reproduction

reproduction

  • Still Life: Flowers, a dense bouquet of anemones and crown imperials in a white ribbed vessel – hand-painted oil reproduction of Renoir’s painting
    from 219,00 

    Pierre-Auguste Renoir – Still Life: Flowers   Year of creation: 1885 Original size: 65.8 cm x 81.9 cm Painting style: Impressionism Original technique: Oil on canvas Located: Solomon R. Guggenheim Museum, New York Still Life: Flowers is an oil painting by Pierre-Auguste Renoir, made in 1885. The original measures 65.8 […]

  • Edvard Munch, Night in Nice – night view of a town: pale houses with dark roofs step down a slope, cypresses between them, a dark ridge of hills across the middle; hand-painted reproduction.
    from 108,00 
    Night in Nice Night in Nice is a night view looking down across the roofs of the town, painted by Edvard Munch in 1891 and held under inventory number NG.M.00394 by the National Museum (Nasjonalmuseet) in Oslo. The original is an oil painting on canvas measuring 54 x 48 cm, [...]
  • Edvard Munch, Winter in the Woods, Nordstrand – snowy forest: dark spruce trunks rise out of deep snow, a heavy snow-laden canopy above, a white drift below; hand-painted reproduction.
    from 108,00 
    Winter in the Woods, Nordstrand Winter in the Woods, Nordstrand is a winter forest scene that Edvard Munch painted in 1899 in oil on cardboard rather than on canvas, held under inventory number NG.M.00570 by the National Museum (Nasjonalmuseet) in Oslo. The original measures 90 x 60.5 cm. Snow fills [...]
  • Blonde Bather, seated nude with a white cloth before the sea and a rocky coast – hand-painted oil reproduction of Renoir’s painting
    from 219,00 

    Pierre-Auguste Renoir – Blonde Bather   Year of creation: 1881 Original size: 65.4 cm x 81.6 cm Painting style: Impressionism Original technique: Oil on canvas Located: Clark Art Institute, Williamstown, USA Blonde Bather is an oil painting by Pierre-Auguste Renoir, made in 1881. The original measures 65.4 cm x 81.6 […]

  • Edvard Munch, Moonlight – night shore: a pale moon high in the sky, its reflection falling as a straight column of light on still water, dark trunks at the sides; hand-painted reproduction.
    from 108,00 
    Moonlight Moonlight by Edvard Munch is a night scene at the water's edge, seen from among the tree trunks, held under inventory number NG.M.02815 by the National Museum (Nasjonalmuseet) in Oslo. It was painted in 1895; the original is an oil painting on canvas and measures 110 x 93 cm. [...]
  • Paul Gauguin – Christ in the Garden of Olives, a bowed, red-haired figure in the foreground, a bare trunk at the centre, two figures walking away at, hand-painted oil reproduction
    from 108,00 

    Christ in the Garden of Olives – a red-haired Christ and the figures walking away In 1889 Paul Gauguin painted Christ in the garden, in the moment just before the arrest. The figure sits at the lower left of the canvas, bowed forward, in a dark olive cloak, hands laid […]

  • Bathers with a Crab, four nude figures on a rocky shore before the blue sea – hand-painted oil reproduction of Renoir’s painting
    from 188,00 

    Pierre-Auguste Renoir – Bathers with a Crab   Year of creation: c. 1890–1899 Original size: 65.4 cm x 54.6 cm Painting style: Impressionism Original technique: Oil on canvas Located: Carnegie Museum of Art, Pittsburgh Bathers with a Crab is an oil painting by Pierre-Auguste Renoir, painted around 1890 to 1899. […]

  • Edvard Munch, The Fairytale Forest – woodland scene: children seen from behind stand on a grassy slope before a row of dark spruces, a light path winding away at the right; hand-painted reproduction.
    from 115,00 
    The Fairytale Forest The Fairytale Forest by Edvard Munch is an oil painting on canvas of 1901 or 1902 that carries inventory number NG.M.02237 at the National Museum (Nasjonalmuseet) in Oslo. It measures 106.5 x 79 cm and shows a group of children seen from behind: they stand on the [...]
  • Edvard Munch, Workers Returning Home – a crowd of workers: the front figures in caps and dark coats come straight at the viewer, a factory with a chimney at the right; hand-painted reproduction.
    from 130,00 
    Workers Returning Home Workers Returning Home by Edvard Munch is an oil painting on canvas of 1920, held under inventory number NG.M.02819 by the National Museum (Nasjonalmuseet) in Oslo. The original measures 138.5 x 79.5 cm and is markedly horizontal, close to twice as wide as it is tall. A [...]
  • Young Girl Bathing, seated nude in profile with long hair and a white cloth – hand-painted oil reproduction of Renoir’s painting
    from 219,00 

    Young Girl Bathing – a background you can see the bare canvas through in places Year of creation: 1892 Original size: 64.8 cm x 81.3 cm Painting style: Impressionism Original technique: Oil on canvas Located: Metropolitan Museum of Art, New York Young Girl Bathing is an oil painting by Pierre-Auguste […]

  • Edvard Munch, Spring – sickroom by a window: a pale girl in an armchair under a blanket, an older woman with a cup beside her, a billowing white curtain at the right; hand-painted reproduction.
    from 132,00 
    Spring Spring by Edvard Munch is an oil painting on canvas of 1889, held under inventory number NG.M.00498 by the National Museum (Nasjonalmuseet) in Oslo. The original measures 264 x 169.5 cm and is the largest work on this shelf. A sick girl sits in a room with an older [...]
  • Long-haired Bather, standing nude in shallow water holding a white cloth – hand-painted oil reproduction of Renoir’s painting
    from 219,00 

