from 108,00 €The Siesta – Gauguin’s Tahitian veranda and an ordinary afternoon Between 1892 and 1894, in his first Tahitian period, Paul Gauguin painted a scene in which nothing much happens: four women pass the afternoon on a covered veranda. One is ironing linen, a second lies propped on her elbow in […]
from 108,00 €Two Tahitian Women – Gauguin’s late Tahitian pair with mango blossoms In 1899, in his last Tahitian years and shortly before he left for the Marquesas, Paul Gauguin painted two women placed side by side and cut off above the knee. One holds a shallow dish of red mango blossoms; […]
from 129,00 €Merahi metua no Tehamana – Gauguin’s portrait of Tehamana and her ancestors In 1893 Paul Gauguin painted the portrait of Tehamana, his Tahitian companion, and titled it Merahi metua no Tehamana – Tehamana has many parents. The girl sits facing the viewer directly, in a blue-and-white striped mission dress with […]
from 108,00 €Arlesiennes (Mistral) – Gauguin’s Arles autumn, painted on jute In the autumn of 1888, during the shared stay with Vincent van Gogh, Paul Gauguin painted the Arlesiennes in Arles. The work measures 73 x 92 cm – the museum states height first and width second – so it is a […]
from 108,00 €Mahana no atua (Day of the God) – Gauguin’s Tahitian altar built out of colour Paul Gauguin painted Mahana no atua in Paris in 1894, between his two stays on Tahiti. It records no ceremony he actually witnessed; it is an image assembled from memory. A dark idol stands in […]
from 108,00 €Vision of the Sermon (Jacob Wrestling with the Angel) – Gauguin’s turning point at Pont-Aven In 1888, at Pont-Aven in Brittany, Paul Gauguin painted a canvas that falls into two worlds: in the foreground Breton peasant women in white coifs kneel in prayer, while on the far side of the […]
from 130,00 €Still Life with Apples and Peaches – the work the catalogue names after a vessel nobody looks at On a wooden table with a scalloped edge, on a white plate, lies a heap of apples and peaches, yellow, orange and red. At the left stands a pale pitcher with a [...]
from 130,00 €The Gardener Vallier – a man with three trades in the record An elderly man in a dark cap sits turned slightly to the left, his hands crossed in his lap. He wears a dark blue-green coat that takes up almost the whole centre of the canvas; the face is [...]
from 130,00 €Pines and Rocks (Fontainebleau?) – the canvas lent to a museum before the museum owned it Three bare pine trunks rise the whole height of the canvas, and in front of them and behind them stands a dense blue-green wall of foliage, laid in short diagonal strokes. The lower third [...]
from 130,00 €A Modern Olympia – the canvas its own owner painted a second time On white drapery in the middle of the canvas a female nude reclines, and above her a servant with a raised arm draws back the cloth. At the lower right a bearded man in a dark coat [...]
from 130,00 €The Mill on the Couleuvre near Pontoise – a landscape you can check on the spot A tall mill with a pale façade and a steep ochre roof stands among greenery beside the water, a little left of the centre of the canvas. Below it lies a low wooden hut, [...]
from 130,00 €Houses in Provence: The Riaux Valley – the canvas where the catalogue contradicts itself Two ochre houses with reddish roofs stand in the upper half of the canvas, surrounded by slopes painted in parallel diagonal strokes of green, ochre and blue. Below, a pale road runs the full width. The [...]
from 130,00 €The Garden at Les Lauves – the canvas where the priming shows The lower third is taken up by a low wall, painted in a few ochre and green strokes. Above it a band of green opens out – trees, scrub, perhaps gardens – in green, blue and brownish patches [...]
from 130,00 €The Bridge over the Marne at Créteil – one canvas, four Moscow institutions The lower half of the canvas is taken up by still water in which trees, bridge and houses are reflected vertically; the reflection is painted at the same density as the thing it reflects. Above it a [...]
from 130,00 €Turn in the Road at Auvers-sur-Oise – the canvas exhibited for decades under the wrong region's name A pale ochre road comes in from the lower left, turns to the right and disappears behind a low stone wall. Beyond the wall farmhouses rise with grey and brownish roofs, and around [...]
