REPRODUCTIONS OF PAINTINGS BY FAMOUS PAINTERS
from 108,00 €The Stone Breaker is Seurat’s early oil sketch of 1882: a labourer breaking rocks at the roadside. The original measures 24,8 x 15,6 centimetres, is painted on a wooden panel, and is held in Washington by The Phillips Collection under object number 1727. From us it is made as a […]
from 108,00 €The Study for La Grande Jatte is a small oil panel that the museum dates between 1884 and 1886. The original measures 25 x 16 centimetres, is oil on wood, and is held in Paris by the Musée d’Orsay under inventory number RF 2828. From us it is made as […]
from 108,00 €The Morning Walk is Seurat’s small wooden panel of 1885: a view across the Seine towards Courbevoie, with a woman by the tree on the left. The original measures 15,7 x 24,9 centimetres, is painted in oil on wood, and is held in London by The National Gallery under inventory […]
from 155,00 €Port-en-Bessin, Entrance to the Harbor was painted in 1888, when Seurat spent the summer in a small Normandy port. The original measures 65,1 x 54,9 centimetres, is oil on canvas, and is held in New York by The Museum of Modern Art under object number 126.1934. From us it is […]
from 155,00 €The Channel at Gravelines, Evening was painted in the summer of 1890, in the last year of Seurat’s work. The original measures 81,9 x 65,4 centimetres, is oil on canvas, and is held in New York by The Museum of Modern Art under object number 785.1963. From us it is […]
from 155,00 €Evening, Honfleur is Seurat’s quiet evening scene on the Normandy coast, painted in the summer of 1886, the year he finished the Grande Jatte. The original measures 94 x 78,3 centimetres including its painted frame and is held in New York by The Museum of Modern Art under inventory number […]
from 108,00 €The Gardener is Seurat’s small oil sketch on a wood panel of 1882–83: a man at work in a garden, painted already in bright hues. The original measures 24,8 x 15,9 centimetres and is held in New York by The Metropolitan Museum of Art under object number 67.187.102, where it […]
from 108,00 €View of the Seine is Seurat’s small oil sketch on a wood panel, painted in 1882–83 by the river on the outskirts of Paris. The original measures 24,8 x 15,9 centimetres and is held in New York by The Metropolitan Museum of Art under object number 59.16.5, where it hangs […]
from 124,00 €Farm Women at Work is an early Seurat of 1882–83: two women bent over their work in a field. The original measures 46 x 38,7 centimetres, is oil on canvas, and is held by the Solomon R. Guggenheim Museum in New York, in its founding collection. From us it is […]
from 250,00 €Study for A Sunday on La Grande Jatte is the last large colour study for Seurat’s best-known canvas, painted in 1884. The original measures 104,1 x 70,5 centimetres and is held in New York by the Metropolitan Museum of Art under inventory number 51.112.6. From us it is made as […]
from 155,00 €Gray Weather, Grande Jatte is Seurat’s view from the island across the Seine, painted about 1886–88 under an overcast sky. The original measures 86,4 x 70,5 centimetres, is oil on canvas, and hangs in New York at The Metropolitan Museum of Art, in Gallery 823, under object number 2002.62.3. From […]
from 155,00 €Young Woman (Oslo) is a canvas of 1918 in the Nasjonalmuseet in Oslo, under the number NG.M.02128. A young woman is seen frontally, head and shoulders, dark hair drawn back from a long cream face, against a soft grey ground. With us it is made as a hand-painted copy, oil […]
from 139,00 €Young Man with a Cap is a canvas of 1919 in the Detroit Institute of Arts, under the number 70.185. A young man is seen head and shoulders in a soft ochre cap, a dark jacket and a white knotted scarf, against ochre and orange-red boards. With us it is […]
from 139,00 €Portrait of a Young Woman (Yale) is a small canvas of 1918 in the Yale University Art Gallery, under the number 1948.123. A young woman is seen in strict profile, facing left, her long auburn hair falling loose over a dark shoulder. With us it is made as a hand-painted […]