    Long-haired Bather – a canvas held upright by a single vertical Year of creation: 1895–1896 Original size: 65.0 cm x 82.0 cm Painting style: Impressionism Original technique: Oil on canvas Located: Musée de l’Orangerie, Paris Long-haired Bather is an oil painting by Pierre-Auguste Renoir, made in 1895 and 1896. The […]

  • Paul Gauguin – Te arii vahine (The King's Wife), a reclining woman with a red fan on green grass, fruits before her, a blossoming tree at the right and a, hand-painted wall art
    from 108,00 

    Te arii vahine (The King’s Wife) – the canvas Gauguin itemised in his own letter In 1896, during his second stay on Tahiti, Paul Gauguin painted a woman lying on green grass, a red fan behind her head and a white flower at her ear. In front of her, on […]

  • After the Bath, seated blonde nude holding a white towel before flowering greenery – hand-painted oil reproduction of Renoir’s painting
    from 219,00 

    After the Bath – a body with no contour, held together by difference of colour alone Year of creation: 1910 Original size: 75.2 cm x 94.5 cm Painting style: Impressionism Original technique: Oil on canvas Located: Barnes Foundation, Philadelphia After the Bath is an oil painting by Pierre-Auguste Renoir, made […]

  • Diana, seated nude with a bow and a green animal skin, a felled deer at her feet – hand-painted oil reproduction of Renoir’s painting
    from 219,00 

    Diana – a nude that had to become a goddess before it could be shown Year of creation: 1867 Original size: 129.5 cm x 199.5 cm Painting style: Realism Original technique: Oil on canvas Located: National Gallery of Art, Washington Diana is an oil painting by Pierre-Auguste Renoir, made in […]

  • Bather with a Griffon Dog, standing nude holding a white chemise with a small dog on striped cloth – hand-painted oil reproduction of Renoir’s painting
    from 219,00 

    Bather with a Griffon – Salon drawing of the figure and freely painted foliage on one canvas Year of creation: 1870 Original size: 115.0 cm x 183.5 cm Painting style: Impressionism Original technique: Oil on canvas Located: Museu de Arte de São Paulo (MASP), Brazil Bather with a Griffon Dog […]

  • Edvard Munch, Death in the Sickroom – sickroom scene: the family stands around a tall wickerback chair holding the dying sister, turned away from us; hand-painted reproduction.
    from 140,00 
    Death in the Sickroom Death in the Sickroom by Edvard Munch is a painting on canvas of 1893, held under inventory number NG.M.00940 by the National Museum (Nasjonalmuseet) in Oslo. The original measures 169.5 x 152.5 cm. Six people stand and sit in a room with a green wall and [...]
  • Paul Gauguin – Vincent van Gogh Painting Sunflowers, Vincent van Gogh painting sunflowers, the brush in his outstretched hand and the palette beside him, fine art reproduction
    from 108,00 

    Vincent van Gogh Painting Sunflowers – Gauguin’s portrait of a painter at work In December 1888, during the nine weeks Paul Gauguin and Vincent van Gogh shared a house in Arles, Gauguin painted his host at work. Van Gogh is at the right of the canvas, in three-quarter view, with […]

  • Edvard Munch, Self-Portrait with Cigarette – half-length portrait: the painter in a dark suit with a raised hand and a burning cigarette, his face lit from below; hand-painted reproduction.
    from 124,00 
    Self-Portrait with Cigarette Self-Portrait with Cigarette by Edvard Munch is a painting of 1895, held under inventory number NG.M.00470 by the National Museum (Nasjonalmuseet) in Oslo. The original is oil on canvas and measures 85.5 x 110.5 cm. The painter stands turned straight toward us in a dark suit, holding [...]
  • A Nymph by a Stream, reclining nude on a mossy bank with a blue ribbon in her hair – hand-painted oil reproduction of Renoir’s painting
    from 188,00 

    Nymph by a Stream – a nude laid right across the length of the canvas Year of creation: 1869–1870 Original size: 66.7 cm x 122.9 cm Painting style: Impressionism Original technique: Oil on canvas Located: National Gallery, London A Nymph by a Stream is an oil painting by Pierre-Auguste Renoir, […]

  • Edvard Munch, Rue Lafayette – balcony view: a man in a top hat at the wrought-iron railing, a Paris boulevard with small figures and carriages below him; hand-painted reproduction.
    from 124,00 
    Rue Lafayette Rue Lafayette by Edvard Munch is a painting of 1891, held under inventory number NG.M.01725 by the National Museum (Nasjonalmuseet) in Oslo. The original is oil on canvas and measures 73 x 92 cm. We look down on a Paris street from a high balcony, and at the [...]
  • Edvard Munch, The Girls on the Bridge – jetty by the shore: three girls at the white railing, a dark lime-tree crown and a pale house behind them, a faint moon at the left; hand-painted reproduction.
    from 135,00 
    The Girls on the Bridge The Girls on the Bridge by Edvard Munch is a painting held under inventory number NG.M.00844 by the National Museum (Nasjonalmuseet) in Oslo. The original is oil on canvas and measures 125 x 136 cm. Three girls stand on a pier with their backs to [...]
  • The Bathers, two reclining figures on a white cloth in a meadow – hand-painted oil reproduction of Renoir’s painting
    from 188,00 

