Paintings for the living room

A colour field in three layers of paint: warm peach-orange fills the upper part, beneath it teal and turquoise flow together, and the lower part is deep cobalt blue and dark. Anchored in the teal band are four golden-yellow square tiles with white scratches around them, suggesting grids or contours. […]

A dark, introspective composition in anthracite, grey, and white — a diagonal mass fills the canvas in an expressive, almost geological abstraction. Orange-amber accents are scattered across the darkness like hot spots in a volcanic stone mass. In the upper part are vertical forms that suggest architectural or natural vertical […]

Ambient – A Monumental Circle with Engraved Signs An intellectual abstraction: a gigantic grey-cream circle, placed slightly right of centre and spanning almost the full height of the canvas, surrounded by blocks of colour – matte orange on the left, red verticals along the far left edge, a dark blue […]

Two abstracted bodies in dancing motion cross the canvas with energetic, gestural expressiveness — the strokes are swift and physical, the forms barely recognisable as human, yet unmistakably alive and sensual. The background is rich and chaotically warm: red, orange, gold, and green interweave in an expressionist mass that gives […]

From an intensely red mass along the upper edge, a white hand hangs on a thin, broken thread — beneath it stretches a dark, misty landscape in anthracite and grey, where a single red sphere floats amid the emptiness. The painting speaks in the visual language of dream logic — […]

A red-orange flower in close-up — glowing, rounded petals with gold-lit edges open before a silver-grey, richly textured background. The centre is dark with a gold accent, giving the flower a burning, volcanic energy. The format and composition are identical to ‘Jewelry I’, but the palette is entirely different — […]

Two sunflowers with sculptural yellow-gold petals and rich brown centres wind upward before a warm, evening background. On the left are red autumn leaves with pronounced veins, and in the upper right corner a gold-white solar spiral turns — a symbol of light and energy. The whole palette is fierily […]

‘Blossoms II’ offers a closer view of red poppies — the flowers are larger and occupy more of the canvas, their white and green centres precisely worked. The impasto technique is even more pronounced here: the applications of paint are thick and sculptural, giving the blooms an almost three-dimensional volume. […]

Five calla lilies in panoramic format — white trumpet-shaped blooms with red-orange pistils fill the entire width of the canvas in a close-up perspective that lifts them from the botanical into the abstract. The background is silver-grey with visible texture and white droplets that lend the atmosphere of a damp, […]

A light, white and creamy base is interrupted by a central cluster of material, relief texture — silver and white applications congeal into a horizontal mass with visible droplets and palette-knife strokes. A single red rectangular element at the centre acts as a pure colour accent that focuses and directs […]

Three autumn trees in fiery red-orange hues stand in a row against a light grey sky — a dark horizontal band separates them from the warm-orange ground, flooded with white light. The composition is classic and balanced, yet the applications of paint are expressive and impasto: the crowns are painted […]

On a light, creamy-white ground, three painter’s brushes with green tips are arranged — symmetrically and calmly, as if someone had laid them down before beginning to work. Around them coils a series of concentric, free-drawn ellipses in thin black lines, giving the group of brushes an orbital, cosmic look. […]

From a dark, indigo-brown background with a rich relief texture, a gold-crystalline form rises, opening in all directions like an explosion or a star. A point of light at the core of the golden element gives the impression of an energy source or of sunlight breaking through clouds. The texture […]