from 108,00 €Woman with a White Collar is a canvas of 1917 in the Musée de Grenoble, under the number MG 2195. A young woman sits facing us in a dark green-black knitted top with a white lace collar, hands together low in her lap. With us it is made as a […]
from 139,00 €Motherhood is a canvas of 1919, painted for the French state’s modern art collection and hanging at the LaM in Villeneuve-d’Ascq, under the number AM 1994-425. A woman sits holding a small child on her lap, in a blue-grey coat over a dark bodice, against red and olive boards. With […]
from 139,00 €Flower Vendor is a canvas of 1919 in the Metropolitan Museum of Art in New York, under the number 1996.403.9. A young woman sits square to us in a near-black bodice and a long dark skirt, her hands loose in her lap, against rust-orange and olive-green boards. With us it […]
from 132,00 €Boy in Short Pants is a canvas of about 1918 in the Dallas Museum of Art, under the number 1977.1. A boy sits square to us in a wide ochre-brown jacket and dark short trousers, his hands clasped in his lap, against a salmon-pink wall. With us it is made […]
from 132,00 €Jeanne Seated with the Arm Resting on the Back of the Chair is a canvas of 1918 in the Norton Simon Museum in Pasadena, under the number M.1975.13.2.P. Jeanne Hébuterne sits turned to one side, one forearm along the back of a plain wooden chair, in a dark blue bodice […]
from 130,00 €Portrait of Max Jacob is a canvas of 1916 in the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, under the number 1036. A man in a black bowler hat is seen close to, one eye open and green and the other closed, with his name written twice into the background. With us it […]
from 132,00 €Young Woman in a Yellow Dress is a canvas of 1918 in the Cerruti Collection at the Castello di Rivoli near Turin. A young woman sits in a yellow dress scattered with small flowers, against a panel of pale ochre and black scrollwork, and her pupils sit at the outer […]
from 132,00 €Café Singer is a canvas of 1917 in the National Gallery of Art in Washington, under the number 1963.10.44. A woman sits from the knees up in a black dress, hands folded in her lap, her very long neck sloping into the shoulders and her eyes lowered. With us it […]
from 132,00 €Girl Standing in Black Pinafore is a canvas of 1918 in the Kunstmuseum Basel, under the number G 1975.1. A girl stands three-quarter length in a dark grey-blue garment, her hands resting on the back of a chair in front of her, against a red-brown interior. With us it is […]
from 155,00 €Paul Guillaume is a portrait of September 1915 in the Toledo Museum of Art, under the number 1951.382. A young man in a pale grey-green jacket and a broad black tie sits frontally in a room with a bookcase behind him, and his name, the month and the painter’s signature […]
from 156,00 €Reverie (Study for the Portrait of Frank Burty Haviland) is a small study, and it is one of the few works on this shelf that Modigliani left unfinished. A figure sits in profile facing left, built out of separate dabs of ochre, blue-grey, red and cream, with the warm support […]
from 132,00 €Portrait of Léopold Zborowski is a canvas of 1916, on permanent loan to the Israel Museum in Jerusalem. A bearded man in a dark jacket and a pale tie looks out of a dark ground, with the painter’s signature at the top left and the sitter’s name and the year […]
from 132,00 €Adrienne (Woman with Bangs) is a canvas of 1917 in the National Gallery of Art in Washington, under the number 1963.10.171. A pale, smooth face with a heavy fringe turns to our right while the eyes come back to us, and one hand is raised so the fingers rest along […]
from 155,00 €The Channel of Gravelines, Petit Fort Philippe is Seurat’s quiet harbour scene of 1890, one of the last he painted. The original measures 92,1 x 73,3 centimetres, is oil on canvas, and is held and shown by the Indianapolis Museum of Art at Newfields under accession 45.195. From us it […]
from 132,00 €Beatrice (Portrait of Béatrice Hastings) is a canvas of 1916 in the Barnes Foundation, Philadelphia, under the number BF361. The sitter is seen close to under a black hat, her eyes almost shut, and her name runs across the top of the picture in painted capitals. With us it is […]