    The Bathers – a canvas from the last two years, painted thin enough to see through Year of creation: 1918–1919 Original size: 110.0 cm x 160.0 cm Painting style: Impressionism Original technique: Oil on canvas Located: Musée d’Orsay, Paris The Bathers is an oil painting by Pierre-Auguste Renoir, made in […]

  • Paul Gauguin – Tahitian Women on the Beach, two Tahitian women on the sand, the left in a red pareu, the right in a pink mission dress with plaiting, famous paintings on canvas
    from 108,00 

    Tahitian Women on the Beach – Gauguin’s first Tahitian canvas and two dresses In November and December 1891, a few weeks after he landed on Tahiti, Paul Gauguin painted two women seated side by side on the sand. The one on the left is shown in profile, in a white […]

  • Edvard Munch, The Dance of Life – dance scene by the sea: a couple at the centre, a woman in white at the left and a woman in black at the right, the moon reflected on the water; hand-painted reproduction.
    from 132,00 
    The Dance of Life The Dance of Life by Edvard Munch is an oil painting on canvas made between 1899 and 1900, held under inventory number NG.M.00941 by the National Museum (Nasjonalmuseet) in Oslo. The original measures 191 x 125 cm and is the largest of the works added to [...]
  • The Large Bathers, three nude figures on a river bank with a white cloth – hand-painted oil reproduction of Renoir’s painting
    from 188,00 

    The Large Bathers – a canvas painted two ways at the same time Year of creation: 1884–1887 Original size: 117.9 cm x 170.9 cm Painting style: Impressionism Original technique: Oil on canvas Located: Philadelphia Museum of Art, USA The Large Bathers is an oil painting by Pierre-Auguste Renoir, made between […]

  • Edvard Munch, The Sick Child – sickbed scene: a pale girl against a large white pillow, a woman in black with bowed head holding her hand; hand-painted reproduction.
    from 108,00 
    The Sick Child The Sick Child by Edvard Munch is a painting made between 1885 and 1886, held under inventory number NG.M.00839 by the National Museum (Nasjonalmuseet) in Oslo. The original is oil on canvas and measures 118.5 x 120 cm. A sick girl sits propped against a large white [...]
  • Paul Gauguin – The Siesta, four women on a covered veranda, one ironing linen, one lying in orange, the straw hat and the fruit, museum-quality reproduction
    from 108,00 

    The Siesta – Gauguin’s Tahitian veranda and an ordinary afternoon Between 1892 and 1894, in his first Tahitian period, Paul Gauguin painted a scene in which nothing much happens: four women pass the afternoon on a covered veranda. One is ironing linen, a second lies propped on her elbow in […]

  • Paul Gauguin – Two Tahitian Women, two Tahitian women at half length, one with a dish of red mango blossoms, before a wall of foliage, oil on canvas reproduction
    from 108,00 

    Two Tahitian Women – Gauguin’s late Tahitian pair with mango blossoms In 1899, in his last Tahitian years and shortly before he left for the Marquesas, Paul Gauguin painted two women placed side by side and cut off above the knee. One holds a shallow dish of red mango blossoms; […]

  • Paul Gauguin – Merahi metua no Tehamana (The Ancestors of Tehamana), Tehamana, named in the title, seated in a mission dress before the band of yellow signs and the figure, hand-painted canvas art
    from 129,00 

    Merahi metua no Tehamana – Gauguin’s portrait of Tehamana and her ancestors In 1893 Paul Gauguin painted the portrait of Tehamana, his Tahitian companion, and titled it Merahi metua no Tehamana – Tehamana has many parents. The girl sits facing the viewer directly, in a blue-and-white striped mission dress with […]

  • Paul Gauguin – Arlesiennes (Mistral), two Arlesian women in traditional dress, bent against the mistral, before the garden of the hospital at, reproductions of famous paintings
    from 108,00 

    Arlesiennes (Mistral) – Gauguin’s Arles autumn, painted on jute In the autumn of 1888, during the shared stay with Vincent van Gogh, Paul Gauguin painted the Arlesiennes in Arles. The work measures 73 x 92 cm – the museum states height first and width second – so it is a […]

  • Paul Gauguin – Mahana no atua (Day of the God), the idol with attendant figures, three women on pink sand, and the lower band of flat colour patches, reproductions on canvas
    from 108,00 

    Mahana no atua (Day of the God) – Gauguin’s Tahitian altar built out of colour Paul Gauguin painted Mahana no atua in Paris in 1894, between his two stays on Tahiti. It records no ceremony he actually witnessed; it is an image assembled from memory. A dark idol stands in […]

  • Paul Gauguin – Vision of the Sermon (Jacob Wrestling with the Angel), Breton peasant women after the sermon and Jacob wrestling the angel, divided by the apple branch, hand-painted oil reproduction
    from 108,00 

    Vision of the Sermon (Jacob Wrestling with the Angel) – Gauguin’s turning point at Pont-Aven In 1888, at Pont-Aven in Brittany, Paul Gauguin painted a canvas that falls into two worlds: in the foreground Breton peasant women in white coifs kneel in prayer, while on the far side of the […]