from 130,00 €The Village of Gardanne – the canvas confiscated as enemy property The houses climb the hill in steps, one above another: ochre and reddish walls, flat roofs, narrow shadows between them. At the top stands a church steeple, the only vertical accent in the whole upper half. Below runs a [...]
from 130,00 €The Red Rock – a canvas with only three owners The canvas is upright, which is unusual for a landscape. From the upper right corner a large red-orange rock face comes down, smooth and almost without detail, like a curtain of stone. At the left and below stands dense green [...]
from 130,00 €The Bibémus Quarry – the canvas that left the museum and came back The canvas is filled almost entirely with stone. The steep red-orange walls of the quarry are cut into flat faces that rise one above another like masonry; among them and above them stand dark green pines and [...]
from 130,00 €The Bay of Marseille, Seen from L'Estaque – the village, the sea and a factory chimney In the lower third of the canvas the ochre and red roofs of the village press together, and among them rises a tall narrow factory chimney. Above the roofs the deep blue plane of [...]
from 130,00 €The House of the Hanged Man at Auvers-sur-Oise – a canvas from the first Impressionist exhibition The country road bends to the right in the foreground, between farmhouses with thick thatched roofs. At the left two bare trees rise the full height of the canvas; at the right a steep [...]
from 130,00 €Mont Sainte-Victoire and Château Noir – the canvas that left for Japan in 1922 At the left and along the bottom the canvas is closed by dark green trees, painted in short dense touches. Among them an ochre building appears with dark window openings: the Château Noir. Behind it lifts [...]
from 130,00 €Mont Sainte-Victoire Seen from Bibémus – the canvas two sisters from Baltimore bought In the foreground stand ochre blocks of the quarry, cut into flat faces, with low green scrub growing on them; at the right a pine rises the full height of the canvas on a thin dark branch. [...]
from 130,00 €The Murder – three works under one title The canvas is dark almost throughout: a low horizon, above it a heavy brown-black sky, and a single lighter patch at the upper right. Three figures are on the ground. At the left a man in a white shirt and blue trousers, [...]
from 130,00 €Still Life with Apples – a work built on two pieces of cloth On the table stand, side by side, a green olive jar with a terracotta foot, a raffia-wrapped bottle, a blue and white ginger pot caught in a net of cord, a small lidded sugar pot with a [...]
from 130,00 €Seated Man – what is in his hand, and why the record cannot agree about it A grey-haired man with a grey moustache sits facing the viewer, in a dark coat, a white shirt and a black bow tie. Both hands rest on his knees; under the left one lies [...]
from 130,00 €Peasant in a Blue Smock – the canvas a museum bought in memory of its first director The man sits turned slightly to one side, in a loose blue working smock, with a red neckerchief at the open collar and a soft brown hat on his head. His hands are [...]
from 130,00 €Portrait of Antony Valabrègue – the canvas an auction brought into a museum The man sits close in front of a grey-green wall laid on in broad, plainly visible strokes. He has dark hair and a full reddish-brown beard, and he wears a black coat, a grey waistcoat with three [...]
from 130,00 €Portrait of Gustave Geffroy – the canvas its painter gave up on Gustave Geffroy sits at a table in his own study, leaning slightly forward, his hands together above an open book. Behind him a wall of shelves climbs to the top edge of the canvas, the spines painted as [...]
from 135,00 €Portrait of the Painter Achille Emperaire – the name written across the top Right at the top of the canvas, in large gold-ochre capitals, stands the inscription: ACHILLE EMPERAIRE PEINTRE. Below it a man sits frontally and symmetrically in a tall armchair whose arched back rises well above his head, [...]
from 130,00 €Young Italian Woman at a Table – the cloth whose colours the catalogue writes down A young woman sits at a table, her head tipped and resting on her right hand, the elbow planted on the top. She wears a white blouse with full gathered sleeves; a gold-yellow sash runs [...]
from 130,00 €Woman with a Coffeepot – the catalogue does not know who she is The woman sits square to the viewer and fills almost the whole height of a large canvas. Her dark hair is drawn back, her face calm and frontal. She wears a blue dress buttoned to the throat, [...]