from 132,00 €Lola de Valence is a head of 1915 in the Metropolitan Museum of Art, under the number 67.187.84. A long ochre face is drawn in a few lines against a dark olive ground, and the sitter’s name is painted into that ground in large pale letters, broken and cut off […]
from 132,00 €Lolotte is a small canvas of June 1917, owned by the French state and hung at the Musée d’art et d’histoire du Judaïsme in Paris. A woman in a wide black hat is seen close to, her hair in heavy red-brown curls, a spray of flowers at her shoulder. With […]
from 132,00 €The Painter Krémègne is a portrait of 1916, held by the Kunstmuseum Bern under the number G 81.036. A man sits in a patterned chair, frontal and slightly turned, in a green-black overcoat, with both hands laid open on his knees. With us it is made as a hand-painted copy, […]
from 132,00 €Woman with Earrings is a canvas the Musée d’Art moderne de Paris dates to about 1917, under the number AMVP 1400. A long oval face is seen straight on above a very long neck, with a coral drop earring at each ear and a mottled grey wall behind. With us […]
from 132,00 €The Italian Woman is a canvas the Metropolitan Museum of Art in New York dates to about 1918–19, under the number 56.4. The sitter is upright and frontal in a dark green-black dress with a crisp white collar, against a warm salmon-orange wall. With us it is made as a […]
from 155,00 €The Channel of Gravelines, Grand Fort-Philippe is Seurat’s coastal scene of 1890: morning light over a wide, empty stretch of sand left by the receding tide. The original measures 81 x 65 centimetres, is signed, and is held in London by The National Gallery under inventory number NG6554. From us […]
from 139,00 €Boy in a Striped Sweater is a canvas of 1918 held by the Metropolitan Museum of Art in New York under the number 1999.363.56. A boy sits in a chair with his hands folded in his lap, in a teal-blue jacket open over a white and blue striped sweater. With […]
from 132,00 €Head of a Woman is a small Modigliani head that the Musée d’Art moderne de Paris dates to around 1920, under the number AMVP 2676. A head and neck fill the picture with almost nothing around them, laid in warm orange-ochre against a dark olive-brown ground. With us it is […]
from 108,00 €Viking Eggeling is a canvas of 1916 held by the LaM in Villeneuve-d’Ascq near Lille, under the number 979.4.102, given to the museum by Geneviève and Jean Masurel in 1979. The sitter is shown to the chest against a dark blue-green wall, and the face is not smoothed into a […]
from 155,00 €Seascape at Port-en-Bessin is Seurat’s coastal scene of 1888: green hills rolling back towards a turquoise-blue sea. The original measures 80,9 x 65,1 centimetres and is held in Washington by the National Gallery of Art under inventory number 1972.9.21. From us it is made as a hand-painted painting, oil on […]
from 188,00 €Léon Indenbaum is a portrait of 1916 in the Henry and Rose Pearlman Collection, number L.1988.62.19, on long-term loan to the Princeton University Art Museum. The sitter — a sculptor and a friend of the painter — is shown frontally in greys and greens with no setting at all, and […]
from 132,00 €The Red Head is a head painted in oil on cardboard, held by the Musée national d’art moderne at the Centre Pompidou in Paris under the number AM 4286 P. A face and the suggestion of shoulders are laid in brick red against a dark blue-green ground, with no room […]
from 139,00 €Portrait of Lunia Czechowska in a White Blouse is a canvas of 1917 held by the Pola Museum of Art in Hakone, Japan, under the number 002-0058. The sitter is turned almost into profile, in a white blouse with a small brooch at the throat, against a ground built of […]
from 124,00 €The Ironer against the Light shows a woman standing in profile at the ironing table, leaning forward into light that comes from behind her. Her head is lowered and her face turned down to the work; the dark hair is covered by a pale cloth knotted at the top. Her [...]