  • Paul Cézanne – Still Life with Apples and Peaches. On a wooden table with a scalloped edge, a heap of apples and peaches lies on a white plate; at the left a pale pitcher with a flowered mark, at the upper right a white vessel with a crimped rim, a white cloth hangs over the table edge, and behind them a patterned curtain of blue-brown foliage, canvas painting reproduction
    from 130,00 
    Still Life with Apples and Peaches – the work the catalogue names after a vessel nobody looks at On a wooden table with a scalloped edge, on a white plate, lies a heap of apples and peaches, yellow, orange and red. At the left stands a pale pitcher with a [...]
  • Paul Cézanne – The Gardener Vallier. An elderly man in a dark cap sits with his hands crossed in his lap, in a dark blue-green coat; behind him a brown horizontal rail runs the whole width, and above it a green wall of foliage, hand-painted oil reproduction
    from 130,00 
    The Gardener Vallier – a man with three trades in the record An elderly man in a dark cap sits turned slightly to the left, his hands crossed in his lap. He wears a dark blue-green coat that takes up almost the whole centre of the canvas; the face is [...]
  • Paul Cézanne – Pines and Rocks (Fontainebleau?). Three bare pine trunks rise the whole height of the canvas in front of a blue-green wall of foliage; below lie large ochre and pink rocks, with undergrowth threading between them, hand-painted reproduction on canvas
    from 130,00 
    Pines and Rocks (Fontainebleau?) – the canvas lent to a museum before the museum owned it Three bare pine trunks rise the whole height of the canvas, and in front of them and behind them stands a dense blue-green wall of foliage, laid in short diagonal strokes. The lower third [...]
  • Paul Cézanne – A Modern Olympia. A female nude reclines on white drapery while a servant draws back the cloth above her; at the lower right a bearded man in a dark coat is seated, a top hat and a small black dog beside him, to the left a red table with fruit and a carafe, at the upper right a blue vase of flowers, and a heavy pink curtain along the left edge, canvas painting reproduction
    from 130,00 
    A Modern Olympia – the canvas its own owner painted a second time On white drapery in the middle of the canvas a female nude reclines, and above her a servant with a raised arm draws back the cloth. At the lower right a bearded man in a dark coat [...]
  • Paul Cézanne – The Mill on the Couleuvre near Pontoise. A tall mill with a steep ochre roof stands among greenery beside the stream; at the lower left white ducks swim by a wooden hut, a pinkish road runs along the front edge of the canvas, and village roofs and a line of poplars stand to the right, hand-painted oil reproduction
    from 130,00 
    The Mill on the Couleuvre near Pontoise – a landscape you can check on the spot A tall mill with a pale façade and a steep ochre roof stands among greenery beside the water, a little left of the centre of the canvas. Below it lies a low wooden hut, [...]
  • Paul Cézanne – Houses in Provence: The Riaux Valley. Two ochre houses with reddish roofs stand among slopes painted in parallel diagonal strokes of green, ochre and blue; below a road crosses the canvas, above a grey-blue sky, Paul Cézanne, about 1883, hand-painted reproduction on canvas
    from 130,00 
    Houses in Provence: The Riaux Valley – the canvas where the catalogue contradicts itself Two ochre houses with reddish roofs stand in the upper half of the canvas, surrounded by slopes painted in parallel diagonal strokes of green, ochre and blue. Below, a pale road runs the full width. The [...]
  • Paul Cézanne – The Garden at Les Lauves. A sparingly painted canvas: below a low wall in ochre and green strokes, above green and blue patches of trees and sky, and between the strokes the grey priming of the canvas shows through in places, Paul Cézanne, about 1906, canvas painting reproduction
    from 130,00 
    The Garden at Les Lauves – the canvas where the priming shows The lower third is taken up by a low wall, painted in a few ochre and green strokes. Above it a band of green opens out – trees, scrub, perhaps gardens – in green, blue and brownish patches [...]
  • Paul Cézanne – The Bridge over the Marne at Créteil. In the lower half a still river reflecting trees, bridge and houses; above it a stone arched bridge, behind it tall green trees and houses with reddish roofs, a white and blue sky above, Paul Cézanne, about 1894, hand-painted oil reproduction
    from 130,00 
    The Bridge over the Marne at Créteil – one canvas, four Moscow institutions The lower half of the canvas is taken up by still water in which trees, bridge and houses are reflected vertically; the reflection is painted at the same density as the thing it reflects. Above it a [...]
  • Paul Cézanne – Turn in the Road at Auvers-sur-Oise. A pale ochre road turns to the right and disappears behind a low stone wall, beyond which farmhouses with grey roofs rise, green and brown trees around them, a light sky above, Paul Cézanne, about 1881, hand-painted reproduction on canvas
    from 130,00 
    Turn in the Road at Auvers-sur-Oise – the canvas exhibited for decades under the wrong region's name A pale ochre road comes in from the lower left, turns to the right and disappears behind a low stone wall. Beyond the wall farmhouses rise with grey and brownish roofs, and around [...]
  • Paul Cézanne – The Village of Gardanne. An upright canvas: on a hill the ochre and reddish houses of the village of Gardanne climb in steps with a church steeple at the top, green trees below, pale blue hills behind, Paul Cézanne, 1885–1886, canvas painting reproduction
    from 130,00 
    The Village of Gardanne – the canvas confiscated as enemy property The houses climb the hill in steps, one above another: ochre and reddish walls, flat roofs, narrow shadows between them. At the top stands a church steeple, the only vertical accent in the whole upper half. Below runs a [...]
  • Paul Cézanne – The Red Rock. An upright canvas: at the right a large red-orange rock face descends from the top, at the left and below dense green growth with pine trunks, between them narrow light gaps, Paul Cézanne, about 1895, hand-painted oil reproduction
    from 130,00 
    The Red Rock – a canvas with only three owners The canvas is upright, which is unusual for a landscape. From the upper right corner a large red-orange rock face comes down, smooth and almost without detail, like a curtain of stone. At the left and below stands dense green [...]