from 130,00 €Madame Cézanne in Blue – a single colour holds the whole work The sitter is painted almost frontally, turned only a fraction; her dark hair is centre-parted and drawn back. She wears a blue jacket with a white turned collar that fills the lower two thirds of the canvas. Behind [...]
from 130,00 €Madame Cézanne in a Red Dress – a room with everything carried out of it The sitter faces the viewer square on, her dark hair centre-parted and drawn back. She wears a dark red, almost maroon dress with a soft belt knotted at the waist and long sleeves; her hands [...]
from 130,00 €Madame Cézanne in a Striped Skirt – two patterns in one work The woman sits square to the viewer, her dark hair drawn up. She wears a blue-grey bodice with a soft bow at the throat, her hands folded in her lap, and the lower half of the canvas is [...]
from 130,00 €Self-Portrait with a Pink Background – the work named after its wall The painter is bare-headed, the head turned to the right. The crown is high and bald, dark hair remains at the sides and behind, a large ear is exposed at the left, and the jaw is covered by [...]
from 130,00 €Self-Portrait in a Straw Hat – the other hat The painter has shown himself almost frontally, the head slightly turned. On it sits a broad straw hat laid in a strong yellow, its brim falling at the right and a darker band running round the crown. A thick brown beard [...]
from 130,00 €The Stove in the Studio – the canvases stand with their backs to the room At the centre stands a small cast-iron stove on curved feet; through the grate open at the front the red embers show. On its plate squats a large dark pot with two handles and a [...]
from 130,00 €Self-Portrait with a Soft Hat – in the catalogue the hat is a heading of its own The painter has shown himself at a three-quarter turn: the body faces left, the head to the right. On his head sits a soft olive-ochre hat with the brim bent down, its shadow [...]
from 130,00 €Milk Can and Apples – the catalogue knows which room it was painted in At the left stands a tall cylindrical milk vessel, blue-grey, with a flat lid and a dark seam down its side. The centre is held by a white napkin, folded into sharp edges that do not [...]
from 130,00 €Flowers in a Ginger Jar and Fruit – the exhibition title that says where the canvas had been Out of a blue-and-white vessel seated in a woven cane basket rises a dense bouquet: white daisies, two deep red blooms, pale pink petals and small orange buds among dark green leaves. [...]
from 130,00 €Straw-Trimmed Vase, Sugar Bowl and Apples – the year was written by the painter's son A blue-grey vase bound with straw that crosses over its belly in an X, a white sugar bowl with a small lid beside it, and in front a plate of apples – yellow, yellow-green and [...]
from 130,00 €Still Life with Soup Tureen – Pissarro's painting, from Pontoise A large cream soup tureen with a lid, painted with an orange-red festoon and tassels, a dark bottle standing behind it, a wicker basket heaped with yellow, green and dark red apples, and two apples that have rolled onto the [...]
from 130,00 €Bowl and Milk-Jug – a piece of a larger canvas Two objects and nothing else: at the left a tall blue-grey milk pot with a lid, at the right a white bowl with an orange rim and green leaf sprigs, both on a warm ochre wooden surface, with a dark [...]
from 130,00 €Ginger Pot with Pomegranate and Pears – one red line across the white A grey-green ginger pot bound about with plaited straw, a pomegranate with its stalk, green and reddish pears and a shallow white dish – all on a wooden table from which a white cloth falls. The canvas [...]
from 130,00 €Fruit and a Jug on a Table – the painting that found no buyer at auction A stoneware jug with a thick loop handle, a white oval dish of apples and peaches, and beside it a yellow lemon lying straight on the cloth. The whole group stands on a blue-grey [...]
from 130,00 €Still Life with Milk Jug and Fruit – the Cézanne that belonged to Monet A tall, narrow, faceted milk jug with a flowering sprig, a stemmed glass behind it, and in front a white oval dish of peaches and apples from which a few fruits escape onto the table. The [...]
from 130,00 €The Peppermint Bottle – the painting that was named last A dark green bottle with a red label, a tall glass carafe, a small half-filled glass and five apples stand on a table that a large blue patterned cloth covers almost to the floor; a stiff white linen cloth falls [...]