from 124,00 €Four Ballerinas on Stage crowds four dancers into the right two thirds of the canvas, seen close to, with the one at the far right cut by the edge. All lean and bend to the left with outstretched arms, so the bodies form a diagonal from the lower left towards [...]
from 188,00 €The Rehearsal shows a practice room at the Paris Opéra whose middle is empty, with everything that happens pushed to the edges. On the left a spiral staircase cuts into the scene; dancers come down it and we see them only as far as the knees. Left of centre two [...]
from 108,00 €The Laundress shows a young woman pressing an iron down onto white linen with both hands. We see her close and slightly from the side, from the top edge of the table; her head is bowed, her face turned down, her hair loose at the back. She wears a white [...]
from 108,00 €Woman Ironing shows a young woman standing behind a table covered with a large pale sheet. She wears a loose white blouse and a dark blue-grey apron; both arms reach forward, and with her right hand she presses the iron onto the cloth. She looks straight out at us, calm [...]
from 108,00 €Dance Rehearsal in the Foyer shows a tall, greenish-grey practice room at the Paris Opéra during a rehearsal. Three tall arched windows at the back let in a pale daylight, a heavy brown column stands right of centre, a wooden barre runs along the right-hand wall, and at the lower [...]
from 124,00 €Madame René De Gas is a portrait of a woman who was going blind, painted by a man who had just learned that his own sight was failing. She sits at the centre of a pale couch and looks towards us, her head turned a little to her right, the [...]
from 108,00 €Edmondo and Thérèse Morbilli shows a married couple in a room. The woman sits on a red sofa, turned towards us, in a wide cream crinoline with a bright red shawl over her shoulders and a white collar; in her lap she holds a folded fan, and she looks straight [...]
from 108,00 €Alexander and Bucephalus is a large early Degas, and almost nothing about it looks like the Degas most people know. Across a wide sandy path a young man strides in a short white tunic, barefoot, his body pressed forward; behind him a pale blue-green cloak lifts in an arc, held [...]
from 108,00 €Achille De Gas in the Uniform of a Cadet shows a very young man in a dark blue naval uniform, standing in front of a plain red-brown wall. On his head is a black peaked cap with a gold anchor and a gold band; a gold cord with tassels hangs [...]
from 108,00 €The Convalescent shows a young woman seated in an armchair, wrapped in a heavy dark brown robe over a white nightdress. She has laid her head against her raised hand, propped on the back of the chair; her face is pale and tired, with shadows under the eyes — and [...]
from 132,00 €Young Woman with Ibis shows a young woman in a dark blue-green robe and cloak standing behind a dark parapet; a scarlet ibis stands on her outstretched left hand, and a second stands on the parapet at the right with its neck raised. Behind them spreads a coral-pink sky and [...]
from 108,00 €The Ballet from Robert le Diable shows a theatre scene seen from a seat in the house: below, a dark row of the heads and backs of men in black coats with white collars, the neck of a double bass among them, above them the narrow bright line of the [...]
from 135,00 €Meadow at Giverny is Monet’s upright canvas of 1886. A mown meadow rises almost to the top edge and a row of trees burns behind it in autumn colour. The original is held by the Museum of Fine Arts in Boston under accession number 39.670. With us it is made [...]