  • Paul Cézanne – The Bibémus Quarry. Steep red-orange walls of the quarry, cut into flat faces, among and above them dark green pines and scrub, at the top a narrow band of blue sky, Paul Cézanne, about 1895, hand-painted reproduction on canvas
    from 130,00 
    The Bibémus Quarry – the canvas that left the museum and came back The canvas is filled almost entirely with stone. The steep red-orange walls of the quarry are cut into flat faces that rise one above another like masonry; among them and above them stand dark green pines and [...]
  • Paul Cézanne – The Bay of Marseille, Seen from L'Estaque. Above the ochre and red roofs of the village of L'Estaque with a tall factory chimney stretches the deep blue plane of the bay, and behind it low mountains and a pale sky, Paul Cézanne, about 1885, canvas painting reproduction
    from 130,00 
    The Bay of Marseille, Seen from L'Estaque – the village, the sea and a factory chimney In the lower third of the canvas the ochre and red roofs of the village press together, and among them rises a tall narrow factory chimney. Above the roofs the deep blue plane of [...]
  • Paul Cézanne – The House of the Hanged Man at Auvers-sur-Oise. A bend in a country road among farmhouses with thatched roofs, bare trees at the left, in the distance a green valley and low hills under a blue sky, at the lower left the red signature P. Cezanne, Paul Cézanne, about 1873, hand-painted oil reproduction
    from 130,00 
    The House of the Hanged Man at Auvers-sur-Oise – a canvas from the first Impressionist exhibition The country road bends to the right in the foreground, between farmhouses with thick thatched roofs. At the left two bare trees rise the full height of the canvas; at the right a steep [...]
  • Paul Cézanne – Mont Sainte-Victoire and Château Noir. Among dark green trees the ochre building of the Château Noir appears at the left with dark window openings, and behind it the pale blue-grey mass of Mont Sainte-Victoire under a blue-green sky, Paul Cézanne, 1904–1906, hand-painted reproduction on canvas
    from 130,00 
    Mont Sainte-Victoire and Château Noir – the canvas that left for Japan in 1922 At the left and along the bottom the canvas is closed by dark green trees, painted in short dense touches. Among them an ochre building appears with dark window openings: the Château Noir. Behind it lifts [...]
  • Paul Cézanne – Mont Sainte-Victoire Seen from Bibémus. Ochre quarry blocks in the foreground with green shrubs and pines, behind them the grey-blue mass of Mont Sainte-Victoire under a blue sky, Paul Cézanne, about 1897, canvas painting reproduction
    from 130,00 
    Mont Sainte-Victoire Seen from Bibémus – the canvas two sisters from Baltimore bought In the foreground stand ochre blocks of the quarry, cut into flat faces, with low green scrub growing on them; at the right a pine rises the full height of the canvas on a thin dark branch. [...]
  • Paul Cézanne – The Murder. A dark canvas with a low horizon and a heavy sky, three figures on the ground: a man in a white shirt and blue trousers with one arm raised, a stooping figure in ochre pressing both hands down, and a figure lying in dark blue, Paul Cézanne, about 1870, hand-painted oil reproduction
    from 130,00 
    The Murder – three works under one title The canvas is dark almost throughout: a low horizon, above it a heavy brown-black sky, and a single lighter patch at the upper right. Three figures are on the ground. At the left a man in a white shirt and blue trousers, [...]
  • Paul Cézanne – Still Life with Apples. On a table with blue patterned cloth and a white cloth with a red stripe stand a green olive jar, a raffia-wrapped bottle, a ginger pot, a sugar pot and a plate of apples, Paul Cézanne, 1893–1894, hand-painted reproduction on canvas
    from 130,00 
    Still Life with Apples – a work built on two pieces of cloth On the table stand, side by side, a green olive jar with a terracotta foot, a raffia-wrapped bottle, a blue and white ginger pot caught in a net of cord, a small lidded sugar pot with a [...]
  • Paul Cézanne – Seated Man. A grey-haired man with a moustache in a dark coat and black bow tie sits with both hands on his knees, a folded newspaper under his left hand, a wooden chest at the left and a flowered curtain at the right, Paul Cézanne, 1898–1900, canvas painting reproduction
    from 130,00 
    Seated Man – what is in his hand, and why the record cannot agree about it A grey-haired man with a grey moustache sits facing the viewer, in a dark coat, a white shirt and a black bow tie. Both hands rest on his knees; under the left one lies [...]
  • Paul Cézanne – Peasant in a Blue Smock. A seated man in a loose blue smock, a red neckerchief at the open collar and a soft brown hat, behind him a folding screen with a painted female figure, Paul Cézanne, about 1897, hand-painted oil reproduction
    from 130,00 
    Peasant in a Blue Smock – the canvas a museum bought in memory of its first director The man sits turned slightly to one side, in a loose blue working smock, with a red neckerchief at the open collar and a soft brown hat on his head. His hands are [...]
  • Paul Cézanne – Portrait of Antony Valabrègue. A man with dark hair and a reddish-brown beard in a black coat, grey waistcoat with buttons, white upright collar and black bow tie, before a grey-green wall, Paul Cézanne, 1869–1870, hand-painted reproduction on canvas
    from 130,00 
    Portrait of Antony Valabrègue – the canvas an auction brought into a museum The man sits close in front of a grey-green wall laid on in broad, plainly visible strokes. He has dark hair and a full reddish-brown beard, and he wears a black coat, a grey waistcoat with three [...]
  • Paul Cézanne – Portrait of Gustave Geffroy. A moustached man sits at a table before a wall of bookshelves, his hands together over an open book, at the left a white plaster statuette and a white flower in a blue vase, Paul Cézanne, 1895–1896, canvas painting reproduction
    from 130,00 
    Portrait of Gustave Geffroy – the canvas its painter gave up on Gustave Geffroy sits at a table in his own study, leaning slightly forward, his hands together above an open book. Behind him a wall of shelves climbs to the top edge of the canvas, the spines painted as [...]
  • Paul Cézanne – Portrait of the Painter Achille Emperaire. A man in a blue dressing gown seated in a tall floral-covered armchair, feet on a stool, the words ACHILLE EMPERAIRE PEINTRE across the top, Paul Cézanne, 1867-1868, hand-painted oil reproduction
    from 135,00 