from 130,00 €The Kitchen Table – a painting that rhymes with itself This is one of Cézanne's most crowded kitchen scenes: a large wicker basket heaped with pears and apples, a ginger jar on a low stand, a lidded sugar bowl, a white jug with a floral sprig, fruit across the cloth, [...]
from 130,00 €Bread and Eggs – a painting with another painting under it On a dark table lie a long loaf, two white eggs, red onions, a pewter tankard, a glass of wine and a black-handled knife; from the right a white cloth falls over the edge. The background is almost black. [...]
from 130,00 €Still Life with a Dessert – a borrowed grandeur The objects on this canvas are gentlemanly: a heavy cut-glass decanter with incised rosettes, a tall glass on a thin stem, a white cloth, and beneath it all a carved and gilded chest of drawers. What lies on them is bread, [...]
from 130,00 €The Buffet – two ways of laying on paint in one canvas In Cézanne's Buffet a laid table stands in front of a dark sideboard: a wine bottle, a blue glass, two cups on the shelf, apples and pears, and a carefully stacked pile of biscuits on a blue plate. [...]
from 130,00 €Harlequin – when the painter takes away his son's face Harlequin stands alone in front of a grey-blue wall, in tights of red and black diamonds, a white crescent-shaped hat on his head and a slender baton in his hand. The canvas measures 101 × 65 cm, was painted between [...]
from 130,00 €Poplars – the canvas Cézanne lets breathe Poplars is one of those Cézanne landscapes in which the paint deliberately does not cover everything. Slender trunks rise in a row into dense, restless foliage, a meadow with a narrow path stretches below, and a low stone wall shows white among the [...]
from 130,00 €Curtain, Jug and Fruit Bowl – the Cézanne you cannot visit Curtain, Jug and Fruit Bowl is one of those Cézanne still lifes that stands up only because the painter willed it so: a heavy patterned curtain at the left, a stoneware jug, a bowl of apples and pears, and [...]
from 130,00 €Still Life with Onions – the knife that opens depth Still Life with Onions is among the most fully resolved of Cézanne's late still lifes. On a table whose right edge draws back, a dish of onions stands before white drapery, with a quiet grey wall behind; to the left [...]
from 130,00 €The Basket of Apples – a table that does not line up The Basket of Apples was the first work by Cézanne to enter the collection of the Art Institute of Chicago, and it is among his most discussed still lifes. At first glance it is a quiet table: a [...]
Stockfrom 79,00 € StockFace – one eye stays, the other dissolves The painting on canvas breaks down the left half of the face and leaves the right one whole: an abstract painting in which the only eye carried to completion is also the only place the gaze comes to rest. The nose is […]
from 600,00 €Portrait of a Musician – the only male portrait Leonardo painted The Portrait of a Musician is a singularity in Leonardo’s work: of all his portraits, it is the only one showing a man. For centuries it was believed the Duke of Milan looked out of it – until a […]
from 600,00 €The Baptism of Christ – the painting where the pupil overtook the master The Baptism of Christ was made in Andrea del Verrocchio’s workshop, where the young Leonardo da Vinci trained. That is exactly why it is one of the rare paintings in which you can see with the naked […]
from 600,00 €The Madonna of the Yarnwinder – the painting stolen and returned four years later The Madonna of the Yarnwinder is a work with two lives: it exists in two versions of equal standing, and one of them vanished from a Scottish castle in 2003 and came back only four years […]
from 600,00 €The Madonna of the Carnation – the only Leonardo permanently on view in Germany The Madonna of the Carnation is an early Leonardo with an unusual path: a panel once owned by the Medici of Florence later turned up in German private collections, and from there in Munich. Today it […]
from 600,00 €The Madonna Litta – the beautiful painting whose author we cannot be sure of The Madonna Litta is one of the best-loved Madonnas of the Renaissance and also one of the most disputed. The museum that holds it lists it as a Leonardo; a substantial part of the scholarly world […]
from 600,00 €The Benois Madonna – the painting the museum kept paying for through a revolution The Benois Madonna is one of those Leonardo paintings the world long believed lost. It shows a young mother playing with her child – a scene so familiar that it is hard to remember it is […]
