoned property with a sharp yellow-ochre façade among the pines east of Aix-en-Provence. Cézanne wanted to buy it and was refused; instead he rented a room there and painted it again and again. Our hand-painted reproduction on […]
from 124,00 €Road Before the Mountains, Sainte-Victoire – the mountain up close On this canvas Cézanne does not set the mountain in the distance but lets it take up almost the whole upper half of the scene. Below it the valley spreads out in planes of orange, green and blue, with a […]
from 124,00 €Jas de Bouffan – chestnut trees in winter This is a winter view across the family estate of Jas de Bouffan near Aix-en-Provence: bare chestnut trunks stand like a mesh against a bright sky, and in the background the ridge of Mont Sainte-Victoire is barely visible. Our hand-painted reproduction on […]
from 139,00 €L’Estaque – red roofs above a blue bay L’Estaque is a fishing village west of Marseille where Cézanne worked repeatedly and where he found one of his most recognisable subjects: densely packed orange roofs, and behind them a great, almost flat plane of sea. Our hand-painted reproduction on canvas brings […]
from 108,00 €Mont Sainte-Victoire – the mountain Cézanne painted all his life Mont Sainte-Victoire is the limestone ridge that rises east of Aix-en-Provence and the most persistent subject in Cézanne’s work – he painted it more than sixty times. In this version from the Metropolitan Museum of Art in New York a […]
from 124,00 €The Bather – a solitary figure before the water This young man standing with his hands on his hips before a bright sheet of water is one of the best known single figures in Cézanne’s output, and one of the few of his works where the whole weight of the […]
from 124,00 €Boy in a Red Waistcoat – Cézanne’s best known portrait of a young man Boy in a Red Waistcoat is one of Cézanne’s most popular portraits and the only subject he repeated four times in oil. The model was a young Italian who sat for Cézanne in his Paris studio; […]
from 132,00 €Mardi Gras – Pierrot and Harlequin Mardi Gras is one of the few works by Cézanne to use the carnival figures of the commedia dell’arte: Pierrot in white and Harlequin in red-and-black diamonds step through a curtain as though they had just walked onto a stage. The canvas is held […]
from 124,00 €The Card Players – Cézanne’s most monumental everyday scene The Card Players is Paul Cézanne’s best known series and one of the central subjects of Post-Impressionism. The version you see here hangs in the Metropolitan Museum of Art in New York and shows four figures: three men at the table […]