    Portrait of the Painter Achille Emperaire – the name written across the top Right at the top of the canvas, in large gold-ochre capitals, stands the inscription: ACHILLE EMPERAIRE PEINTRE. Below it a man sits frontally and symmetrically in a tall armchair whose arched back rises well above his head, [...]
  • Paul Cézanne – Young Italian Woman at a Table. A young woman in a white blouse with a yellow sash, her head resting on her hand, at a table under a vivid green and rust floral cloth, Paul Cézanne, about 1900, hand-painted reproduction on canvas
    from 130,00 
    Young Italian Woman at a Table – the cloth whose colours the catalogue writes down A young woman sits at a table, her head tipped and resting on her right hand, the elbow planted on the top. She wears a white blouse with full gathered sleeves; a gold-yellow sash runs [...]
  • Paul Cézanne – Woman with a Coffeepot. A seated woman in a blue belted dress, beside her a table with a cup, an upright spoon and a metal coffeepot, panelling behind, Paul Cézanne, about 1895, canvas painting reproduction
    from 130,00 
    Woman with a Coffeepot – the catalogue does not know who she is The woman sits square to the viewer and fills almost the whole height of a large canvas. Her dark hair is drawn back, her face calm and frontal. She wears a blue dress buttoned to the throat, [...]
  • Paul Cézanne – Madame Cézanne in Blue. A woman in a blue jacket with a white collar before an olive wall with blue teardrop motifs and pale panelling, Paul Cézanne, 1886-1887, hand-painted oil reproduction
    from 130,00 
    Madame Cézanne in Blue – a single colour holds the whole work The sitter is painted almost frontally, turned only a fraction; her dark hair is centre-parted and drawn back. She wears a blue jacket with a white turned collar that fills the lower two thirds of the canvas. Behind [...]
  • Paul Cézanne – Madame Cézanne in a Red Dress. A seated woman in a dark red belted dress, hands folded in her lap, in a yellow armchair with a leaf pattern before a blue-grey wall, Paul Cézanne, 1888-1890, hand-painted reproduction on canvas
    from 130,00 
    Madame Cézanne in a Red Dress – a room with everything carried out of it The sitter faces the viewer square on, her dark hair centre-parted and drawn back. She wears a dark red, almost maroon dress with a soft belt knotted at the waist and long sleeves; her hands [...]
  • Paul Cézanne – Madame Cézanne in a Striped Skirt. A seated woman in a blue-grey bodice and striped skirt in a red armchair with tassels, behind her wallpaper with blue lozenges, Paul Cézanne, about 1877, canvas painting reproduction
    from 130,00 
    Madame Cézanne in a Striped Skirt – two patterns in one work The woman sits square to the viewer, her dark hair drawn up. She wears a blue-grey bodice with a soft bow at the throat, her hands folded in her lap, and the lower half of the canvas is [...]
  • Paul Cézanne – Self-Portrait with a Pink Background. The painter bare-headed, with a dark beard and black coat, before pink wallpaper with pale scrolling motifs, Paul Cézanne, about 1875, hand-painted oil reproduction
    from 130,00 
    Self-Portrait with a Pink Background – the work named after its wall The painter is bare-headed, the head turned to the right. The crown is high and bald, dark hair remains at the sides and behind, a large ear is exposed at the left, and the jaw is covered by [...]
  • Paul Cézanne – Self-Portrait in a Straw Hat. The painter in a broad yellow straw hat with a thick dark beard before olive wallpaper with large floral motifs, Paul Cézanne, 1878-1879, hand-painted reproduction on canvas
    from 130,00 
    Self-Portrait in a Straw Hat – the other hat The painter has shown himself almost frontally, the head slightly turned. On it sits a broad straw hat laid in a strong yellow, its brim falling at the right and a darker band running round the crown. A thick brown beard [...]
  • Paul Cézanne – The Stove in the Studio. A cast-iron stove with glowing embers and a large pot, behind it two canvases turned back-to-front and an earthenware jug, Paul Cézanne, about 1865, canvas painting reproduction
    from 130,00 
    The Stove in the Studio – the canvases stand with their backs to the room At the centre stands a small cast-iron stove on curved feet; through the grate open at the front the red embers show. On its plate squats a large dark pot with two handles and a [...]
  • Paul Cézanne – Self-Portrait with a Soft Hat. The painter in a soft hat with a turned-down brim, grey-green beard and dark blue coat before a mottled wall, Paul Cézanne, 1894, hand-painted oil reproduction
    from 130,00 
    Self-Portrait with a Soft Hat – in the catalogue the hat is a heading of its own The painter has shown himself at a three-quarter turn: the body faces left, the head to the right. On his head sits a soft olive-ochre hat with the brim bent down, its shadow [...]
  • Paul Cézanne – Milk Can and Apples. A tall blue-grey milk can, a white napkin folded into sharp peaks, apples and pears on a dark table, Paul Cézanne, 1879-1880, hand-painted reproduction on canvas
    from 130,00 
    Milk Can and Apples – the catalogue knows which room it was painted in At the left stands a tall cylindrical milk vessel, blue-grey, with a flat lid and a dark seam down its side. The centre is held by a white napkin, folded into sharp edges that do not [...]
  • Paul Cézanne – Flowers in a Ginger Jar and Fruit. A bouquet of white, red and pink flowers in a blue-and-white ginger jar set in woven cane, pears on a white cloth, Paul Cézanne, about 1890, canvas painting reproduction
    from 130,00 
    Flowers in a Ginger Jar and Fruit – the exhibition title that says where the canvas had been Out of a blue-and-white vessel seated in a woven cane basket rises a dense bouquet: white daisies, two deep red blooms, pale pink petals and small orange buds among dark green leaves. [...]
  • Paul Cézanne – Straw-Trimmed Vase, Sugar Bowl and Apples. A straw-bound vase, a white sugar bowl and seven apples on a plate on a bare table, Paul Cézanne, 1890–1893, hand-painted oil reproduction
    from 130,00 
    Straw-Trimmed Vase, Sugar Bowl and Apples – the year was written by the painter's son A blue-grey vase bound with straw that crosses over its belly in an X, a white sugar bowl with a small lid beside it, and in front a plate of apples – yellow, yellow-green and [...]
  • Paul Cézanne – Still Life with Soup Tureen. A decorated soup tureen, a dark bottle and a wicker basket of apples on a red flowered cloth, Paul Cézanne, 1877, hand-painted reproduction on canvas
    from 130,00 
    Still Life with Soup Tureen – Pissarro's painting, from Pontoise A large cream soup tureen with a lid, painted with an orange-red festoon and tassels, a dark bottle standing behind it, a wicker basket heaped with yellow, green and dark red apples, and two apples that have rolled onto the [...]