from 110,00 €Morning on the Seine, near Giverny is from 1896 and belongs to the series Monet painted from his own boat, moored along a side channel of the river. He worked before dawn and stopped before the sun rose above the trees; the canvas is therefore almost without shadow, built from […]
from 112,00 €Cap Martin, near Menton was painted in 1884 on the Mediterranean coast between Menton and Bordighera. Monet wrote of this light that for a northerner it is almost indecent: here the sea runs from blue to violet, and the pines on the headland stand dark and sharply cut against the […]
from 123,00 €The Beach at Sainte-Adresse is an early work of 1867, painted in the fishing village north of Le Havre where Monet grew up. The sky is grey and takes up two thirds of the canvas; the boats have been hauled high onto the shingle because the weather is bad. The […]
from 130,00 €Madame Monet in a Kimono is from 1876 and is among the largest canvases Monet ever painted. Camille poses in a red kimono with a fan in her hand, and fifteen further fans are arranged on the wall behind her. The red of the robe is dense and almost in […]
from 123,00 €The Departure of the Boats, Étretat was painted in 1885 on the Normandy coast, which Monet returned to for several winters running. The fishing boats stand on the shingle, ready to be launched; behind them the sea lies low and grey, without a single white wave. The shingle is not […]
from 124,00 €Mademoiselle Marie Dihau shows a woman in strict profile, turned to the left, seated at a table. She wears a dark dress with a fur collar and a dark hat with a green feather and a dark ribbon falling behind her neck; a black earring hangs at her ear. At [...]
from 188,00 €View of Rome from the Banks of the Tiber is a small scene in which nearly two thirds of the surface is sky. It is golden and honey-coloured, without a single sharp cloud; below it the outline of the city stretches away in a soft violet grey, and out of [...]
from 124,00 €Washerwomen is a small canvas with two women’s heads and a single gesture that the museum’s own title explains. The woman at the left is seen in profile, turned to the right; a pale headscarf is pulled over her dark hair and she is dressed in dark clothes. The woman [...]
from 108,00 €Degas and Évariste de Valernes is a double portrait in which one of the two men is the painter himself. They sit side by side in front of a window. The older man at the left wears a black top hat and a dark coat, has a grey moustache and [...]
from 188,00 €Blue Dancers shows a group of dancers in blue skirts standing close together just before going on. One raises both arms to her hair, another adjusts a strap, a third leans forward; the faces are barely indicated and the bodies overlap until they read as a single movement. The skirts [...]
from 108,00 €Hilaire de Gas shows an elderly man with white hair seated in a striped armchair, looking straight out at us; across his lap he holds a dark cane horizontally, and his left hand rests on the arm of the chair. He wears a black coat, a pale waistcoat and light [...]
from 108,00 €Portrait of Léon Bonnat shows a young bearded man to the chest, in three-quarter view, looking slightly down and past us. On his head is a pale top hat with a dark band, its brim casting a shadow on his forehead; his hair and beard are dark, and below his [...]
from 124,00 €Mrs Jeantaud in the Mirror puts the same face on one canvas twice. At the right a woman stands in profile, turned to the left: she wears a dark cloak trimmed with fur and a pale hat with white feathers, a white flower at her throat and a drop at [...]
from 124,00 €The Cellist Pilet shows a musician in profile, turned to the left, seated at a table with his hands folded; in front of him lie white sheets of music and a bow, and the neck of a cello rises diagonally across the centre. At the right stand two dark upright [...]
from 132,00 €Jean Cocteau is a portrait of the poet painted in 1916, held in the Henry and Rose Pearlman Collection under the number L.1988.62.18 and on long-term loan to the Princeton University Art Museum. The sitter is upright in a red-brown armchair, in a blue-black suit and a black bow tie, […]
from 108,00 €The Servant Girl is a canvas of 1916 held by the Kunsthaus Zürich under inventory number 1851, a gift of the Ulrico Hoepli Foundation since 1927. The sitter is shown to the chest, with no prop and no room around her, against a dark green wall, and the whole picture […]
from 132,00 €Girl with a Polka-Dot Blouse is a canvas of 1919 held by the Barnes Foundation in Philadelphia under accession number BF180, where it hangs in Room 11. A young woman is shown at three-quarter length in a white blouse scattered with blue dots and tied at the throat with a […]
from 225,00 €Frost is from 1880, from the winter that froze the Seine solid and then broke it up within days. The field in the foreground is white, but there is almost no white in it: it is built from pale blue, rose and grey. The painter worked outdoors that winter in […]
from 132,00 €Hélène Rouart in her Father’s Study shows a young woman standing behind her father’s empty chair, both hands resting on its back. Her dress is grey-blue, the collar and cuffs are white lace, and her gaze slips past us to the left. To her left stands a glass case holding [...]