from 600,00 €La Scapigliata – the most mysterious unfinished head La Scapigliata is a small painting with a large puzzle: the face of a young woman is worked to the last breath, while the shoulders, neck and background are barely indicated. Whether Leonardo left the work unfinished, or whether that very incompleteness […]
from 600,00 €The Annunciation – Leonardo’s first independent painting The Annunciation is the earliest large work Leonardo made while still a young painter, and for a long time it was not even thought to be his. The wide, almost cinematic composition shows the moment the angel Gabriel brings Mary the news. Our […]
from 600,00 €Saint Jerome in the Wilderness – the unfinished painting that was cut to pieces Saint Jerome in the Wilderness is one of Leonardo’s most affecting paintings and also one of the strangest: he never finished it, and the panel was later cut into pieces and only reunited by chance. Our […]
from 600,00 €The Adoration of the Magi – the greatest unfinished painting of the Renaissance The Adoration of the Magi is a painting Leonardo never finished – and that is exactly what makes it unique. On the large wooden panel we see precisely what finished masterpieces never show us: how Leonardo thought. […]
from 600,00 €Ginevra de’ Benci – the only Leonardo in America Ginevra de’ Benci is Leonardo’s earliest surviving portrait and his only painting on public display outside Europe. He painted it around 1474–1478, when he was barely into his twenties. Our hand-painted reproduction on canvas brings this early masterpiece into your home, […]
from 600,00 €La Belle Ferronnière – the portrait that carries the wrong name La Belle Ferronnière is one of the most direct portraits of the Renaissance: a young woman turns towards the viewer and looks him straight in the eye. Leonardo da Vinci painted her between 1490 and 1496 at the Milanese […]
from 600,00 €The Virgin and Child with Saint Anne – three generations in one painting The Virgin and Child with Saint Anne is Leonardo’s last great composition, a work he carried with him for almost two decades and never entirely finished. Three generations appear in it: Saint Anne, her daughter Mary, and […]
from 600,00 €The Virgin of the Rocks – Leonardo’s mysterious light among the stones The Virgin of the Rocks is one of the most unusual altarpieces of the Renaissance: a sacred scene set neither in a church nor against a gold ground, but in a damp rocky grotto. Leonardo da Vinci painted […]
from 600,00 €Salvator Mundi – the most expensive painting of all time Salvator Mundi (“Saviour of the World”) is the most mysterious and most expensive painting in the history of art. The work attributed to the Renaissance genius Leonardo da Vinci was sold on 15 November 2017 at Christie’s in New York […]
from 115,00 €Time on the Wall – a cream wall over a black band Abstract painting renders almost the whole canvas as a smoothed cream and ivory plane and closes it along the lower edge with a narrow black band: painting on canvas built on a deliberately extreme proportion. Technique and texture […]
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from 79,00 €White and Beige – a wall that gathered over time Modern painting accretes cream, beige, sand and gold-brown in vertical and horizontal loads that overlap like layers of plaster — wall art living entirely off its texture, with no motif anywhere in it. Technique and texture The colour is laid […]
from 79,00 €Sailboat at Dawn – a morning sea in impression A square impressionist seascape – a white-gold sailboat left of centre on a rolling teal sea, a pale sun right of centre with a golden path of light and rays of peach clouds: the sailboat at a quarter of the width […]
from 79,00 €Mosaic of Trees – two trees in tiled squares A square composition – two mosaic trees of square knife tiles lean toward each other, their crowns interweaving into a shared arch overhead, and below them a colour shore band and a pale mosaic reflection: the left trunk rises at a […]
from 100,00 €Fragments of Faces – a cubist mask frieze An extreme panorama – a cubist mask frieze of fragmented faces, eyes and signs in teal, blue, orange, yellow, red, green and violet: a large blue head in profile with one enormous eye with a green iris is at the left, beside […]
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from 125,00 €Rainbow Tree – a tree of life in the spectrum A panorama – a tree of life with a rainbow canopy of petal impasto dabs spanning the full width on a warm cream ground threaded with falling colour drips: the spectral range runs left to right – violet at the […]
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