  • Paul Cézanne – Bowl and Milk-Jug. A white bowl with an orange rim and green leaf sprigs beside a blue-grey milk pot on an ochre surface, Paul Cézanne, canvas painting reproduction
    from 130,00 
    Bowl and Milk-Jug – a piece of a larger canvas Two objects and nothing else: at the left a tall blue-grey milk pot with a lid, at the right a white bowl with an orange rim and green leaf sprigs, both on a warm ochre wooden surface, with a dark [...]
  • Paul Cézanne – Ginger Pot with Pomegranate and Pears. A straw-wrapped ginger pot, a pomegranate and pears on a white cloth with a red stripe, Paul Cézanne, 1890–1893, hand-painted oil reproduction
    from 130,00 
    Ginger Pot with Pomegranate and Pears – one red line across the white A grey-green ginger pot bound about with plaited straw, a pomegranate with its stalk, green and reddish pears and a shallow white dish – all on a wooden table from which a white cloth falls. The canvas [...]
  • Paul Cézanne – Fruit and a Jug on a Table. Apples, peaches and a lemon on a white dish beside a stoneware jug on blue patterned cloth, Paul Cézanne, 1893–1894, hand-painted reproduction on canvas
    from 130,00 
    Fruit and a Jug on a Table – the painting that found no buyer at auction A stoneware jug with a thick loop handle, a white oval dish of apples and peaches, and beside it a yellow lemon lying straight on the cloth. The whole group stands on a blue-grey [...]
  • Paul Cézanne – Still Life with Milk Jug and Fruit. A tall milk jug, a glass and peaches on a white dish on a wooden table, Paul Cézanne, about 1900, canvas painting reproduction
    from 130,00 
    Still Life with Milk Jug and Fruit – the Cézanne that belonged to Monet A tall, narrow, faceted milk jug with a flowering sprig, a stemmed glass behind it, and in front a white oval dish of peaches and apples from which a few fruits escape onto the table. The [...]
  • Paul Cézanne – The Peppermint Bottle. Still life with a peppermint bottle, carafe, glass and apples on blue patterned cloth, Paul Cézanne, 1893–1895, hand-painted oil reproduction
    from 130,00 
    The Peppermint Bottle – the painting that was named last A dark green bottle with a red label, a tall glass carafe, a small half-filled glass and five apples stand on a table that a large blue patterned cloth covers almost to the floor; a stiff white linen cloth falls [...]
  • Paul Cézanne – The Kitchen Table. Kitchen table with a wicker basket of fruit, a ginger jar and a small jug, Paul Cézanne, 1888–1890, hand-painted reproduction on canvas
    from 130,00 
    The Kitchen Table – a painting that rhymes with itself This is one of Cézanne's most crowded kitchen scenes: a large wicker basket heaped with pears and apples, a ginger jar on a low stand, a lidded sugar bowl, a white jug with a floral sprig, fruit across the cloth, [...]
  • Paul Cézanne – Bread and Eggs. Dark still life with a loaf, eggs, red onions, a tankard and a glass, Paul Cézanne, 1865, canvas painting reproduction
    from 130,00 
    Bread and Eggs – a painting with another painting under it On a dark table lie a long loaf, two white eggs, red onions, a pewter tankard, a glass of wine and a black-handled knife; from the right a white cloth falls over the edge. The background is almost black. [...]
  • Paul Cézanne – Still Life with a Dessert. Still life with a decanter, glass, bread and fruit on a carved chest of drawers, Paul Cézanne, 1877 or 1879, hand-painted oil reproduction
    from 130,00 
    Still Life with a Dessert – a borrowed grandeur The objects on this canvas are gentlemanly: a heavy cut-glass decanter with incised rosettes, a tall glass on a thin stem, a white cloth, and beneath it all a carved and gilded chest of drawers. What lies on them is bread, [...]
  • Paul Cézanne – The Buffet. Still life with a buffet, white cloth, bottle and fruit, Paul Cézanne, 1877–1879, hand-painted reproduction on canvas
    from 130,00 
    The Buffet – two ways of laying on paint in one canvas In Cézanne's Buffet a laid table stands in front of a dark sideboard: a wine bottle, a blue glass, two cups on the shelf, apples and pears, and a carefully stacked pile of biscuits on a blue plate. [...]
  • Paul Cézanne – Harlequin. Harlequin in a red and black costume holding a baton, Paul Cézanne, 1888–1890, canvas painting reproduction
    from 130,00 
    Harlequin – when the painter takes away his son's face Harlequin stands alone in front of a grey-blue wall, in tights of red and black diamonds, a white crescent-shaped hat on his head and a slender baton in his hand. The canvas measures 101 × 65 cm, was painted between [...]
  • Paul Cézanne – Poplars. Poplars along a path in the landscape, Paul Cézanne, 1879–1880, hand-painted oil reproduction
    from 130,00 
    Poplars – the canvas Cézanne lets breathe Poplars is one of those Cézanne landscapes in which the paint deliberately does not cover everything. Slender trunks rise in a row into dense, restless foliage, a meadow with a narrow path stretches below, and a low stone wall shows white among the [...]
  • Paul Cézanne – Curtain, Jug and Fruit Bowl. Still life with a curtain, a jug and a fruit bowl, Paul Cézanne, 1893–1894, hand-painted reproduction on canvas
    from 130,00 
    Curtain, Jug and Fruit Bowl – the Cézanne you cannot visit Curtain, Jug and Fruit Bowl is one of those Cézanne still lifes that stands up only because the painter willed it so: a heavy patterned curtain at the left, a stoneware jug, a bowl of apples and pears, and [...]
  • Paul Cézanne – Still Life with Onions. Still life with onions, a bottle, a glass and a knife, Paul Cézanne, 1896–1898, canvas painting reproduction
    from 130,00 
    Still Life with Onions – the knife that opens depth Still Life with Onions is among the most fully resolved of Cézanne's late still lifes. On a table whose right edge draws back, a dish of onions stands before white drapery, with a quiet grey wall behind; to the left [...]
  • Paul Cézanne – The Basket of Apples. Still life with a basket of apples, a bottle and biscuits, Paul Cézanne, 1893, hand-painted oil reproduction
    from 130,00 
    The Basket of Apples – a table that does not line up The Basket of Apples was the first work by Cézanne to enter the collection of the Art Institute of Chicago, and it is among his most discussed still lifes. At first glance it is a quiet table: a [...]
  • Leonardo da Vinci - Portrait of a Musician - reproduction of famous painting by famous artist, hand painted painting on canvas
    from 600,00 