from 166,00 €Waterloo Bridge, Sunlight Effect is from 1903 and shows the same bridge as the grey day, but at the hour when the sun breaks the fog. The water under the arch is then orange and green at once, and the factory chimneys on the far bank melt into the light. […]
from 136,00 €Zaandam is from 1871, when Monet spent some months in Holland after the Franco-Prussian war. The wooden houses along the canal sit in a narrow band above the water; everything else is sky and reflection. The painter made more than twenty canvases there and said later that the Dutch light […]
from 124,00 €Racehorses at Longchamp shows riders spread across the grass beside the racecourse, nearly all of them with their backs to us. Four move off at the right: one in a rose jacket with a red cap, one in white, one in brick red with a pale blue cap, and one [...]
from 123,00 €Le Pavé de Chailly runs through the forest of Fontainebleau, where the young Monet worked at his first attempts to paint outdoors. The road narrows towards the centre and pulls the eye into shadow; the canopy above is a single mass, not separate leaves. The exact year is not established: […]
from 108,00 €Scene from the Steeplechase: The Fallen Jockey shows a rider lying on his back in the grass, arms spread and eyes closed, in a pink jacket and pale breeches. Above him a large brown horse without a rider stretches right across the scene, legs extended and saddle empty, while at [...]
from 112,00 €Charing Cross Bridge, London is from 1901 and was made through the window of the Savoy above the Thames. The railway bridge is only a horizontal stroke, and the train crossing it a cloud of smoke lighter than the sky. The painter worked on dozens of canvases at once in […]
from 112,00 €The Customs House at Varengeville is from 1897. The hut on the cliff edge had been built to watch for smugglers, and it gave Monet the only solid form in an otherwise open scene — sea, grass, sky. The painter returned to that hut over several years, taking it from […]
from 112,00 €The Petite Creuse River is from 1889, from a three-month stay in the Creuse valley in central France. The subject is bare: rocky slopes, narrow water, no building and no figure. The painter worked there in bad weather, and one day paid a local to strip the leaves from a […]
from 112,00 €The Seine at Port-Villez shows the bend of the river opposite Vétheuil, where the painter lived for some years. The bank is low, the sky takes more than half the canvas, and the water takes up both and softens them. The exact year is not established: the source records a […]
from 110,00 €Venice, Palazzo Dario is from 1908, from Monet’s only stay in Venice. The marble front dissolves in the water into vertical strokes longer than the building itself. The painter was sixty-eight, worked in Venice for three months, and went on finishing those canvases years later at Giverny. The original is […]
from 132,00 €Madam Pompadour is a canvas of 1915 held by the Art Institute of Chicago in the Joseph Winterbotham Collection, under accession number 1938.217. A woman in a wide hat is painted to the chest; the title and the year were written straight onto the canvas by the painter. With us […]
from 132,00 €L’enfant gras is a small canvas of 1915 held by the Pinacoteca di Brera in Milan. The French title means the fat child and describes what is there: a round child’s face with full cheeks, painted in a few broad areas. With us it is made as a hand-painted copy, […]
from 108,00 €Joseph-Henri Altès shows the head and shoulders of a bearded man, seen in strict profile, turned to the left, against an empty warm brown ground. The man is bald across the front of the crown, his dark hair combed back over the ears, his beard long and dark, and beneath [...]
from 139,00 €Léon Bakst is a narrow upright portrait of 1917, held by the National Gallery of Art in Washington in the Chester Dale Collection, under accession number 1963.10.173. The sitter was a painter and stage designer working in Paris; he kept the portrait himself until his death in 1924. With us […]
from 124,00 €Gentlemen's Race. Before the Start shows a group of riders on brown horses moving from left to right across the grass of the course before the race begins. The riders wear coloured silks and caps – red, green, yellow, blue-grey – and behind them stretch a low green hill and [...]