    Portrait of a Musician – the only male portrait Leonardo painted The Portrait of a Musician is a singularity in Leonardo’s work: of all his portraits, it is the only one showing a man. For centuries it was believed the Duke of Milan looked out of it – until a […]

  • Verrocchio and Leonardo da Vinci - The Baptism of Christ - reproduction of famous painting, hand painted painting on canvas
    from 600,00 

    The Baptism of Christ – the painting where the pupil overtook the master The Baptism of Christ was made in Andrea del Verrocchio’s workshop, where the young Leonardo da Vinci trained. That is exactly why it is one of the rare paintings in which you can see with the naked […]

  • Leonardo da Vinci - The Madonna of the Yarnwinder - reproduction of famous painting by famous artist, hand painted painting on canvas
    from 600,00 

    The Madonna of the Yarnwinder – the painting stolen and returned four years later The Madonna of the Yarnwinder is a work with two lives: it exists in two versions of equal standing, and one of them vanished from a Scottish castle in 2003 and came back only four years […]

  • Leonardo da Vinci - The Madonna of the Carnation - reproduction of famous painting by famous artist, hand painted painting on canvas
    from 600,00 

    The Madonna of the Carnation – the only Leonardo permanently on view in Germany The Madonna of the Carnation is an early Leonardo with an unusual path: a panel once owned by the Medici of Florence later turned up in German private collections, and from there in Munich. Today it […]

  • Leonardo da Vinci - The Madonna Litta - reproduction of famous painting by famous artist, hand painted painting on canvas
    from 600,00 

    The Madonna Litta – the beautiful painting whose author we cannot be sure of The Madonna Litta is one of the best-loved Madonnas of the Renaissance and also one of the most disputed. The museum that holds it lists it as a Leonardo; a substantial part of the scholarly world […]

  • Leonardo da Vinci - The Benois Madonna - reproduction of famous painting by famous artist, hand painted painting on canvas
    from 600,00 

    The Benois Madonna – the painting the museum kept paying for through a revolution The Benois Madonna is one of those Leonardo paintings the world long believed lost. It shows a young mother playing with her child – a scene so familiar that it is hard to remember it is […]

  • Leonardo da Vinci - La Scapigliata - reproduction of famous painting by famous artist, hand painted painting on canvas
    from 600,00 

    La Scapigliata – the most mysterious unfinished head La Scapigliata is a small painting with a large puzzle: the face of a young woman is worked to the last breath, while the shoulders, neck and background are barely indicated. Whether Leonardo left the work unfinished, or whether that very incompleteness […]